Paul is a U.S. truck driver working in Iraq. After an attack by a group of Iraqis he wakes to find he is buried alive inside a coffin. With only a lighter and a cell phone it's a race against time to escape this claustrophobic death trap.
When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
Dave is a married man with two kids and a loving wife, and Mitch is a single man who is at the prime of his sexual life. One fateful night while Mitch and Dave are peeing in a fountain, lightning strikes and they switch bodies.
Waking groggy in pitch darkness, Paul Conroy, an American truck driver working in Iraq in 2006, slowly realizes he is trapped inside a wooden coffin, buried alive. With his cigarette lighter, he can see the trap he is in, and he quickly realizes that there's not enough air for him to live long. He finds within the coffin a working cellphone, which allows him contact with the outside world. But the outside world proves not to be very helpful at finding a man buried in a box in the middle of the Iraqi desert. Paul must rely on his best resource--himself. Written by
Jim Beaver <firstname.lastname@example.org>
As Paul takes a drink after his pills, he lifts the flask to his mouth with his left hand, in the next shot he is shown drinking from his right hand, then in the following shot he sets the flask down again with his left hand. See more »
Buried: in which Ryan Reynolds is en-tombed underground in a coffin like structure with only a cell phone and a lighter for company spending 90 minutes crying out for help to anyone who will listen. Director Rodrigo Cortes keeps the drama entirely inside this average-sized coffin-like box but as anyone who watched Hitchcock play with space and tension in Rope and Lifeboat will know how inventive one has to be with limited room, Cortes used his skill to make this experiment work brilliantly with some interesting lighting effects to keep it visually interesting. After watching this movie I was left physically trembling. This was partly because the final five minutes are about as nail-biting as five minutes of film can possibly be, but mostly because of the tremendous adoration I have for the filmmakers who have achieved so much with so little. Whoever says you need to think outside the box should think again, because Buried is nothing short of a minimalist masterpiece. bravo for a very brave ending.
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