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The movie begins with Rama Krishna (Jeeva) being arrested by police on charges of murdering his mother Saratha (Saranya), a school teacher. The rest is a flashback. Rama Krishna is a ... See full summary »
Aravind (Bharath)loses his girl friend Liyana (Mirthika)in a car accident and he lives with her memories. But, people around him try to make him believe that he is just hallucinating and no... See full summary »
For me, Poo has been a three year journey of searching and coming closer to understanding pure love. I saw the movie for the first time in Amsterdam in 2008. The way the poster was artistically designed with calligraphically written title had attracted me to this movie. Sadly, that was the same time I stopped writing review of movies on IMDb. The movie had affected my soul so much, that in these three years I have re-visited this movie so many times, seen it again and again.
And I do not know Tamil or understand it. There are a few movies that have made me cry so much. I think it has to do with different stages of my life and growth. The pursue of Maari (the protagonist of Poo) lead me to buy the translation of its original Tamil short story Veyyilodu Poi written by S. Tamizhselvan is Sudhir Kakkar's Indian Love Stories. Back in India, my love for Poo made me meet Director Sasi in Chennai who gave me the copy of the movie with English subtitles to watch. This was my first experience of seeing Poo with sub-titles and understanding the poetry within its spoken language. Throughout the 2 hour 17 minutes run time, I cried so much, at every juncture when Maari came on the screen, watching this pure, golden and innocent immortal love story.
Would be it fair to write a review of a movie after 3 years of theatrical release? I think, YES. I understand that the story is inspired from a real life character of Maari.
Maari (Parvathy Menon - debut) loves her maternal uncle's son Thangarasu (Srikanth) since childhood and dreams of marrying him. The movie is about Maari's pure love that is heavenly, out of the world, innocent and sacrificial.
Director Sasi has taken brilliant performances from his cast. After meeting him I understand the sensitiveness with which he has dealt with the subject. The tenderness of this immortal character can only be niched by a poet and so has Sasi done justice to each and every frame where he captures Maari's mood to the celluloid. The casting is almost perfect, with brilliant cinematography (P.G.Muthiah), and heart rendering dusty and rustic village locales of South India state Tamil Nadu and soul stirring tunes by Music Director S.S.Kumaran especially Avaaram Poo and Choo Choo Maari.
The depth of characterization is seen in most of all the leading cast, that projects their motivations, aspirations, dilemmas without spelling it out in words. All actors and actresses have acted nicely.
Lastly, the review would remain incomplete without mentioning Parvathy Menon, who debuted in Tamil cinema with this role. She plays and enacts the role of Maari to such perfection, that I wish to engrave the image of Maari forever in my psyche. Brilliant is the only word I can say for her.
I hear that the movie has done average business, but it stands out as a classic reckoning to last eternally for the flavor of love it projects on the silver screen. How can one not would fall in love? with cinema Masterpieces like this, restore faith in humanity and the power of cinema and movies that could translate and transplant new seeds of subtle love in heart forever.
What better tribute I can give than say that the movie inspires me and makes me the protagonist Maari to its very core. And I am happy to have been exposed to this lyrical poem of love and romance.
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