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|Index||40 reviews in total|
A good watch...not academy material but very entertaining. The plot may
not exactly shine but the accomplished actors make up for its
shortcomings. Only the directing could have made this a better film.
Character development could have been better as well but is average
considering the run time.
This won't exactly be on rotation in my movie library but I could stand to watch this more than once.
I don't know why this hasn't gotten better reviews. I hear all the complaints but if you actually watched this movie and LISTENED to what the actors said you might have enjoyed it more.
When I accessed the reviews for Columbus Circle, I couldn't believe all the negativity surrounding this production. Apparently, after this was made, there was no studio willing to release it theatrically. It went straight to video. I sometimes don't listen to the multitude of reviews that surround a certain film, preferring to make my own opinion. After viewing this, I found it to be a surprisingly good and watchable film with a good story, good acting and good directing. This was an original story which had a good denouement, very satisfying. I suppose that there was not enough sex and violence in this production to serve the prurient tastes of the mass audience. Tastes have changed much in recent years and I guess that there isn't much of an audience for a film that does not rely on CGI effects or gratuitous sex and violence. I even liked the main title sequence, which would not have been out-of-place on a suspense film made in the fifties or sixties. Maybe I'm in the minority here, but I liked this.
Considering the initially negative but not very eloquent comments about
this movie but the promising trailer, I figured I might be in for a
Unfortunately, that was not really the case. And I would usually not review a movie like this because it is neither something I would recommend, nor something I would recommend to stay away from.
Yes, the premise is nothing new (but how many movies each year does one see where that is really the case?) and the acting is cringe-worthy in a lot of places (I especially could not believe the performance in some of Selma Blair's and Amy Smart's scenes - both of whom I found great in virtually every movie I've seen them in) but still, I think it is a nice little story.
I find it ironic how people reviewing this call various elements stupid while at the same time lacking the ability to comprehend Selma Blair's character. Especially considering that it is really very simple from a logical point of view. I don't see a point writing a review that contains spoilers, so I won't say anything more about this. But as always, a little empathy goes a long way and will make the viewer realize the motivations for certain things happening. Although I will not deny that some of them seem odd, rushed, out of character at first glance, many of these can be explained if given just a bit of thought.
Overall, I would say that it is a mildly amusing but pretty forgettable movie that is probably best experienced when not paying full attention to it.
This interesting suspense movie deals with a young woman named Abigail
Clayton (Selma Blair) who lives deeply alone . She is a heiress who's
been shut inside her apartment building for nearly two decades is
forced to confront her fears after one of her neighbors is killed . The
famous daughter of a wealthy industrialist, Abigail disappeared from
the prying eyes of the press and the intrusiveness of her family on her
18th birthday, the day she received her massive inheritance. During
years of self-imposed isolation, Abigail has had contact with only two
people-her building's Concierge, Klandermann, with whom she
communicates via notes-and Dr. Raymond Fontaine (Beau Bridges) , a
longtime family friend . When there happens the death of her elderly
neighbor , Police arrives to begin the investigation and prompts NYPD
Homicide Detective Frank Giardello (also producer Giovanni Ribisi was
previously in George Gallo's earlier movie Middle Men) and Detective
Jerry Eaans (Jason Antoon) to launch an investigation, the Abigail is
distressed to find him outside her door, asking to question her. Having
tried to acquire the dead woman's now vacant apartment to ensure her
privacy, Abigail is further upset when her requests go unanswered, and
new tenants Lillian and Charlie move in. Abigail anxiously monitors her
new neighbors from the safety of her front door's peephole, but her
well-ordered world begins to unravel when she finally encounters
Lillian (Amy Smart) and Charlie (First non-comedic film for Jason Lee
since The Ballad of Jack and Rose) face-to-face-and her sheltered
existence becomes threatened in unexpected and terrifying ways.
This is a nail-biting and exciting thriller well directed by George Gallo . The film contains suspense , thrills , twits and turns . From start to final the intrigue and thrilling scenes are continuous . This is a picture made among friends , as most of them either play , write or produce such as Giovanni Ribisi , Jason Lee and Kevin Polack . Good performance from Selma Blair as the attractive agoraphobic heiress who has not left her Manhattan loft apartment for almost two decades. All-star-support-cast formed by known actors as Jason Lee , Kevin Pollack , Robert Guillaume and the veteran Beau Bridges as a Doctor and her sole confidant for most of her life . Suspenseful and moving musical score by Brian Tyler . Colorful though sometimes dark cinematography by Anastas Michos . The flick was compellingly written and realized by George Gallo . He is a prestigious writer such as ¨Bad boys I and II ¨ and ¨Midnight run¨ ; being an expert filmmaker on comedy genre as proved in ¨My mom's new boyfriend¨ , Double take¨ , and ¨Trapped in Paradise¨ . His greatest success is ¨The middle man¨ and ¨Colombus Circle¨ results to be his only thriller .
this is one of those stories we want to see with never ending
unexpected surprise twist and turns in the plot. this movie is not
that!! BUT as an entertaining film it cooks on all four burners!
the story is predictable and at one point even silly (doctors house in garden) --- but so what. even if you can guess what will happen next what will keep you watching is to see how they will achieve it. the acting is good and there are a few truly suspenseful scenes. the setting is lavish and a treat for the eyes. you can even find yourself becoming emotionally involved with the recluse.
so if you want a story without too much to have to watch and remember so you will understand what exactly is happening in the story - this is your flick.
Before watching this movie I wanted to like it. Being a fan of many of
the actors in this movie I thought it had the potential to be unknown
yet good movie, unfortunately that is not the case.
The premise was interesting a murder takes place in the room opposite from a woman with Agoraphobia and hasn't left her apartment in 11 years and from then on the direction of the film follows around this character. From then on the movie starts to fall apart, some of the acting verges on being poor,many of the films concepts become implausible and the films conclusion is just embarrassing.
However, the film isn't a complete loss, the story is enough to keep the movie at least quite interesting and is filled with many twists some of which lead to the films finest moments. Also, Kevin Pollak and Giovanni Ribisi put in performances that are at least rather good which is a shame due to their limited screen time.
In the end the film is so concerned in throwing as many twists as possible into it that it forgets in how to carry a story and in the end is left in a mess. In my opinion the movie is watchable yet but not good and I would be shocked if anybody were to find this movie anything higher than good. If presented with the opportunity of watching other movies viewers should look into taking a chance elsewhere.
*** This review may contain spoilers ***
(Let me first make a little side note that I am agoraphobic myself.)
The beginning of the movie, opening credits, some people may say that the puzzle pieces are symbolic of you having to put all the pieces together throughout the movie, some people would say it's just what the film makers decided to do. Personally, I think it's more of an Abigail bit; when you're agoraphobic and don't leave the house, as you can imagine there's not many choices of what to do with your time. I, along with some agoraphobic friends I've met on patientslikeme, spend a lot of our time working on puzzles. Something that keeps both your mind and your hands busy, something that you can watch progress, especially the 200+ piece puzzles.
When detective Jerry Eeans of the NYPD went to first visit Abigail her timid reaction and keeping her distance is very understandable for someone with agoraphobia or social phobia. I found the arachnophobia comment rather funny, it's a natural reaction for people to try to understand each other and being told phobias others have is actually another very common thing for agoraphobics to receive, as someone's way of trying to get them to let down their guard since they can relate. I watched this movie with my mother, who doesn't truly understand my diagnoses yet, and she made the comment of how gross it was for Abigail to sniff the china cup he used, and then take a sip from the same place that he drank from. Just like with any other phobia, agoraphobics don't LIKE their fear of the outdoors, they don't CHOOSE to stay indoors all day with the blinds shut and the door locked. Every creature craves interaction, and for those with disabilities it's harder to get that interaction. But even if someone won't leave their room, or their house, they still want people to interact with. They still want to feel loved and love someone else, they want to feel the warmth of another's touch. She felt an interaction with that cup, not only had someone come into her house, but they touched and drank from something she owned.
Many people have a hard time with change, they like their same routine and change will cause any range of emotions from fear, to anger. Abigail wants to purchase the apartment across from her, not so she can have more space, but so there is no change in her life. There's no new neighbors to get used to, and no chance of them being any different from Katherine, her deceased neighbor. Since she can't leave her apartment I would doubt she'd ever step foot into the apartment if purchased, or put any of her stuff in there unless she got her long time family friend, and believed psychiatrist, Dr. Ray Fontaine, or her concierge to do it for her. And from the movies actions, I would say her purchase of the apartment would have been just what she needed.
Feeling sympathy for those in trouble, especially if you're A- a woman (I am too, just stating a fact, not generalizing) or B- been through the same situation, often times puts a lot of people in trouble. Abigail should have just called the police, but hearing the beatings of Lillian in the hallway triggered her PTSD and gave her flash-backs of her very own beatings. She felt the strong urge to help this woman, not just hide away from it. Bringing her in and caressing her while her believed husband beat on the door was her own way of caressing the beaten child of her past.
Then begins the part of the movie that my title refers to. I only came to watch this movie for my agoraphobia, but the only thing that got me through the movie was my OCD not letting me quit out on it 47 minutes in when Lillian was walking Abigail out of her apartment and down the hall. For someone who hasn't gone into the hall for more than 11 years, that is absolutely AMAZING work! I was actually in tears watching her do something so brave, and having - who was thought to be - a good friend help her through that.
I'm not really going to nitt-pick the rest of this movie, in fact, I'm going to skip a huge chunk and go to the last scene, the scene that so many people are discussing in FAQs and on yahoo answers and on goodreads, and I'm sure many more websites.
Abigail and Lillian meet-up in the bank. How someone with such severe agoraphobia could go from barely making it down to the table closest to the elevator, could make it downtown Manhattan to one of the busiest banks in the state. Betrayal made her do one of the bravest things any agoraphobic could do, and not only did she take it on with such strength, but she did so without a single hyperventilation, or puking session - HUGE. Many people say that this has "cured" her agoraphobia. That she's starting her new life in someplace safe and warm and will live on a normal life. WRONG. Getting up the courage to leave the apartment once to save her name and save herself from the public's eye does not in anyway mean she's cured of her agoraphobia. My guess is if they kept the camera's rolling, she'd get on the plane, have a mini panic attack, get a new place, find a new home-visit psychiatrist, and never leave the house again for years.
A murder of an elderly lady resident in the high rise apartments of
Columbus Circle initiates the story. However the death is made to seem
to be an unfortunate accident with her falling down a flight of stairs.
Despite reservations by detective Frank Giardello (Giovanni Ribisi) the
crime is noted as accidental. Opposite the apartment lives reclusive
and agoraphobic Abigail (Selma Blair), a sole heir to an immense
fortune, but haunted by memories of fatherly abuse. Soon after the
death a new couple move opposite Abigail: the beautiful Lilian Hart
(Amy Smart) and her abusive partner Charles Stratford (Jason Lee).
Intent on igniting claustrophobic tension camera angles sweep and swerve, music circles and entraps, but overall atmosphere appears in short fits to dissipate thanks to an overall terrible performing cast, visibly unconvinced by the story being portrayed. Especially Blari and Smart fail to induce a sense of feasibility, not helped by the wandering script lightening up plot-hole receptors and creating a sense of ever-growing implausibility. The whole story is also overly predictable with clichéd scenes fronted by film school trademark shots completing this unimaginative and borderline repetitive movie. Despite the best Hitchcock inspired intentions "Columbus Circle" requires a high level of gullibility with its occasionally farcical acting.
*** This review may contain spoilers ***
It seems that a lot of users like to bash a movie and talk about how
predictable a mystery is, just to show everyone else how smart they
are. Talk about what's wrong with the direction even though they don't
really know a thing about directing. This is a smart movie with good
actors. Some think the villains made illogical and unreasonable
choices. Well, most criminals aren't as smart as they think they are
and do illogical things when everything starts to unravel. Most
criminals aren't smart and don't keep a cool head under pressure.
That's why they get caught!
This is perceived as a movie about an agoraphobic and everyone is incredulous when she leaves her apartment in the climax. Abigail's doctor has told her she's agoraphobic, but he's in on the con and doesn't want her to have any contact with anyone but him. Remember that she chose to disappear for a reason. She had the privacy she wanted so she had no reason to leave her apartment - and her life was purposefully controlled. People choose fight or flight when threatened. When Abigail comes under extreme threat, she chooses both flight (nowhere to run except OUT of her apartment) and fight (for her fortune without which she could not exist).
The doctor's choice of henchmen seems flawed, but what kind of people are you going to get for something like this? First person I would ask would be an ex-con, which by definition is a loser. Greed can fuzzy your thinking. The closer they got to the money, the less logical they became. They kept thinking "just one more person out of the way and we'll have enough money to run where no one can find us".
Another user spoke of how dumb the police were. They had already zeroed in on Ray owning both apartments. One user said it was not believable that Abigail was leaving without an identity. She had already transferred her money somewhere. She could by her own plane and pilot. She knew how to disappear - she had done it before.
I really liked the acting by Kevin Pollack and Jason Lee. Ribisi always brings a sense of intelligence and also naiveté to his characters. His partner's character could have added humor or at least something with better lines and actor - Samm Levine would have been great as the partner rather than the bank manager.
A movie about the power of guilt and shame, and the resolute and ruthless exploitation of an obsessed person, who is mentally very vulnerable. This picture is an attempt at shooting a picture in the best tradition of Hitchcock' Dial M for murder. But here no hysteria, no black suspense and no gallant gestures a la Rex Harrison. An interesting movie despite the nasty reviews the picture got in the Netherlands.. Still, the characters of the policemen are rather sketchy, and the helpful janitor is not as homely as one believes. So, what is the problem with this movie? I think it is lack of passion, Hitchcock submerged passion in a polar sea, yet it was fiery. Too many crooks and vileness behind sociable masks are not good for the popularity of a work of art. And that, 19th century writers already knew. Anyway, still an enjoyable picture..
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