In a future where people stop aging at 25, but are engineered to live only one more year, having the means to buy your way out of the situation is a shot at immortal youth. Here, Will Salas finds himself accused of murder and on the run with a hostage - a connection that becomes an important part of the way against the system.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
When an unseen enemy threatens mankind by taking over their bodies and erasing their memories, Melanie will risk everything to protect the people she cares most about, proving that love can conquer all in a dangerous new world.
Set in the near future, where robot boxing is a top sport, a struggling promoter feels he's found a champion in a discarded robot. During his hopeful rise to the top, he discovers he has an 11-year-old son who wants to know his father.
Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
When her mother disappears, Clary Fray learns that she descends from a line of warriors who protect our world from demons. She joins forces with others like her and heads into a dangerous alternate New York called Downworld.
Jamie Campbell Bower,
Extraordinary teen John Smith (Pettyfer) is a fugitive on the run from ruthless enemies sent to destroy him. Changing his identity, moving from town to town with his guardian Henri (Olyphant), John is always the new kid with no ties to his past. In the small Ohio town he now calls home, John encounters unexpected, life-changing events-his first love (Agron), powerful new abilities and a connection to the others who share his incredible destiny. Written by
Walt Disney Pictures
Dianna Agron landed her role after a chance meeting with executive producer Steven Spielberg at a charity event. As a big fan of Glee (2009), Spielberg was seriously considering Agron for a prominent part when the chance encounter proved beneficial for both parties. See more »
Sarah uses old, mechanical cameras, such as Nikon F, yet never focuses before shooting. See more »
You know, showboating like that just make you look desperate.
Yeah, "Look at me. I can flip my ski."
See more »
Clouds blow over the DreamWorks SKG logo which then reveals a shot from space See more »
Do you know that old movie rule that you subconsciously decide whether you're going to enjoy a film or not within the first ten minutes? Well, it wasn't true this time, because after the opening sequence, I was pretty sure I was going to hate "I Am Number Four". Thankfully, I was in for a pleasant surprise.
It all starts with bad CGI-monsters and some guys in Star Trek make-up chasing people around in the jungle. We then cut to some jocks doing tricks on jet skis and some bland blonde girls admiring them - and I thought this is going to be terrible. Then the story picks up and the movie gets better from there.
The story involves a couple of characters and mysteries, but is never too complicated. After the initial jet ski scene, the main character actually turns out to be played quite charmingly by Alex Pettyfer. He's supported by his mentor/protector (solid as always: Timothy Olyphant). Glee's Dianna Agron plays Number Four's love interest. She comes across very natural, so that the love story that unfolds is actually engaging instead of vomit-inducing like that of that other movie with the whining Vampires and the shirtless Werewolves.
Of course, "I Am Number Four" is by no means a great movie. The CGI sucks in places and the make-up of the bad guys is just awful. Characters are stereotypical, things fall into place way too conveniently and one has the feeling that a good junk of the original novel has just been crammed together to (barely) fit into the running time of a popcorn movie.
However, I think we can all agree that it would be silly to actually expect a masterpiece, considering the movie's premise. For what it is, "I Am Number Four" is an entertaining little fantasy flick for teenagers and undemanding twenty-somethings. Add to that the fact that this movie is neither a sequel nor a remake, that it's not based on a comic book, a TV series, a computer game or toys, and it's enough to lift "I Am Number Four" heads and shoulders above its genre competitors.
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