3 items from 2017
With every post taking the form of a six-second loop, the now-defunct online platform Vine can only tell so much story. That made it an ideal venue for “Simply Sylvio,” Albert Birney’s chronicle of a working class ape struggling to find his place in human civilization. That would be Birney, in a furry gorilla suit, enacting a series of strange and melancholic moments that pushed just beyond the boundaries of a simple gag: Whether contemplating the changing of the seasons, wandering the beach, or partying alone at sundown, Sylvio existed for the sole purpose of small moments — and users responded, as attested by the half million followers that Birney developed over the course of 814 posts.
Needless to say, it would be hard to imagine these tidbits amounting to much beyond limitations of the format, which is why it’s particularly fascinating to see Birney try. Unlike the teen stars »
- Eric Kohn
Brace yourself. The annual multi-pronged South By Southwest Conferences and Festivals — SXSW, of course — is hitting Austin, Texas later this week for days and days of fresh film offerings (and music and interactive stuff, too, but we can only do so much here). With it comes the promise of a brand new season of festival-going, along with a slew of films to get excited about finally checking out (and, because it’s Austin, lots of tasty barbecue to enjoy).
From SXSW regulars like Bob Byington and Joe Swanberg to rising stars like Nanfu Wang and Laura Terruso to marquee names like Terrence Malick and Edgar Wright — and just about everything in between — this year’s SXSW Film Festival is offering up its most robust slate yet. We’ve picked out a baker’s dozen of worthy new features to add to your SXSW schedule.
Check out 13 new films from this »
- Chris O'Falt, David Ehrlich, Eric Kohn, Jude Dry, Kate Erbland and Steve Greene
With Sundance behind us, the next major American festival is waiting in the wings. The SXSW Film Festival lineup has landed, and there’s a lot to dig through.
Unlike Sundance, which attracts a lot of industry attention around a handful of high-profile titles, SXSW is more about discovery. As usual, there are a lot of compelling possibilities in the program, from the newcomers in its competition sections through the more peculiar and surprising offerings in the Visions section. IndieWire got a few tips from SXSW Film director Janet Pierson and extracted these promising possibilities.
Small Stories, Big Steps
The festival’s narrative feature competition is often the place where filmmakers on their first or second feature get a sudden boost. It was there that Lena Dunham’s “Tiny Furniture” and Destin Cretton’s “Short Term 12” both took off. »
- Eric Kohn
3 items from 2017
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