| Ellen Bry | ... | Ester | |
| Lynn Cole | ... | Ramona | |
| Jeff Portell | ... | Tony | |
| Lucas Till | ... | Justin | |
| Raegan Lamb | ... | Crystal (as Regan Lamb) | |
| Jessica Luza | ... | Teri | |
| Erin Patterson | ... | Jasmine | |
| Michael May | ... | Max | |
| Greg Thompson | ... | Jon Garrett | |
| Bruce Taylor | ... | Judge Washington | |
| Michael Wells | ... | Franklin | |
| Syvonne | ... | Old Woman | |
| Bob King | ... | Mr. White | |
| Cynthia Evans | ... | Stephanie | |
| Dolan Wilson | ... | Pawn Shop Owner | |
| Teri Carpenter | ... | Monica | |
| Justin Carpenter | ... | Travis | |
| Ken Colquitt | ... | Probation Officer | |
| Della Cole | ... | Doctor | |
| Stan Patterson | ... | Cab Driver | |
| Tonya Stoneman | ... | Judge's Secretary | |
| rest of cast listed alphabetically: | |||
| Kelly Finley | ... | Clerk | |
| Jyn Hall | ... | Adult Jasmine | |
Directed by | |||
| Barnet Bain | |||
Writing credits(in alphabetical order) | ||
| Terry Collis | writer | |
| Jeff Ross | writer | |
| Anna Waterhouse | writer | |
Produced by | |||
| Martha Almond | .... | executive producer | |
| Bobbie Collis | .... | producer | |
| Terry Collis | .... | producer | |
| David E. Harshbarger | .... | associate producer | |
| Jeff Ross | .... | associate producer (as Jeffrey Ross) | |
Original Music by | |||
| Nuno Malo | |||
Cinematography by | |||
| Brian Gunter | |||
Film Editing by | |||
| Ellen Goldwasser | |||
Casting by | |||
| Kimberly Smith Holt | |||
| Jo Ann Smith | |||
Set Decoration by | |||
| Heather Bowers | |||
| Sam Hill | |||
| Cindy Van Dusen | |||
Costume Design by | |||
| Linda N. Robinson | |||
Makeup Department | |||
| Teresa Foshee | .... | makeup department head | |
| Taylor Knight | .... | hair department head | |
Production Management | |||
| Bobbie Collis | .... | production manager | |
| Katie Willard Troebs | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| T.S. O'Kelly | .... | first assistant director | |
| Heath Reece | .... | second assistant director | |
| John Scott II | .... | second second assistant director | |
Art Department | |||
| Sammy Ray Hill | .... | set dresser | |
Sound Department | |||
| Tom Beach | .... | sound mixer | |
| Aron Siegel | .... | boom operator | |
Camera and Electrical Department | |||
| Mike Akins | .... | key grip | |
| Reid Andrews | .... | best boy electric | |
| Bill Bennett | .... | grip | |
| Hugh Braselton | .... | second assistant camera | |
| James Cheshire | .... | best boy | |
| Quantrell D. Colbert | .... | still photographer | |
| Brandon Davis | .... | electrician | |
| Bret Lanius | .... | first assistant camera: "b" camera | |
| Laura Macdonald | .... | grip | |
| Tully McCulloch | .... | gaffer | |
| Jim McKinney | .... | camera operator (as Jim A. Mckinney) | |
| Tom Prichard | .... | electrician | |
| Ross Sebek | .... | first assistant camera: "b" camera | |
| Joe Thomas | .... | first assistant camera | |
| Cris Toebben | .... | company electrician | |
| Cris Toebben | .... | electrician | |
| Charles Veal | .... | dolly grip | |
Costume and Wardrobe Department | |||
| Kelly Brennan | .... | set costumer | |
| Kristen Mansour | .... | costumer | |
| Heather Sease | .... | assistant costume designer | |
Transportation Department | |||
| Keith N. Collis | .... | transportation coordinator | |
| Chuck Graydon | .... | driver | |
| Ron Hurd | .... | driver | |
| Oranz Walker | .... | driver | |
| Sharon Williams | .... | driver | |
Other crew | |||
| Al Boyce | .... | craft service | |
| Megan Graham | .... | script supervisor (as Megan H. Graham) | |
| Samuel Jerome Johnson | .... | set production assistant | |
| Barrett Pitner | .... | video and computer playback operator | |
| Lynda Reynolds | .... | catering chef | |
| Lynda J. Reynolds | .... | chef assistant | |
| Michael Reynolds | .... | chef/caterer | |
| Sia Sapoundjieva | .... | production secretary | |
| Jake Smith | .... | office production assistant | |
| Eleanor Stone | .... | tutor: on-location | |
| Jamie Vecanski | .... | set production assistant | |
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| Ride to Live | Livewire | Even If | Riverside | Cover-Up '62 |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
Pretty good (but not great) for a Christian movie. Nonetheless, I would still recommend it, largely in part because of its message. It had many of the ups-and-downs of your typical Christian movie -- clean, family- friendly, Christian message, sub-par acting, and the feel of a Lifetime movie.
While I may be a little down on the acting job (better than I have seen in some other Christian movies, but still sub-par), the story is very inspiring. And ultimately, THAT'S what this movie (and the vast majority of other Christian movies) means to emphasize. It serves to shed light on the issue of foster care, and the need for people (especially Christians?) to step up and perhaps help take care of these kids.
I used to spend my summers working at a camp for kids who were in the foster system because they had been abused or neglected by their own parents. Also, my wife and I have discussed the possibility of adopting children, or (if not adopting) fostering children. So needless to say, this film was certainly moving and touching. I know that not everyone is called to adopt or take on foster children, but I still recommend this movie to any Christian out there.