A young woman's quest for revenge against the people who kidnapped and tormented her as a child leads her and a friend, who is also a victim of child abuse, on a terrifying journey into a living hell of depravity.
In Hong Kong, Aunt Mei is a cook famous for her home-made rejuvenation dumplings, based on a millenarian recipe prepared with a mysterious ingredient that she brings directly from China. ... See full summary »
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After losing her unborn child, Madeline Matheson insists on carrying the baby to term. Following the delivery, the child miraculously returns to life with an appetite for human blood. Madeline is faced with a mother's ultimate decision.
Two pretty but ditsy American girls are on a road trip through Europe. In Germany, they end up alone at night with a broken car in the woods. They search for help and find an isolated villa. The next day, they awaken to find themselves trapped in a terrifying makeshift basement hospital along with a Japanese man. An older German man identifies himself as a retired surgeon specialized in separating Siamese twins. However, his three "patients" are not about to be separated but joined together in a horrific operation. He plans to be the first person to connect people via their gastric systems. By doing so, he plans to bring to life his sick lifetime fantasy, the human centipede. Written by
Producer Ilona Six
The actors playing the centipede were given massages at the end of every day's filming due to being on their hands and knees all day long. See more »
When the two girls realize they're lost in the woods, there are two scenes where the video is mirrored. This is evident from the car registration plates and the driver's seat which is on the right. See more »
[speaking on a hotel phone]
Hi. Yes, um, I was wondering if I could get driving directions to a nightclub called Bunker. Yes, Bunker. How exactly would I get there?
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Tom Six's dog Nigel is credited under "Edited by" and "Making of edited by" as "NIGEL DE HOND", which is Dutch for "Nigel the dog". See more »
It would seem word of mouth has spread into the anus of the internet and shat out this crap film.
Despite the hype, the Human Centipede does nothing interesting with its premise or characters - its almost as if Six thinks the *concept* can do most of the leg work for him.
And apparently those taken by the original concept require little else from a film - like working through the implications of its own premise or delivering an experience that can stand on its own feet.
Take away the striking *image* of three people turned into a human centipede, and you are left with an indistinct film with few thrills.
The mad scientist trope barely transcends hackneyed cliché, and the film completely squanders a great opportunity for subtext: what (for example) is the meaning of a male Asian as the head of the centipede and/or what does two American women following him mean?
The plot is threadbare and takes the path of least resistance - the pointless film leads from point A to point B. Despite the 'logical' (linear) approach of the 'narrative', the characters motivations generally defy logic and rational explanation.
Unlike great horror movies, this film literally has nothing to say about modern culture, gender roles, human fears or scientific hubris.
Even worse, the cheap thrills are standard fare. The only thing that can be said in its favor is that some of the images (creep in the car, the centipede itself) are perversely funny.
The film fails to suspend disbelief or encourages identification with its own protagonists either. Instead of (say) feeling sorry for the two female characters in the film, you pity the two female *actresses* playing bare breasted women on all fours and eating crap in the form of Six's 'script'.
Dieter was typically creepy as the mad scientist, but he can do this stuff in his sleep. Anyone familiar with his work on Lexx knows how remarkable he can be - his Mantrid is amongst the great scifi villains. And the image of Mantrid's floating head on a jar remains much more incisive than anything on display here.
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