Directed by | |||
| Jim Mickle | |||
Writing credits(in alphabetical order) | ||
| Nick Damici | written by | |
| Jim Mickle | written by | |
Produced by | |||
| Badie Ali | .... | executive producer | |
| Hamza Ali | .... | executive producer | |
| Malik B. Ali | .... | executive producer | |
| Derek Curl | .... | producer | |
| Larry Fessenden | .... | producer | |
| Adam Folk | .... | producer | |
| Brent Kunkle | .... | producer | |
| Linda Moran | .... | associate producer | |
| Greg Newman | .... | executive producer | |
| Peter Phok | .... | producer | |
Original Music by | |||
| Jeff Grace | |||
Cinematography by | |||
| Ryan Samul | (director of photography) | ||
Film Editing by | |||
| Jim Mickle | |||
Casting by | |||
| Sig De Miguel | |||
| Stephen Vincent | |||
Production Design by | |||
| Daniel R. Kersting | |||
Art Direction by | |||
| Michael Ahern | |||
| Beck Underwood | |||
Set Decoration by | |||
| Richard Bailey | (as Richard J. Bailey) | ||
Costume Design by | |||
| Liz Vastola | (as Elisabeth Vastola) | ||
Makeup Department | |||
| Ivy Ermert | .... | additional makeup artist | |
| Pete Gerner | .... | special makeup effects artist (as Peter Gerner) | |
| Brenna McGuire | .... | key hair stylist | |
| Brenna McGuire | .... | key makeup artist | |
| Brian Spears | .... | special makeup effects artist | |
| Ashley K. Thomas | .... | makeup intern (as Ashley Thomas) | |
| Jessica Toth | .... | additional makeup artist (as Jess Toth) | |
Production Management | |||
| Lizz Morhaim | .... | production manager | |
| Peter Phok | .... | post-production supervisor | |
Art Department | |||
| Matthew Amenta | .... | property master | |
| Shawn Annabel | .... | property master | |
| Christina Cole | .... | art intern | |
| Steven Denisevicz | .... | art intern | |
| Gina Freedman | .... | set dresser | |
| Noah Grant-Levine | .... | set dresser | |
| Maya Kazan | .... | property intern | |
| Beth Mickle | .... | production design consultant | |
| Mellisa Misner | .... | art intern | |
| Logan Monighan | .... | property intern | |
| Lauren Norfel | .... | art intern | |
Sound Department | |||
| Shaun Brennan | .... | foley artist | |
| Tom Efinger | .... | sound mixer | |
| Tom Efinger | .... | sound re-recording mixer | |
| Tom Efinger | .... | sound supervisor | |
| Eric Gitelson | .... | adr editor | |
| Eric Gitelson | .... | adr engineer | |
| Eric Gitelson | .... | foley editor | |
| Eric Gitelson | .... | foley engineer | |
| Alicia Loving | .... | sound studio in-house producer: Dig It Audio | |
| Daniel Martens | .... | sound editing intern | |
| John Moros | .... | additional sound effects editor | |
| John Moros | .... | additional sound effects recordist | |
| John Moros | .... | dialogue editor | |
| John Moros | .... | foley editor | |
| Kyle Mumford | .... | sound editing intern | |
| Josh Neal | .... | sound mixer (as Joshua Neal) | |
| Vincent Rella | .... | boom operator | |
| Graham Reznick | .... | sound designer | |
| Graham Reznick | .... | sound supervisor | |
| Brian Scibinico | .... | foley engineer | |
| Jeff Seelye | .... | assistant sound editor | |
| Michael Sterkin | .... | sound mixer | |
| Cecile Tournesac | .... | assistant sound editor | |
| Dmitry Volovik | .... | boom operator | |
| Joe Troia | .... | additional foley artist (uncredited) | |
Visual Effects by | |||
| Chris Gelles | .... | visual effects executive producer | |
| David Isyomin | .... | visual effects supervisor | |
| Glenn McQuaid | .... | visual effects artist: Glass Eye Pix logo | |
| Jim Mickle | .... | visual effects supervisor | |
| Jim Mickle | .... | visual effects | |
Stunts | |||
| Jared Burke | .... | stunt rigger | |
| Declan Mulvey | .... | stunt double: Michael Cerveris | |
| John Schuman | .... | stunt coordinator | |
| Anthony Vincent | .... | stunt coordinator | |
| Bryce Burke | .... | stunts (uncredited) | |
| Asa Liebmann | .... | stunts (uncredited) | |
| Kristi Lynn | .... | stunt double (uncredited) | |
Camera and Electrical Department | |||
| Bobby Boothe | .... | camera operator: "b" camera | |
| Ben Burke | .... | electrician | |
| Patrick Cecilian | .... | digital imaging technician | |
| Pedro Corcega | .... | additional second assistant camera | |
| Nicole Cosgrove | .... | additional second assistant camera | |
| Matthew Cryan | .... | best boy grip | |
| Jeff Delauter | .... | second assistant camera | |
| Trevor Fields | .... | best boy electric | |
| Dan Gartner | .... | gaffer | |
| Corey Gegner | .... | first assistant camera: "b" camera | |
| Keith Hueffmeier | .... | first assistant camera: "a" camera | |
| Robb McCleary | .... | grip | |
| Jordan T. Parrott | .... | grip | |
| Margaret Sclafani | .... | camera intern | |
| Matthew Selkirk | .... | second assistant camera (as Matt Selkirk) | |
| John Shim | .... | additional gaffer | |
| Steve Siddell | .... | gaffer | |
| Eric Stanze | .... | cameraman: behind the scenes | |
| Brandon Taylor | .... | key grip | |
| Jim Wayer | .... | grip | |
Casting Department | |||
| Srivatsa Dattatreya | .... | casting assistant | |
| Jeremy Zelikovic | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Alana Blum | .... | wardrobe intern | |
| Mirando Brewer | .... | wardrobe intern | |
| Christina Cole | .... | wardrobe intern | |
| Tierney Dearing | .... | costume assistant | |
| Ashley Gressen | .... | wardrobe intern | |
| Dasha Kittredge | .... | costume assistant | |
| Kerri Mcguckin | .... | wardrobe intern | |
| Nicole Montemareno | .... | costume assistant | |
| Amanda Williams | .... | costume supervisor | |
| Amanda Williams | .... | set costumer | |
| Olivia Janczyk | .... | costume assistant (uncredited) | |
Editorial Department | |||
| John Eremic | .... | supervising digital intermediate producer (as John 'Pliny' Eremic) | |
| John Kersten | .... | digital intermediate conformist | |
| Chris Massi | .... | assistant editor | |
| Robbie Renfrow | .... | digital intermediate colorist | |
| Benjamin Moses Smith | .... | digital intermediate producer | |
| Michael Vincent | .... | assistant editor | |
| Micah Gallo | .... | executive producer: Lit Post (uncredited) | |
| Tyler A. Hawes | .... | digital intermediate colorist: Lit Post (uncredited) | |
| Gustavo Mendes | .... | digital intermediate conform editor: Lit Post (uncredited) | |
| Scott Purdy | .... | digital intermediate producer: Lit Post (uncredited) | |
Music Department | |||
| Tom Chiu | .... | musician: solo cello | |
| Adriana Grace | .... | music preparation | |
| Jeff Grace | .... | music producer | |
| Jeff Grace | .... | musician: piano | |
| Jeff Grace | .... | orchestrator | |
| Michael Grimes | .... | music researcher | |
| Jonathan Mason | .... | music supervisor | |
| Lorenza Ponce | .... | musician: solo violin | |
| Stephen Schappler | .... | music recorder: Dubway Studios | |
| Joshua Tidsbury | .... | music mixer | |
| Matt Tyson | .... | music researcher | |
| Gary Wang | .... | musician: guitar | |
| Mikael Carlsson | .... | soundtrack producer (uncredited) | |
Transportation Department | |||
| Angela Wright | .... | driving production assistant | |
Other crew | |||
| Ryan Bentz | .... | location production assistant | |
| Norm Burrington | .... | vice president of sales: MPI Media Group | |
| Melisa Cardone | .... | additional production assistant (as Melissa Cardone) | |
| Matt Collier | .... | additional production assistant | |
| Gina Connella | .... | executive liaison: MPI Media Group | |
| Joshua Cookingham | .... | production assistant | |
| Brenda Cooney | .... | vampire vocalization | |
| Kelly Cosich | .... | accountant: MPI Media Group | |
| Jerry L. Dasti | .... | production counsel: Sloss Eckhouse Brennan (as Jerry Dasti) | |
| Gabriella Dentamaro | .... | location production assistant | |
| Gabriella Dentamaro | .... | office assistant: Glass Eye Pix | |
| Neil Fazzari | .... | additional voice | |
| Francheska Feliciano | .... | paymaster | |
| Veronica Fellman | .... | additional voice | |
| Sean Gartner | .... | key production assistant | |
| Loretta Gary | .... | production assistant | |
| James Godwin | .... | vampire vocalization | |
| Nicola Goelzhaeuser | .... | vice president of international sales: MPI Media Group | |
| Kevin Johnson | .... | chef | |
| Caitlin Kinnunen | .... | additional voice | |
| Brent Kunkle | .... | location manager | |
| Alder Lakish | .... | script supervisor | |
| Alicia Loving | .... | additional voice | |
| Woo Lovinger | .... | production assistant | |
| Matt McDonough | .... | insurance agent: Arts & Entertainment | |
| Danny Mefford | .... | choreographer: vamp | |
| Nicole Mikuzis | .... | brand manager: MPI Media Group | |
| Roy Millonzi | .... | executive vice president of sales: MPI Media Group | |
| Meghan Minehan | .... | additional production assistant | |
| Chris Moros | .... | additional voice | |
| Michael A. Polito | .... | production assistant (as Michael Polito) | |
| Daniela Sapkar | .... | unit publicist: MPI Media Group | |
| John Schuman | .... | senior armorer | |
| Luke Sershen | .... | additional voice | |
| Taj Shareef | .... | production assistant | |
| Ashley Shewell | .... | production assistant | |
| Chrissy Smith | .... | production assistant | |
| Terrence Trouillot | .... | craft service | |
| Cedric Vara | .... | key production assistant | |
| Jim Wayer | .... | production assistant | |
| Todd Weineke | .... | chief archivist: MPI Media Group | |
| Lisa Wisely | .... | business manager: Glass Eye Pix | |
| Chelsea Yelk | .... | additional production assistant | |
Thanks | |||
| Frank Brewer | .... | special thanks | |
| James Mickle | .... | thanks | |
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| Mulberry Street | The Beast from 20,000 Fathoms | The Legacy | The Hunting Party | Powder Blue |
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| Full cast and crew | Company credits | External reviews |
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I saw this movie because I love post-apocalyptic movies. The idea of a world with less human beings meddling with it always looks enticing. Its the same reason why we take vacations in remote locations.
First thing you will notice about Stake Land is it looks great. I am not much familiar with the cast except Connor Paolo. The actors act naturally which looks great in a film such as this. The plot is simple. It is a story of survivors of a vampire epidemic. But its the execution of the plot which is why this movie is so good. The director knows what he can and cant do. 10 out of 10 for the director's efforts.
Lastly, I wont say its a different movie than the rest of vampire movies coming out these days. But Stake Land should be watched because it has the ability to suck you in its environment within the first 10 minutes. And trust me it never lets it go.