Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
FBI agent Malcolm Turner and his son, Trent, go undercover at an all-girls performing arts school after Trent witnesses a murder. Posing as Big Momma and Charmaine, they must find the murderer before he finds them. Written by
The eye of the beholder. It is tough doing comedy and it is tough explaining why something is not to ones taste. Martin Lawrence made quite a lot of money with this series and not only a few would wonder how this could happen in the first place.
While this isn't complete waste (you might be able to laugh or chuckle at some of the silly jokes), this really is by the numbers and has no surprising element whatsoever to elevate it over other movies with similar themes. Not only that, it isn't really that well executed either. But what would you expect from a movie when it reaches its second sequel (part 3 that is)?! So while the (general) census suggests that you won't like the movie, you might see it otherwise (especially if you liked both prior movies)!
5 of 5 people found this review helpful.
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