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Monsters (2010)

6.4
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Ratings: 6.4/10 from 59,644 users   Metascore: 63/100
Reviews: 410 user | 316 critic | 26 from Metacritic.com

Six years after Earth has suffered an alien invasion a cynical journalist agrees to escort a shaken American tourist through an infected zone in Mexico to the safety of the US border.

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Title: Monsters (2010)

Monsters (2010) on IMDb 6.4/10

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Nominated for 1 BAFTA Film Award. Another 10 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Mario Zuniga Benavides ...
Ticket Seller
...
Homeless Woman
Justin Hall ...
Marine
Ricky Catter ...
Marine
Paul Archer ...
Marine
Kerry Valderrama ...
Marine (as Kerry Valderrema)
Jonathan Winnford ...
Marine
...
Marine
Anthony Cristo ...
Marine
Mario Richardson ...
Marine
Jorge Quirs ...
Marine
Erick Arce ...
Marine
Emigo Munkel ...
Marine
Edit

Storyline

Six years ago NASA discovered the possibility of alien life within our solar system. A probe was launched to collect samples, but crashed upon re-entry over Central America. Soon after, new life form began to appear and half of Mexico was quarantined as an INFECTED ZONE. Today, the American and Mexican military still struggle to contain "the creatures"...... Our story begins when a US journalist agrees to escort a shaken tourist through the infected zone in Mexico to the safety of the US border. Written by Annon

Plot Summary | Plot Synopsis

Taglines:

Beware See more »

Genres:

Drama | Sci-Fi | Thriller

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

3 December 2010 (UK)  »

Also Known As:

Monsters  »

Filming Locations:

 »

Box Office

Budget:

$800,000 (estimated)

Opening Weekend:

£348,577 (UK) (3 December 2010)

Gross:

$237,301 (USA) (24 December 2010)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The film was shot using prosumer level recording equipment, with an on set crew of only seven people: director and camera operator Gareth Edwards, sound operator Ian Maclagan, line producer Jim Spencer, production manager Verity Oswin, a driver, and the two stars (dating each other at the time, now a real-life married couple) Scoot McNairy and Whitney Able. Because they were such a small crew using so simple equipment, the entire production team could fit into one van. See more »

Goofs

The Pre-Columbian pyramid the two protagonists climb is located in a jungle setting. From the top of this pyramid they are able to view the border between Texas and Mexico, which is nowhere near any jungle. See more »

Quotes

[first lines]
Title Card: Six years ago... NASA discovered the possibility of alien life within our solar system. A space probe was launched to collect samples but broke up during re-entry over Mexico. Soon after new life forms began to appear and half of the was quarantined as an INFECTED ZONE. Today... The Mexican & US military still struggle to contain 'the creatures'...
See more »

Connections

Featured in Great Movie Mistakes III: Not in 3D (2011) See more »

Soundtracks

El Cascabel
Written by Lorenzo Barcelata
Performed by Mariachi Vargas de Tecalitlán
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Less like a geographical reboot of D-9 and more like an art-house Cloverfield or a blockbuster Stalker
8 August 2010 | by (Australia) – See all my reviews

While there have been plenty of valid comparisons made between this film and last year's sci-fi hit District - 9 (due solely to the fact that the two films share an admittedly similar global concept; that of aliens landing and being contained within a restricted zone as a forced but entertaining allegory for racial disharmony. There the zone was in central South Africa and here it is the northernmost section of Mexico, the borderlands.) I think the media have missed the much more obvious filmic connections. To my mind this film is in fact less like a geographical reboot of D-9 and more like an art-house Cloverfield or perhaps a blockbuster Stalker (Andrei Tarkovsky's epically sparse sci-fi classic). While the concept and metaphor certainly match that of District – 9 the closest the execution sways it further towards a combination of the latter two examples.

Instead of attempting to tell the story of a fictional universe using a number of cipher characters like D-9, this film instead tells the story of its two leads by way of its alien infestation. The titular monsters certainly are an integral force in crafting and driving the films narrative but they are not its real focus, this is where the two films differ. Instead we are made to follow American investigate journalist Colbert who is tasked by his employer to find and then accompany his daughter through the infected zone and into the United States before the beginning of the creature's active season.

It's a sparse plot and one that leads to a lot less action than you would expect, but it does work as the spinal centre of the film. Instead of confronting the creatures at every turn, discovering their origin, their weakness, their queen and then eventually using their knowledge to develop a dues ex machina and save the day like the big damn heroes of every similar film, these two simply exist in the universe like we do ours; as everyday citizens living their everyday lives. That's not to say though that the film is in any way banal; in fact their journey through the zone allows for a lot of stunning shots, shocking stories and silent terror, it's just that these occur in a different tense then we are used to. We are, like the protagonist Colbert, journalists in this world; we follow in the wake of the story, catching occasional glimpses of it from afar but mainly focusing on who and what it leaves behind.

The monsters, their destruction and the alternate world that they destroy are all filtered through the protagonists before they reach us upon the screen. It is their reactions to the events that elicit responses in us and their responses that in turn become our emotions. It is essential that the two leads be well crafted in order for this method to work. Thankfully then, they are; Hitting that perfect ratio of realism, stereotype, flaw and likability. They are the kind of characters that you would happily follow within the comparatively banal confines of a drama and so here, in this realm of heightened stakes, they become doubly interesting. The real surprise of the film for me was just how enjoyable, and oftentimes moving, it was to take this trip with the leads; to the point that by the time the ending rolled around I almost echoed their calls of 'I don't want to go home'. That dreaded disillusionment, the return to drudgery after a distinctly powerful event is something I can really understand but it is something uncommon to see in cinemas. Edwards isn't the only person to be thanked for this though; while his writing is great it's the two lead performances that are really essential and I think these two will be ones too watch in the future.

While I've made it quite clear that personally I preferred the human side of the story - that I could take or leave the monsters in comparison – i know there are many others around here who will not feel the same, others that are in it for the monsters (Spaulds certainly comes to mind). While I wouldn't advise taking that particular approach with this particular film, I don't think any of you creature features that do will be disappointed with what you see – and yes, you do see. The creatures are as well designed and animated as the characters. They feel totally alien to this world yet retain a certain sense of plausibility, as if they could feasibly belong to some other. Their power is also very well handled, being threatening enough in every situation but invincible in none. There is then a consistency to them that doesn't exist in a lot of other creatures, which sometimes feel like they are acting in accordance with the plot rather than their own rules or reality. While this may get some of you salivating I have to say again that well designed or no these creatures are little more than an external force, they exist off screen much more than on.

It is then, an ironically titled film I guess because the Monsters of the title are anything but central. I think the real test should be whether or not you would go and see this film were it called 'Humans'. Those that do, more specifically those that make their way all the way through to the final act, will be in for a treat as the film has a handful of utterly sublime moments. The ending itself was a little abrupt but I think it's pretty clever, probably warranting a second watch. Definitely warranting a first watch.


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