Some say that all houses have memories. For one man, his home is the place he would kill to forget. A family unknowingly moves into a home where several grisly murders were committed...only to find themselves the killer's next target. Successful publisher Will Atenton (Craig) quit a job in New York City to relocate his wife, Libby (Weisz), and two girls to a quaint New England town. But as they settle into their new life, they discover their perfect home was the murder scene of a mother and her children. And the entire city believes it was at the hands of the husband who survived. When Will investigates the tragedy, his only lead comes from Ann Paterson (Watts), a neighbor who was close to the family that died. As Will and Ann piece together the disturbing puzzle, they discover that the story of the last man to leave Will's dream house will be just as horrifying to the one who came next. Written by
Jim Sheridan initially filed a request with the Director's Guild of America to have his name removed from the credits due to the film being taken away and re-cut by Morgan Creek. See more »
When one of the girls is playing the piano, the song heard is Beethoven's "Für Elise" (For Elise). Her arm movements clearly reveal she is not playing the song. See more »
There is something wrong with this house.
No, Libby, there isn't. Look, we'll do whatever it takes, okay ? We'll hire a priest.
Hire a priest ? Where do you do that ?
Well, like... oh, a witch doctor, whatever... I don't know. We'll fengshui the place. It's our house. Hmm ? There's joy in this house. There's real joy in this house. You're in it, so...
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Will Atenton moves into a dream home with his lovely wife and two precious children. Weird things start to happen and the family discovers an ugly secret about their house. Neighbors are acting strange, the local police are no help, and investigating the house's history begins to unravel the family, and gives way to other supernatural dimensions.
This movie could have been a terrific ghost story in the vein of Shutter Island, The Others, or The Sixth Sense. Instead it loses focus and turns left into a formulaic and somewhat random "whodunnit". More like "who cares?". About halfway through it got boring and stupid and illogical. What a waste of Daniel Craig, Rachel Weisz, and a totally underused Naomi Watts. Recut and re-release it. There's a really good movie in there somewhere.
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