Two joyriders Jesse and Sam discover something hidden in the back seat of the car that could change their lives forever. Brian, unknown to Jesse and Sam, is desperately trying to seek a "... See full summary »
Abigail Clayton lives alone. Very alone. In fact, the attractive heiress has not left her Manhattan loft apartment for almost two decades. The famous daughter of a wealthy industrialist, Abigail disappeared from the prying eyes of the press and the intrusiveness of her family on her 18th birthday, the day she received her massive inheritance. During years of self-imposed isolation, Abigail has had contact with only two people-her building's Concierge, Klandermann, with whom she communicates via notes-and Dr. Raymond Fontaine, a longtime family friend and her sole confidant for most of her life. When the death of her elderly neighbor prompts NYPD Homicide Detective Frank Giardello to launch an investigation, the agoraphobic Abigail is distressed to find him outside her door, asking to question her. Having tried to acquire the dead woman's now vacant apartment to ensure her privacy, Abigail is further upset when her requests go unanswered, and new tenants Lillian and Charlie move in. ... Written by
George Gallo & Kevin Pollak
A murder of an elderly lady resident in the high rise apartments of Columbus Circle initiates the story. However the death is made to seem to be an unfortunate accident with her falling down a flight of stairs. Despite reservations by detective Frank Giardello (Giovanni Ribisi) the crime is noted as accidental. Opposite the apartment lives reclusive and agoraphobic Abigail (Selma Blair), a sole heir to an immense fortune, but haunted by memories of fatherly abuse. Soon after the death a new couple move opposite Abigail: the beautiful Lilian Hart (Amy Smart) and her abusive partner Charles Stratford (Jason Lee).
Intent on igniting claustrophobic tension camera angles sweep and swerve, music circles and entraps, but overall atmosphere appears in short fits to dissipate thanks to an overall terrible performing cast, visibly unconvinced by the story being portrayed. Especially Blari and Smart fail to induce a sense of feasibility, not helped by the wandering script lightening up plot-hole receptors and creating a sense of ever-growing implausibility. The whole story is also overly predictable with clichéd scenes fronted by film school trademark shots completing this unimaginative and borderline repetitive movie. Despite the best Hitchcock inspired intentions "Columbus Circle" requires a high level of gullibility with its occasionally farcical acting.
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