When a dismembered and mutilated body of a beautiful young woman is found, the copycat murderer contacts a journalist to point out similarities to the infamous Black Dahlia murder in Los Angeles in ...
DC Anna Travis joins a team on the hunt for a particularly gruesome serial killer. When the latest victim is found and doesn't fit the usual profile of the killer's victims, Travis sets out to prove herself.
Detective Superintendent Jane Tennison's investigation of the murder of a Bosnian refugee leads her to one, or possibly two, Serbian war criminals determined to silence the last witness to a massacre a decade before.
A series of brutal sex murders disturbingly similar to the pattern of Superintendent Jane Tennison's first major case leads to the awful suggestion that she may have caught the wrong man the first time.
Detective Anna Travis is working on a murder case that has created a media frenzy. The victim, Louise Pennel, a 24-year-old girl, was last seen in a London night club. Her body later dumped, horrifically mutilated and drained of blood. Her death is an ominous mirror image of an unsolved 1940s case in Los Angeles known as "The Black Dahlia". Detective Sergeant Anna Travis must race against time to catch this copycat killer. Written by
Once again Linda La Plante's production company has churned out another of her novels and turned it into an ITV Drama. As Murder Dramas go, it is watchable, but it also filled with clichés and errors. For example, when friends of the first victim all say that she had taken to wearing a red rose in her hair, and there is no mention of a red dahlia, why does the character of Travis say, 'that's not a Dahlia, it's a red rose' when reading an article about the first murder? And later when the journalist mentions The Black Dahlia case, Travis replies- 'The Black What?'
The acting of both leads is quite wooden, with Reilly fluttering her eyelids and somehow making the same stupid mistakes all over again. I guess really it is down to having a bad script and some terrible actors. Langton is gruff and sometimes fatherly, but always a stereotype somehow.
Anyone watching La Plante's dramas will notice that she has once again used an already used plot (this time a real life murder). She did the same with her Trial and Retribution: Romeo and Juliet, where she stole the entire plot from the film The Vanishing. Basically she needs to come up with a few new ideas.
Basically, I do not recommend this drama.
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