| Anne-Marie Duff | ... | Margot Fonteyn | |
| Penelope Wilton | ... | B.Q | |
| Con O'Neill | ... | Tito | |
| Lindsay Duncan | ... | Madam | |
| Derek Jacobi | ... | Fred Ashton | |
| Matthew Hart | ... | Michael Somes | |
| Michelle Bonnard | ... | Sally | |
| Margot Leicester | ... | Cathy | |
| Michiel Huisman | ... | Rudolph Nureyev | |
| Anton Lukovkin | ... | Eric | |
| Tatiana Lavrentieva | ... | Elderly Russian Lady | |
| Ben Stott | ... | Good-Looking Boy | |
| Robert Perkins | ... | Mr. McDonald | |
| Dimitri Gruzdyev | ... | Dancer | |
| Ksenia Ovsyanick | ... | Dancer | |
| Lisa Probert | ... | Dancer | |
| rest of cast listed alphabetically: | |||
| Christian Wolf-La'Moy | ... | Market trader in bar | |
| Frazer Douglas | ... | Stage Manager (uncredited) | |
Directed by | |||
| Otto Bathurst | |||
Writing credits(in alphabetical order) | ||
| Amanda Coe | screenplay | |
| Meredith Daneman | book | |
Produced by | |||
| Michele Buck | .... | executive producer | |
| Celia Duval | .... | producer | |
| Damien Timmer | .... | executive producer | |
Cinematography by | |||
| Florian Hoffmeister | |||
Film Editing by | |||
| Jinx Godfrey | |||
Set Decoration by | |||
| Jo Kornstein | |||
Costume Design by | |||
| Amy Roberts | |||
Makeup Department | |||
| Stuart Conran | .... | prosthetic makeup artist | |
| Jacqueline Fowler | .... | makeup department head | |
| Anayanzi L'Eplattenier | .... | hair and make up trainee | |
| Helen Speyer | .... | makeup supervisor | |
Production Management | |||
| Maree Gecks | .... | production manager | |
| Rhian Griffiths | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Natalie Allin | .... | third assistant director | |
Art Department | |||
| Neil Alexander | .... | dressing props | |
| Liz Jones | .... | stand-by art director | |
| Rebecca Slade | .... | art department assistant/work experience (uncredited) | |
Sound Department | |||
| Andie Derrick | .... | foley artist | |
| Catherine Hodgson | .... | sound effects editor | |
| Martin Jensen | .... | sound re-recording mixer | |
| Forbes Noonan | .... | foley recordist | |
| Billy Quinn | .... | sound mixer | |
| Alexandros Sidiropoulos | .... | assistant sound re-recording mixer | |
| Catherine Thomas | .... | foley editor | |
| Virginia Thorn | .... | dialogue editor | |
| Will Whale | .... | boom operator | |
| Johnny White | .... | sound assistant trainee | |
Camera and Electrical Department | |||
| Owen Charnley | .... | assistant grip | |
| Rupert Hornstein | .... | assistant camera | |
| Roger Tooley | .... | steadicam operator | |
| Gary Varney | .... | gaffer | |
Costume and Wardrobe Department | |||
| Peter Halston | .... | costume supervisor | |
| Emma Heath | .... | costume assistant | |
| Christy Juhnke | .... | costume trainee (uncredited) | |
Editorial Department | |||
| Gary Hewson | .... | on-line editor | |
| Mark Keady | .... | first assistant editor | |
| Mandy Miller | .... | post-production paperwork | |
Other crew | |||
| San Davey | .... | script supervisor | |
| Amanda Dudley | .... | floor runner | |
| Antonia Grant | .... | location manager | |
| Scott Hiskey | .... | assistant production accountant | |
| Carlton Jarvis | .... | medical advisor | |
| Richard Rogan | .... | production trainee | |
| Tom Winchester | .... | script editor | |
| Recent Posts (updated daily) | User |
|---|---|
| Piano piece | onuj1 |
| Margot and Nureyev making love | Ezequiel |
| Michiel's legs! | mike-h-williams |
| filming | sallybally90 |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb UK section |
This TV movie is the third in a short series of biographies on famous, but troubled woman in British history. Unlike the first two, which featured Enid Blyton and Gracie Fields, this one seems to lack emotion. The style of the production is darker, more gritty. Depicting the sixties, a much more up to date era to the others, makes this harder to follow somehow. It is a little obvious that much of the ballet seems to be performed by body doubles, but maybe that's because I am used to seeing real dancers. The uninitiated my not have such a problem.
Overall, I found the film cold, and there was little to carry me along, even though I was very much looking forward to watching it. The acting was superb, but I felt that the production was too heavy to draw my attention.