In 1921, England is overwhelmed by the loss and grief of World War I. Hoax exposer Florence Cathcart visits a boarding school to explain sightings of a child ghost. Everything she believes unravels as the 'missing' begin to show themselves.
A psychologist is gradually broken down to the point of no return in his life; but was it his work or his past that sends him over the edge, to do the most unthinkable things. All of this happens to him in the middle of chaos breaking out during the London riots.
Hayley J Williams
Some say that all houses have memories. For one man, his home is the place he would kill to forget. A family unknowingly moves into a home where several grisly murders were committed...only to find themselves the killer's next target. Successful publisher Will Atenton (Craig) quit a job in New York City to relocate his wife, Libby (Weisz), and two girls to a quaint New England town. But as they settle into their new life, they discover their perfect home was the murder scene of a mother and her children. And the entire city believes it was at the hands of the husband who survived. When Will investigates the tragedy, his only lead comes from Ann Paterson (Watts), a neighbor who was close to the family that died. As Will and Ann piece together the disturbing puzzle, they discover that the story of the last man to leave Will's dream house will be just as horrifying to the one who came next. Written by
Jim Sheridan initially filed a request with the Director's Guild of America to have his name removed from the credits due to the film being taken away and re-cut by Morgan Creek. See more »
In the diner where Will is asking the police officers about the murders, the front shot of the officers is flipped as indicated by the text on the menu in the background as well as the seating of the officers switching between shots. That's because it's being seen through the mirror behind the counter at the diner. See more »
There is something wrong with this house.
No, Libby, there isn't. Look, we'll do whatever it takes, okay ? We'll hire a priest.
Hire a priest ? Where do you do that ?
Well, like... oh, a witch doctor, whatever... I don't know. We'll fengshui the place. It's our house. Hmm ? There's joy in this house. There's real joy in this house. You're in it, so...
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I went to see this film with great expectations as I'm a great fan of Sheridan's body of work and also happen to enjoy Psychological Suspense/Horror films (NOT slasher film trash). So I was really quite disappointed with this effort by a team that seemed to have so much potential.
But now it all makes sense to learn that the final effort was yanked away from Sheridan; which has resulted in a homogenized and generic thriller made up of (and the result of) idiotic random behind-the-scenes "creative decision making" by Test Audiences(?) and less-than-passionate-about-the-story/genre Studio Heads whose primary involvement was solely in getting a "Horror/Thriller" into theaters by October in order to cash in on the Halloween audience.
Seeing this happen again and again, I doubt they will ever learn. This is the only industry in the world where one (as a Producer) can "fail upward" just because you got something (anything) produced (in the can).
As a final note: There was a fantastic Spec Script floating around a couple of years ago with nearly the same title... "The Dream House." It was somewhat similar, as it involved an Architect & his family who rehab & remodel an abandoned mansion by a lake; but THAT script was a truly terrifying Horror/Ghost Story along the same lines as Shirley Jackson & Robert Wise's quintessential B&W Horror Classic "The Haunting."
With this Dream House turning out to be such a dud and a nightmare, hopefully that spec script will resurface in the near future to make up for this failed effort.
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