| Photos (See all 16 | slideshow) | Videos (see all 21) |
| Daniel Craig | ... | Will Atenton | |
| Naomi Watts | ... | Ann Patterson | |
| Rachel Weisz | ... | Libby | |
| Elias Koteas | ... | Boyce | |
| Marton Csokas | ... | Jack Patterson | |
| Taylor Geare | ... | Trish | |
| Claire Geare | ... | Dee Dee (as Claire Astin Geare) | |
| Rachel G. Fox | ... | Chloe Patterson (as Rachel Fox) | |
| Jane Alexander | ... | Dr. Greeley | |
| Brian Murray | ... | Dr. Medlin | |
| Bernadette Quigley | ... | Heather Keeler | |
| Sarah Gadon | ... | Cindi | |
| Gregory Smith | ... | Artie | |
| Mark Wilson | ... | Capt. Conklin | |
| David Huband | ... | Officer Nelson | |
| Martin Roach | ... | Tommy | |
| Jean Yoon | ... | New Editor | |
| Lynne Griffin | ... | Sadie | |
| Jonathan Potts | ... | Tony Ferguson | |
| Marlee Otto | ... | Young Author | |
| Nigel Henry | ... | Author's Assistant / Guard 1 | |
| Bryon Mumford | ... | Author's Assistant / Guard 2 | |
| Joe Pingue | ... | Martin | |
| Ryan Blakely | ... | Harkness Client | |
| Karen Glave | ... | Harkness Receptionist | |
| David Fox | ... | Building Inspector | |
| rest of cast listed alphabetically: | |||
| James Collins | ... | Police Officer (uncredited) | |
| Kevin B Hartley | ... | Publishing Office Staff (uncredited) | |
| Sam Keeley | ... | (uncredited) | |
| Yulia Lukin | ... | Waitress (uncredited) | |
| Douglas Nyback | ... | Angry Motorist (uncredited) | |
| Chris Owens | ... | Tom Barrion (uncredited) | |
| Robert J. Tavenor | ... | Angrier Motorist (uncredited) | |
Directed by | |||
| Jim Sheridan | |||
Writing credits(in alphabetical order) | ||
| David Loucka | written by | |
Produced by | |||
| Daniel Bobker | .... | producer | |
| Mike Drake | .... | executive producer | |
| Ehren Kruger | .... | producer | |
| Rick Nicita | .... | executive producer | |
| David C. Robinson | .... | producer (as David Robinson) | |
| James G. Robinson | .... | producer | |
Original Music by | |||
| John Debney | |||
Cinematography by | |||
| Caleb Deschanel | (director of photography) | ||
Film Editing by | |||
| Glen Scantlebury | |||
| Barbara Tulliver | |||
Casting by | |||
| Avy Kaufman | |||
Production Design by | |||
| Carol Spier | |||
Art Direction by | |||
| Elinor Rose Galbraith | (as Elinor Galbraith) | ||
Set Decoration by | |||
| Peter P. Nicolakakos | (as Peter Nicolakakos) | ||
Costume Design by | |||
| Delphine White | |||
Makeup Department | |||
| Marlene Aarons | .... | makeup artist | |
| Judy Chin | .... | personal makeup artist: Ms. Weisz | |
| Carol Hartwick | .... | key hair stylist | |
| Mandy Lyons | .... | personal hair stylist: Ms. Weisz | |
| Jo-Ann MacNeil | .... | key makeup artist (as Jo-Ann McNeil) | |
| Donald Mowat | .... | makeup department head | |
| Donald Mowat | .... | personal makeup artist: Mr. Craig | |
| Kyra Panchenko | .... | personal makeup artist: Ms. Watts | |
| Alex Rouse | .... | wigs | |
| Sean Sansom | .... | prosthetic makeup artist | |
| Vincent Sullivan | .... | hair department head | |
| Zoe Tahir | .... | personal hair stylist: Mr. Craig | |
| Ryan Trygstad | .... | personal hair stylist: Ms. Watts | |
| Alessandro Bertolazzi | .... | makeup artist: Ms. Naomi Watts (uncredited) | |
| Giorgio Gregorini | .... | key hair stylist (uncredited) | |
| Renate Leuschner | .... | wig maker (uncredited) | |
| Amanda Miller | .... | specialty wig maker (uncredited) | |
Production Management | |||
| Andy Fraser | .... | executive in charge of production | |
| Dan Genetti | .... | post-production supervisor | |
| Lyn Lucibello | .... | unit production manager (as Lyn Lucibello-Brancatella) | |
Second Unit Director or Assistant Director | |||
| Jack Boem | .... | second assistant director | |
| Divya D'Souza | .... | trainee assistant director | |
| Walter Gasparovic | .... | first assistant director | |
| Myron Hoffert | .... | first assistant director | |
| Kathryn Hughes | .... | third assistant director | |
| Gerrod Shully | .... | third assistant director | |
| Tony Aherne | .... | first assistant director: pick-up unit (uncredited) | |
| Jonathan Gajewski | .... | daily assistant director (uncredited) | |
| Justin Gajewski | .... | daily assistant director (uncredited) | |
Art Department | |||
| Colin Adams | .... | on-set dresser | |
| Naomi Allan | .... | set dresser | |
| John Bannister | .... | key scenic | |
| Jacques M. Bradette | .... | set dresser (as Jacques Bardette) | |
| Gordon Brown | .... | assistant head painter | |
| Tim Campbell | .... | head painter | |
| Steve Cohen | .... | painter | |
| Janet Cormack | .... | painter | |
| Joe Curtin | .... | construction coordinator | |
| Kevin Curtin | .... | carpenter | |
| John J. Fitzpatrick | .... | carpenter (as John Fitzpatrick) | |
| Danielle Fleury | .... | assistant set decorator | |
| Brad Francis | .... | on-set scenic | |
| Christopher Geggie | .... | property master | |
| Kevin Haeberlin | .... | set decoration leadman | |
| Gary Harmer | .... | set dresser | |
| Jeff Helgason | .... | painter | |
| Keith Hightower | .... | stand-by carpenter | |
| Scott Howes | .... | carpenter | |
| Paul Jefferson | .... | head carpenter | |
| Itsuko Kurono | .... | second assistant art director | |
| Michael Madden | .... | set designer | |
| Aleksandra Marinkovich | .... | set designer (as Aleks Marinkovich) | |
| Rob McCallum | .... | storyboard artist | |
| Richard McStay | .... | assistant head carpenter | |
| Ian Nelmes | .... | painter | |
| Brian Patrick | .... | assistant property master | |
| Frank Perna | .... | painter | |
| Jim Peters | .... | key greens | |
| Gord Peterson | .... | second assistant art director | |
| Dusty Reeves | .... | art department coordinator | |
| Robert Rozycki | .... | art department apprentice | |
| Barbara Wallace | .... | assistant greens | |
| Bernadette Warren | .... | on-set greens | |
| Dawna Weeks | .... | set dresser | |
| Gareth Wilson | .... | set dresser | |
| John Moran | .... | graphic designer (uncredited) | |
Sound Department | |||
| Bryan Arenas | .... | sound consultant: Dolby | |
| Ron Bedrosian | .... | adr mixer | |
| Tom Bellfort | .... | supervising sound editor | |
| Michael J. Broomberg | .... | foley artist (as Michael Broomberg) | |
| Julio Carmona | .... | adr recordist | |
| Bruce Carwardine | .... | sound mixer | |
| Gavin Coford | .... | boom operator | |
| David A. Cohen | .... | dialogue supervisor | |
| Patrick Cusack | .... | foley editor | |
| Brian Gallagher | .... | adr mixer: Audacity Recording | |
| Nerses Gezalyan | .... | foley mixer | |
| Hector C. Gika | .... | sound effects editor (as Hector Gika) | |
| Laura R. Harris | .... | adr editor (as Laura Harris) | |
| Gary A. Hecker | .... | supervising foley artist (as Gary Hecker) | |
| Zach Hunter | .... | cable puller | |
| Bobby Johanson | .... | adr mixer | |
| Daniel J. Leahy | .... | sound re-recording mixer (as Daniel Leahy) | |
| Matthew McKenzie | .... | adr mixer | |
| Evan Rautiainen | .... | re-recording engineer | |
| Michael Rivera | .... | adr recordist (as Mike Rivera) | |
| Danial Shimiaei | .... | re-recording engineer (as Dan Shimiaei) | |
| Gary L.G. Simpson | .... | re-recording engineer (as Gary Simpson) | |
| Branden Spencer | .... | supervising assistant sound editor | |
| Greg Steele | .... | adr mixer | |
| Gary Summers | .... | sound re-recording mixer | |
| Drew Webster | .... | re-recording mix technician | |
| Greg Zimmerman | .... | adr recordist | |
| Mark DeSimone | .... | adr mixer: New York (uncredited) | |
| Dan Edelstein | .... | adr editor (uncredited) | |
| Ric Schnupp | .... | adr recordist (uncredited) | |
| Brian Seagrave | .... | audio post-conform (uncredited) | |
Special Effects by | |||
| Daniel Gibson | .... | first assistant set special effects | |
| Rick Hall | .... | special effects shop assistant | |
| Brenda Klassen | .... | first assistant snow dresser | |
| Kaz Kobielski | .... | key set special effects | |
| Mark Lawton | .... | key special effects rigger | |
| Sam Mujkanovic | .... | special effects fabricator | |
| Melinda Ramsay | .... | special effects office coordinator | |
| Ted Ross | .... | special effects technician | |
| Neil Trifunovich | .... | special effects supervisor | |
| Sophie Vertigan | .... | key special effects: snow | |
| Aaron Dinsmore | .... | special effects technician (uncredited) | |
| Bill McShane | .... | special effects technician (uncredited) | |
| David Reaume | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Neishaw Ali | .... | visual effects executive producer: SPIN VFX | |
| Chris Ankli | .... | tracking and layout: SPIN VFX | |
| Pharoah Barrett | .... | cg artist: Digiscope | |
| Travis Baumann | .... | digital supervisor: Gradient Effects | |
| David Beedon | .... | visual effects artist: CoSA VFX | |
| Joseph Bell | .... | visual effects producer: CoSA VFX | |
| Beverly Bernacki | .... | visual effects artist: CoSA VFX | |
| Nitin Bhaskar | .... | visual effects coordinator: EFX/Prasad (as N. Bashjar) | |
| Colin Davies | .... | visual effects supervisor: SPIN VFX | |
| Amy Daye | .... | lead compositor: SPIN VFX | |
| Eric Doiron | .... | compositing supervisor: SPIN VFX | |
| Fortunato Frattasio | .... | digital effects supervisor: Digiscope | |
| Michael Frattasio | .... | visual effects artist: Digiscope | |
| Dion Hatch | .... | visual effects supervisor: Sigiscope | |
| Jeremy Johnston | .... | digital compositor: SPIN VFX | |
| Marc Kolbe | .... | visual effects producer | |
| Marc Kolbe | .... | visual effects supervisor | |
| Yale Kozinski | .... | visual effects editor | |
| Hima Kumar | .... | visual effects executive producer: EFX/Prasad | |
| Christopher Lance | .... | visual effects artist: CoSA VFX | |
| Marco Lee | .... | digital compositor: SPIN VFX | |
| Tom Lynnes | .... | cg artist: Digiscope | |
| George Macri | .... | visual effects producer: SPIN VFX | |
| Tom Mahoney | .... | visual effects supervisor: CoSA VFX | |
| Allen Mascari | .... | production support: Digiscope | |
| Phillip Mayer | .... | cg animator: Gradient Effects | |
| Grant Moyer | .... | visual effects artist: Digiscope | |
| Danny Mudgett | .... | visual effects artist: Digiscope | |
| James Owens | .... | data wrangler: Gradient Effects (as Jim Owens) | |
| D.J. Partheeban | .... | visual effects coordinator: EFX/Prasad | |
| Luis F. Pazos | .... | visual effects editor: Gradient Effects (as Luis Pazos) | |
| Brennan Prevatt | .... | digital effects supervisor: Digiscope | |
| Janet Quen | .... | visual effects artist: Digiscope | |
| James Raiz | .... | digital matte painter: SPIN VFX | |
| Rebecca Ramsey | .... | visual effects producer: Gradient Effects | |
| Sean Rourke | .... | production support: Digiscope | |
| Mag Sarnowska | .... | digital compositor: SPIN VFX | |
| Satheesh | .... | compositing supervisor: EFX/Prasad (as V. Satheesh) | |
| Joseph Shahood | .... | production support: Digiscope (as Joe Shahood) | |
| Tim Sibley | .... | effects supervisor: SPIN VFX | |
| Mary Stuart-Welch | .... | visual effects producer: Digiscope (as Mary Stuart) | |
| Olcun Tan | .... | visual effects executive producer: Gradient Effects | |
| Jon Tanimoto | .... | visual effects artist: CoSA VFX | |
| Thomas Tannenberger | .... | visual effects executive producer: Gradient Effects | |
| Brandon Del Nero | .... | visual effects producer (uncredited) | |
| Matt Mcewan | .... | digital compositor (uncredited) | |
| Dhaval Mistry | .... | matchmove artist: SPIN VFX (uncredited) | |
| Richard Owen | .... | matchmove artist (uncredited) | |
| Stevie Ramone | .... | digital compositor: SPIN VFX (uncredited) | |
| Michelle Yu | .... | digital compositor: SPIN VFX (uncredited) | |
Stunts | |||
| Brittney Banks | .... | stunts | |
| Krista Bell | .... | stunts | |
| Garvin Cross | .... | stunts | |
| Chloe Jones | .... | stunts | |
| Riley Jones | .... | stunts | |
| Patrick Mark | .... | stunts | |
| Duncan McLeod | .... | stunts | |
| Edward A. Queffelec | .... | stunts (as Edward Queffelec) | |
| Vanessa Reid | .... | stunts | |
| John Stoneham Jr. | .... | stunt coordinator | |
| Krista Bell | .... | stunt double: Naomi Watts (uncredited) | |
| Garvin Cross | .... | stunt double: Daniel Craig (uncredited) | |
| John MacDonald | .... | stunt actor (uncredited) | |
| Patrick Mark | .... | stunt double: Elias Koteas (uncredited) | |
| Christopher McGuire | .... | stunt double (uncredited) | |
| Duncan McLeod | .... | stunt double: Marton Sokas (uncredited) | |
| Kevin Rushton | .... | stunt actor (uncredited) | |
| Larissa Stadnichuk | .... | stunts (uncredited) | |
Casting Department | |||
| Ranjani Brow | .... | adr voice casting | |
| Robin D. Cook | .... | casting: Canada (as Robin Cook) | |
| Donna Dupere | .... | background casting | |
| Charles L. Gariepy | .... | casting assistant: US (as Charles Louis Gariepy) | |
| Wendy Hoffman | .... | adr voice casting (as Wendy Hoffmann) | |
| Sabrina Hyman | .... | casting associate: US | |
| Jonathan Oliveira | .... | casting assistant: Canada | |
| Millie Tom | .... | casting associate: Canada | |
| Leeba Zakharov | .... | casting associate: US | |
| Brad Gerstl | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Quita Alfred | .... | personal dresser: Ms. Weisz | |
| Maria Belperio | .... | seamstress | |
| Ciara Brennan | .... | costume supervisor | |
| Madeline Brian | .... | breakdown artist | |
| Maureen Curtin | .... | costume truck supervisor | |
| Isabel De Biasio | .... | costume set supervisor | |
| Carl Docherty | .... | cutter | |
| Brenda Gilles | .... | personal dresser: Ms. Watts | |
| Richard Krough | .... | background costume coordinator (as Richard Krogh) | |
| Madeleine Stewart | .... | assistant costume designer | |
| Kathleen Meade | .... | assistant costume designer: additional photography (uncredited) | |
| Carol Wong | .... | costume buyer (uncredited) | |
Editorial Department | |||
| Kim Aitchison | .... | dailies project manager | |
| J. Cody Baker | .... | color assistant | |
| Gary Brown | .... | manager: dailies operations | |
| Paul Carlin | .... | digital intermediate conformer | |
| George Chavez | .... | color timer | |
| Mike Chiado | .... | digital intermediate technologist | |
| Bernie Clayton | .... | operator: video data centre | |
| David Feldman | .... | digital intermediate account executive | |
| Rolf Fleischmann | .... | assistant editor | |
| Luis Freitas | .... | assistant editor: location | |
| Craig Hayes | .... | assistant editor | |
| Lee Hughes | .... | digital intermediate project manager | |
| Andy Kaplan | .... | senior digital intermediate producer | |
| Joe Ken | .... | digital intermediate editor: Company 3 | |
| Christina Kremer | .... | post-production coordinator | |
| Ryan Logel | .... | operator: video data centre | |
| Tom Mayclim | .... | digital intermediate scan operator | |
| Craig McKay | .... | additional editing | |
| Aj McLauchlin | .... | telecine sync operator | |
| Stephen Nakamura | .... | digital intermediate colorist | |
| Nick Paulozza | .... | imaging supervisor | |
| Trevor Pickard | .... | digital intermediate scanner | |
| Ryan Ruskay | .... | colorist: dailies | |
| Mike Seeley | .... | operator: video data centre | |
| Stefan Sonnenfeld | .... | digital intermediate executive producer: Co3 | |
| Devin Sterling | .... | digital intermediate head of production | |
| Mark Thorp | .... | manager: technical resources | |
| Byron Wong | .... | on-line editor | |
Music Department | |||
| Christine Bergren | .... | music clearance and legal services | |
| Jo Buckley | .... | assistant orchestra contractor | |
| Jeff Carson | .... | music editor | |
| Joseph S. DeBeasi | .... | music editor (as Joseph DeBeasi) | |
| Lola Debney | .... | music score coordinator | |
| Eleanor Grant | .... | musician: solo female vocal | |
| Isobel Griffiths | .... | orchestra contractor | |
| Jaime Hartwick | .... | technical assistant: debney | |
| Charles Martin Inouye | .... | music editor (as Chuck Martin) | |
| Dave Jordan | .... | music supervisor | |
| Kevin Kaska | .... | orchestrator | |
| Stephanie Pereida | .... | score production supervisor | |
| Simon Rhodes | .... | score engineer | |
| Lise Richardson | .... | music editor (as Lisé Richardson) | |
| Dan Savant | .... | score production | |
| Noah Scot Snyder | .... | electronic score engineer (as Noah Snyder) | |
| Jill Streater | .... | music copyist: UK | |
| Mike Watts | .... | additional orchestrator | |
| Rolf Wilson | .... | orchestra leader | |
| Robert Ziegler | .... | conductor | |
| John Barrett | .... | score pro tools recordist (uncredited) | |
| Aled Jenkins | .... | assistant score engineer (uncredited) | |
Other crew | |||
| Claire Adamson | .... | stand-in: Ms. Weisz | |
| Derek Barnes | .... | craft service | |
| Lauren Barnhart | .... | assistant: Ms. Watts | |
| Mark Bilas | .... | accountant: construction | |
| Laurel Bresnahan | .... | studio teacher | |
| Dustin Brooks | .... | fire safety | |
| Kathryn Buck | .... | script supervisor | |
| Julie Burns | .... | stand-in: Ms. Watts | |
| James Burton | .... | craft service | |
| Jas Chima | .... | assistant: Mr. Sheridan | |
| Adam Chuckryk | .... | stand-in: Mr. Craig | |
| Michael Cole | .... | security: Mr. Craig | |
| Colin Decker | .... | fire safety | |
| Marco Di Flaviano | .... | location production assistant | |
| Keith Duval | .... | security: Mr. Craig | |
| Frank J. Ellison | .... | financial controller (as Frank Ellison) | |
| Debra Gibson | .... | payroll accountant | |
| Sabine Graham | .... | production coordinator | |
| Kalem Harvey | .... | accounting clerk | |
| Will Hoddinott | .... | location manager | |
| Meryl Hollidge | .... | catering staff | |
| Dave Hospes | .... | fire safety (as David Hospes) | |
| Stacey Kelly | .... | assistant: Mr. Sheridan | |
| Nick Kontsalakis | .... | first assistant accountant | |
| Ashley Kravitz | .... | clearances: Cleared By Ashley | |
| Christina Kremer | .... | post production coordinator | |
| Stanley Lidon | .... | assistant location manager | |
| Mark McFadden | .... | assistant location manager | |
| Lindsey Molnar | .... | production secretary | |
| Tara Morrell | .... | catering staff | |
| Mike Mullen | .... | location production assistant | |
| Louise Muskala | .... | assistant: Mr. Craig | |
| Katie O'Connor | .... | assistant: Mr. D. Robinson | |
| Bob Paratharajah | .... | catering staff | |
| Nancy Perna | .... | on-set background coordinator | |
| David Albert Pierce | .... | additional legal services: Pierce Law Group | |
| Jagan Ponnuthari | .... | catering staff | |
| Lorraine Proctor | .... | second assistant accountant | |
| Michelle M. Robeson | .... | assistant production coordinator | |
| Julia Rock | .... | production assistant | |
| Erin Rowe | .... | assistant to producers | |
| Taylor Scherberger | .... | accounting clerk | |
| Craig Seitz | .... | production assistant | |
| Jessica Solce | .... | assistant: Ms. Weisz | |
| Janet M. West | .... | assistant: Mr. J. Robinson (as Janet West) | |
| Ted Zagrodny | .... | location production assistant | |
| Darleen Abbott | .... | accountant: construction (uncredited) | |
| Derek Brady | .... | location scout (uncredited) | |
| Amanda Cameron | .... | assistant production coordinator: reshoots (uncredited) | |
| Curtis Cooknell | .... | location production assistant (uncredited) | |
| Susan Hegarty | .... | dialect coach: Rachel Weisz, pre-production (uncredited) | |
| Elizabeth Himelstein | .... | dialect coach (uncredited) | |
| Matthew Holloway | .... | production assistant (uncredited) | |
| Nancy Klein | .... | first assistant accountant (uncredited) | |
| Greg Mielcarz | .... | publicist (uncredited) | |
| Jessica Pennington | .... | adr loop group (uncredited) | |
| Alana Pona | .... | assistant to producer: reshoots (uncredited) | |
| Alan Sutton | .... | fire safety coordinator (uncredited) | |
| Charles Taylor | .... | head armorer (uncredited) | |
| Al Vrkljan | .... | armorer (uncredited) | |
| Greg Whiteside | .... | computer and video playback technician (uncredited) | |
Thanks | |||
| Nancy Klein | .... | in loving memory | |
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| Pet Sematary | The Ghost and Mrs. Muir | The Messengers | Greed | Gun Crazy |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Dream House had plenty of potential with its story, despite the fact that it's completely derivative of two other movies. Revealing those films would spoil the surprise, as they are both popular and well-received by audiences and critics alike. The shame is not in the copycat techniques but rather in the failure to exploit the stolen ideas to the fullest extent. Dream House fuses the plots cleverly, but fizzles when the first big reveal can be guessed 45 minutes in (if not sooner) and is then purposely betrayed at the one hour mark so that audiences can ponder and digest the not-so-shocking revelation.
Will Atenton (Daniel Craig) has finally decided to quit his job as an editor at GPH Publishers to spend more time with his wife Libby (Rachel Weisz) and kids (Taylor and Claire Geare) and to start writing a book. He moves to a large house in rural Fairfield County, which holds a dark history. In his new home, undisclosed by his realtor, a father brutally murdered his wife and kids. Will eventually learns that the unhinged man, Peter Ward, spent five years in a psychiatric ward and was then released to a halfway house nearby.
Will's children aren't too fond of the considerable dwelling, especially when they see a mysterious man watching them through the window. Fresh footprints in the snow support their sighting, and Will is repeatedly awoken by bumps in the night. The neighbor across from him, Ann Patterson (Naomi Watts), knows something of Ward's incarceration, but refuses to divulge information. Everyone in the town seems rather tight-lipped about the deadly incident, and Will takes it upon himself to get to the bottom of it. When someone continues to harass his family by stalking the house, he visits Ward's institution to uncover some startling evidence.
An accomplished, celebrated cast of characters gives Dream House a higher quality (than its B-movie origins) and greater promise. Some will say they're wasted on this script, but it's not as dismal as that. Unfortunately, it's the kind of storyline that needs polishing, a few more solid thrills, and smarter twists or at least more intelligent psychological zigzags. The serene music compliments the sense of foreboding that steadily creeps into the picture, along with the savvy use of mirrors, reflections, general mise en scene, and shuddersome environment (namely the hallway and basement). Most of it is gimmicky but effective. But as with any mystery, the solution is the most crucial aspect it's the one element that proves most memorable and determines whether or not the film will be recognized as unique. If a whodunit concedes a letdown, even its high points are unlikely to be forgiven.
- The Massie Twins (GoneWithTheTwins.com)