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Tuesday, After Christmas (2010)
"Marti, dupa craciun" (original title)

 -  Drama | Romance  -  25 May 2011 (USA)
7.0
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Ratings: 7.0/10 from 2,935 users   Metascore: 81/100
Reviews: 11 user | 71 critic | 11 from Metacritic.com

Paul Hanganu loves two women. Adriana his wife and the mother of their daughter, the woman with whom he's shared the thrills of the past ten years, and Raluca the woman who has made him redefine himself. He has to leave one of them before Christmas.

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Title: Tuesday, After Christmas (2010)

Tuesday, After Christmas (2010) on IMDb 7/10

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Cast

Cast overview:
Mimi Branescu ...
Paul Hanganu
Mirela Oprisor ...
Adriana Hanganu
...
Raluca
Victor Rebengiuc ...
Nucu
...
Cristi
Dana Dembinski Medeleanu
Silvia Nastase
Adrian Vancica
Ioana Blaj
Edit

Storyline

Paul Hanganu loves two women. Adriana his wife and the mother of their daughter, the woman with whom he's shared the thrills of the past ten years, and Raluca the woman who has made him redefine himself. He has to leave one of them before Christmas.

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

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Parents Guide:

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Details

Country:

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Release Date:

25 May 2011 (USA)  »

Also Known As:

Tuesday, After Christmas  »

Box Office

Opening Weekend:

$6,472 (USA) (27 May 2011)

Gross:

$25,866 (USA) (2 September 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Mirela Oprisor (Adriana) is the wife of Mimi Branescu (Paul) and Maria Popistasu (Raluca) is the wife of Alexandru Baciu (screenplay). See more »

Goofs

When Paul drives his daughter to the dentist, and Adriana calls, he says he is going to Hala Traian, but he was driving the car on Magheru, from University towards Piata Roamana, the opposite way to Hala Traian. See more »

Connections

Featured in Ebert Presents: At the Movies: Episode #1.20 (2011) See more »

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User Reviews

 
Real Drama
26 December 2012 | by See all my reviews

A Romanian man must choose between his wife and his lover. The pacing is very deliberate. Scenes are filmed in long takes and little happens in terms of plot or action. However, the leisurely approach allows the viewer to get to know the characters, who are all very real. The characters and situations are so real that one can empathize with their plight. The acting is excellent all around. Branescu is not able to shine in the unsympathetic role of the man in the love triangle. However, Oprisor as the wife and Popistasu as the lover both turn in wonderfully natural performances. Muntean is a talented writer-director, someone to keep an eye on.


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