Martin was a normal teenage boy before the country collapsed in an empty pit of economic and political disaster. A vampire epidemic has swept across what is left of the nation's abandoned ...
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When his home of New Eden is destroyed by a revitalized Brotherhood and its new Vamp leader, Martin finds himself alone in the badlands of America with only the distant memory of his mentor and legendary vampire hunter, Mister, to guide him.
The Parkers, a reclusive family who follow ancient customs, find their secret existence threatened as a torrential downpour moves into their area, forcing daughters Iris and Rose to assume responsibilities beyond those of a typical family.
Trapped in an isolated gas station by a voracious Splinter parasite that transforms its still living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.
A deadly infection breaks out in Manhattan, causing humans to devolve into blood-thirsty rat creatures. Six recently evicted tenants must survive the night and protect their downtown ... See full summary »
Martin was a normal teenage boy before the country collapsed in an empty pit of economic and political disaster. A vampire epidemic has swept across what is left of the nation's abandoned towns and cities, and it's up to Mister, a death dealing, rogue vampire hunter, to get Martin safely north to Canada, the continent's New Eden. Written by
Throughout filming, actor Nick Damici ("Mister") wore his mother's actual wedding ring on the pinkie of his right hand, as a way of acknowledging his character's back story. See more »
Late in the movie, they run through a green corn field which would indicate summer, and in the next scene, the trees have no leaves as if it were fall or winter. See more »
You wanna live boy, you listen to me. You scream, I'll break your neck. They're dead! There's nothing to be done about it but kill that thing. Can you shoot? You shoot me I'll fuckin' kill you!
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Real vampires are back in a another post-apocalyptic road movie
Synopsis: Orphaned Martin is taken under the wing of bad-ass Mister as they travel across vampire-ravaged America in search of the refuge known as 'New Eden'.
Aside from the fairly frequent jumps, scares and gore, Stake Land feels surprisingly subdued for a recent horror film. With its melancholic tone, ravaging of the religious right and focus on characters over action, the film succeeds in being a bit more thoughtful than many of its contemporaries. And don't go into this expecting sanitized, pretty-boy vampires a-la-Twilight. These monsters are old school to the core- more like zombies than modern takes on vampires; all ferocious snarls and messed up faces. With fairly few jumps or scenes that are likely to scare a grizzled horror fan, Stake Land is easier to recommend for its realistic world-building, mournful soundtrack and interesting, well-drawn characters.
Opening with Martin's voice-over as he introduces himself and his traveling companion, the enigmatic father figure and teacher, Mister, the film quickly flashes back to a vicious encounter between Martins family and the horrific vampires. Sticking with most of the rules of the vampire myth, it is soon established that stakes and sunlight are still useful in this tale of vamp vs human conflict. The pace is deliberately slow and the film painstakingly constructs a very authentic feeling vision of post-apocalyptic America. Guarded communities living in fear while supplies dwindle, drinking and sleeping together in packed bars until the sun rises and religious nutjobs taking over the wilderness to rape and murder as they please. It is this rendering of the Christian crazies that strikes the biggest false note in the story, feeling over-blown and too simple for the subtleties of much of the rest of the story and character drawing.
The cast are great, particularly Nick Damici as Mister who delivers a convincing performance with the familiar role of mean old git with a soft heart underneath. Kelly McGillis is barely recognizable as a constantly victimized nun (bet she must be wondering what happened to the days of getting jiggy with Tom Cruise in a Navy uniform) and the youngsters, especially Connor Paolo are good in their less demanding roles. It's particularly nice to see Danielle Harris still working, even if she has lost some of the spunk of her early appearance as Bruce Willis' daughter way back in The Last Boy Scout.
Jim Mickle should be applauded for his direction; the film works very well as a whole, with good performances from the cast, a bleak soundtrack and pacing that could have easily been spoiled by trying to appeal to a bigger audience. It is a brave movie; not overly rushed and taking its time to build to its understated climax. The action and horror are handled well and the villain is a right nasty piece of work that should stick in the memory.
The film is most memorable for its details of life after the vampires take over. The small communities that have popped up round the country feel realistic and lived in. A sense of community, of something we have lost to some extent in 2011 shines through and gives the film a nostalgic feel, as if the vampire apocalypse may help America return to a simpler, more caring time. The positioning of the cult of Christian crazies dropping 'bombs' on peaceful communities and their obsession with deliverance and the 'will of God' is the least subtle and most forceful of themes on display and does feel a little OTT in places but the journey of the characters and their encounters with ordinary folk ground the film and make up for its excesses in other areas.
Stake Land is a very well made film and can be enjoyed as a simple horror film but also as an experience of a post-apocalyptic society and the highs and lows of living in a world with a drastically reduce population.
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