| Photos (See all 26 | slideshow) | Videos (see all 10) |
| Scoot McNairy | ... | Andrew Kaulder | |
| Whitney Able | ... | Samantha Wynden | |
| Mario Zuniga Benavides | ... | Ticket Seller | |
| Annalee Jefferies | ... | Homeless Woman | |
| Justin Hall | ... | Marine | |
| Ricky Catter | ... | Marine | |
| Paul Archer | ... | Marine | |
| Kerry Valderrama | ... | Marine (as Kerry Valderrema) | |
| Jonathan Winnford | ... | Marine | |
| Stan Wong | ... | Marine | |
| Anthony Cristo | ... | Marine | |
| Mario Richardson | ... | Marine | |
| Jorge Quirs | ... | Marine | |
| Erick Arce | ... | Marine | |
| Emigo Munkel | ... | Marine | |
| Esteban Blanco | ... | Marine | |
| Victor Vejan | ... | Guerilla | |
| Cristopher Chararria | ... | Guerilla | |
| Roman Bustamante | ... | Guerilla | |
| Solamon Albarran | ... | Guerilla | |
| Alejandro Sotero | ... | Guerilla | |
| Victorino Angulo | ... | Guerilla | |
| David Alba Garcia | ... | Guerilla | |
| Eduardo Guizak | ... | Guerilla | |
| Alfonso Pineda | ... | Guerilla | |
| Jose Garcia Gomez | ... | Guerilla | |
| Erika Morales Yolanda Chacon | ... | Mother 'Erika', Bocoyna | |
| Elsa Rascon Gonzalez | ... | Grandmother, Bocoyna | |
| Jose Luis Morales Chacon | ... | Child of Family, Bocoyna | |
| Tamilez Morales Chacon | ... | Child of Family, Bocoyna | |
| Jonathan Cadena Chacon | ... | Child of Family, Bocoyna | |
| Cindy Vanessa Cadena Morales | ... | Child of Family, Bocoyna | |
| Javier Acosta Rodriguez | ... | Taxi Driver | |
| Victor Manuel Martinez Tovar | ... | Boat Skipper | |
| Walter Hernandez Col | ... | Boat Assistant | |
| Kenedy Gamaliel Jiminez | ... | Driver of Pick-Up Truck to the Zone (as Kenedy Gamaliel Jimenez) | |
| Hugo Valuerde | ... | Motorbike Driver | |
| Roberto Saluzan | ... | Ambulance Guy | |
| Ceasn Solauo | ... | Ambulance Guy | |
| Aris Martinez | ... | Nurse in Maternity Ward | |
| Claudia Valdez | ... | Nurse in Maternity Ward | |
| Elizabeth Blanco Sanchez | ... | Main Receptionist at Hospital | |
| Gloria Soza | ... | Second Receptionist at Hospital | |
| Aura Escobar | ... | Third Receptionist at Hospital | |
| Max Alfredo Coe Tux | ... | Man at River Guarding Oil Barrels | |
| Ivan Sanchez | ... | Man at River Guarding Oil Barrels | |
| Wilfredo Hernandez Alvarado | ... | Policeman Guarding Barrier | |
| Ramon Otzoy Sucuc | ... | Policeman Guarding Barrier | |
| Erma Bradley | ... | Lady Holding Daughter in Flood | |
| Shelmar Bradley | ... | Boy in Pink Yop | |
| Luis Cails Sosa Carlos | ... | Driver of Red Pick-Up Truck | |
| Rene Moreno Lopez | ... | Passenger in Red Pick-Up | |
| Kenia Guadalupe Dominluez Yamas | ... | Little Girl in Pick-Up Truck | |
| Jesus Jose Moreno Quezada | ... | Boy Playing Soccer | |
| Marta Maria Acatitla Vasquez | ... | Corn Seller | |
| Romeo Arista | ... | Whistle Blower | |
| Maria Luisa Ontanon | ... | Dead Woman in Jungle | |
| Refugio Tapia Rendon | ... | Dead Woman in Jungle | |
| Katerine Zyleika Guizar Tapia | ... | Dead Girl in Jungle | |
| Joagun Salazan | ... | Policeman | |
| Anthony Jimenez Jara | ... | Little Boy Riding Bike | |
| Luis Robertomonge Brenes | ... | Man at Bar | |
| Oscar Mario Badilla Bora | ... | Man at Bar | |
| Neston Herrera | ... | Man at Bar | |
| Iserias Antouro Morah | ... | Barman at Harbour |
Directed by | |||
| Gareth Edwards | |||
Writing credits | ||
| Gareth Edwards | (written by) | |
Original Music by | |||
| Jon Hopkins | |||
Cinematography by | |||
| Gareth Edwards | (director of photography) | ||
Film Editing by | |||
| Colin Goudie | |||
Production Design by | |||
| Gareth Edwards | |||
Makeup Department | |||
| Diana Byrne | .... | makeup artist: dailies, guerilla jungle sequence, Mexico | |
Production Management | |||
| Victor Barriga | .... | unit production manager: Costa Rica | |
| Rebekka Garrido | .... | post-production supervisor | |
| Verity Oswin | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Maritza Carbajal | .... | first assistant director: dailies, guerilla jungle sequence, Mexico | |
Art Department | |||
| Jeffrey Perez | .... | art director: dailies, guerilla jungle sequence, Mexico | |
Sound Department | |||
| Laura Andrews | .... | adr production site supervisor: SPG Studios | |
| Jose R. Castellon | .... | adr technical engineer: SPG Studios (as Jose Castellon) | |
| Jürgen Funk | .... | sound designer | |
| Sergio Leigue | .... | adr machinist: SPG Studios | |
| Ian Maclagan | .... | sound recordist | |
| Sabrina Naumann | .... | adr editor | |
| Sabrina Naumann | .... | dialogue editor | |
| Carsten Richter | .... | foley artist | |
| Matthias Schwab | .... | sound re-recording mixer | |
| Almut Schwacke | .... | foley editor | |
| Marcus Sujata | .... | foley recordist | |
| Daniel Willy | .... | adr editor | |
| Daniel Willy | .... | adr editor: Rockstar Productions | |
| Daniel Willy | .... | adr recording engineer: SPG Studios | |
| Daniel Willy | .... | adr recordist | |
| Daniel Willy | .... | adr recordist: Rockstar Productions | |
| Daniel Willy | .... | adr supervisor | |
| Daniel Willy | .... | adr supervisor: Rockstar Productions | |
| Daniel Willy | .... | recording engineer | |
| Eric Horstmann | .... | re-recording engineer (uncredited) | |
| Jörg Klinkenberg | .... | foley artist (uncredited) | |
Visual Effects by | |||
| Gareth Edwards | .... | visual effects | |
Casting Department | |||
| Daniel Willy | .... | additional adr voice casting | |
| Daniel Willy | .... | additional voice casting | |
| Sarah Dowling | .... | extras casting director: Texas (uncredited) | |
Costume and Wardrobe Department | |||
| Caroline Karlen | .... | wardrobe: dailies, marine sequence, Texas | |
Editorial Department | |||
| Anne Goudie | .... | associate editor | |
| Justin Hall | .... | assistant editor | |
| Adam Inglis | .... | digital colorist | |
| Alyson Pengelly | .... | post-production coordinator | |
| Kevin Shaw | .... | digital colorist | |
| Gregor Wille | .... | digital intermediate supervisor | |
| Gregor Wille | .... | on-line editor | |
Music Department | |||
| Leo Abrahams | .... | musician: guitars | |
| Lol Hammond | .... | music supervisor | |
| Cherie Hashzume | .... | music engineer | |
| Davide Rossi | .... | arranger: strings | |
| Davide Rossi | .... | musician: strings | |
| Vince Sipprell | .... | musician: strings | |
| Vicki Williams | .... | music coordinator | |
Other crew | |||
| Wahida Begum | .... | marketing manager | |
| Wahida Begum | .... | unit publicist | |
| Chee-Lan Chan | .... | development executive: Vertigo Films | |
| Victoria Chapple | .... | production assistant: Producers | |
| Hector Crisantes | .... | adr supporting artist | |
| Eleazar Del Valle | .... | adr supporting artist | |
| Thomas Dixon | .... | in-house production assistant | |
| Rachael Ellis | .... | technical manager | |
| Emma Hartley | .... | development executive: Vertigo Films | |
| Jose Angel Hernandez | .... | location manager: USA (as Jose Hernandez) | |
| Stephen Hole | .... | head of finance: Vertigo Films | |
| Jamie Jamison | .... | adr supporting artist | |
| Louise Killin | .... | in-house production coordinator: Vertigo Films | |
| Neil Kindness | .... | website manager: Vetrigo Films | |
| Jonathan Kluger | .... | adr supporting artist (as Jon Kluger) | |
| Jonathan Kluger | .... | marketing assistant: Vertigo Films (as Jon Kluger) | |
| Dwayne Lawson | .... | post-production accountant: Vertigo Films | |
| Pedro Luis Martin Gurza | .... | adr supporting artist | |
| Luisa María Martínez Arcaraz | .... | production assistant: Mexico and Guatemala (as Luisa Martinez) | |
| Brian Patrick McGuire | .... | adr supporting artist (as Brian Mcguire) | |
| George McKenzie | .... | director: EPK/making-of documentary | |
| Johanna Mohs | .... | production assistant: producers | |
| Dexter Navy | .... | production runner | |
| Caite Ni'Ceileachair | .... | production assistant: producers | |
| Florian Obrecht | .... | end credits | |
| Michelle Parylak | .... | adr supporting artist | |
| Alyson Pengelly | .... | production coordinator | |
| Erika Robledo | .... | adr supporting artist | |
| Eduardo Roman | .... | adr supporting artist (as Eduardo Iduñate) | |
| Hugo Roque | .... | location manager: Costa Rica | |
| Toby Rushton | .... | script editor | |
| Cotter Smith | .... | voiceover: Tommy | |
| Paola Soriano | .... | production assistant: Mexico and Guatemala | |
| Dominic Stabb | .... | in-house creative: Vertigo Films | |
| Lee Stone | .... | legal services: Lee and Thompson | |
| Victor Vega | .... | key production assistant: Costa Rica | |
| Huberta Von Liel | .... | operations manager: Vertigo Films | |
| Michael Wailes | .... | head of sale and acquisitions: Vertigo Films | |
| Desirae Wallace | .... | asst. location manager (tx unit ) | |
| Daniel Willy | .... | adr supporting artist | |
| Christopher Brown | .... | runner/assistant (uncredited) | |
| Christopher Key | .... | editor: epk/making-of documentary (uncredited) | |
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| Dreamcatcher | The Three Burials of Melquiades Estrada | Battle Los Angeles | In Cold Blood | Avatar |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
Just saw this last night, and have to say, loved it. I can understand teen boys being offended by the lack of action. And I think a lot of people seeing this film might start with preconceptions about what a 'monster' movie should be, which won't do this film any favours. It's a road movie, a slow building drama, a mystery. I actually liked that the two leads were attractive and likable company, without acting in predictable Hollywood ways (you know, where they are unsure about each other, then have a huge fight and yell that they hate each other, then immediately jump into great sex I am pretty sure in real life only couples who've been together for a while have good angry sex, surely?, I could be wrong, anyway ). But it was the mystery of the intriguing monsters that got me, and the absolutely perfect resolution. Unlike the current 3D CGI megafilms, where everything is boringly and loudly in your face, this film required the audience to join in and use some of it's own imagination, a bit like Alien you could say (without the blood & guts). And, that last scene was so great easily one of the most perfectly orchestrated scenes I've seen in any film in the last year or two, and to a large degree because it had the sense to not knock the message over your head. And despite it's lack of gigantic special effects, I really think this is a film to see in a cinema, not on TV to get in the mood, to wonder what's over the next hill, to peer into the darkness to see, wait, is that a tentacle? Like the main characters, the audience needs to be paying attention. Okay, so not a perfect masterpiece from beginning to end, but right now I can't think of many monster movie monsters I've loved in the last decade as much as these octo-spidey-monster thingies. Beautiful! (and I'm pretty p*ssed that a piece of shoddy Hollywood crap like Skyline is showing in 160+ cinemas here in Australia, while this little beauty is only on at a few)