Jack is an undercover cop infiltrating a criminal gang. Things go pear-shaped when Jack's chancer pal does a runner with a box belonging to the boss and ends up in a perilous situation which threatens to explode into disaster.
Ruthless killer for hire (Danny Dyer) breaks the rules of his profession and falls for a beautiful young woman. Discovering the notorious gangland brothers (Martin & Gary Kemp) had hired ... See full summary »
A gang of tough London gangsters get more than they bargained for when a group of businessmen make an offer to buy their club, the Inferno. They turn out to be nothing less than Vampires ... See full summary »
When English Mark surprises his American bride Holly with her dream honeymoon to Portugal she cant believe her luck. Mark goes to great trouble to organise everything for her. They arrive ... See full summary »
Danny wants something more. Expelled from school and living in his grandfathers flat, he longs to live up to the image of his estranged father Danny Senior. Sent to prison for force feeding... See full summary »
Synopsis Henry and Jack are two famous and talented pianists: they are rivals and try to outdo each other in the various music events where they regularly compete. They have known each ... See full summary »
In one of East London's most volatile neighborhoods, pride, rivalry and revenge are the only codes on the street. Touted as a British Boyz in the Hood, Bullet Boy is a gripping and ... See full summary »
Misfiring post moderny trawl through sleazy London underworld
STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
Soho pimp Woody (Robert Cavanagh) tries to run as tight a ship on his business as he can, but rival competitors are always on edge to spoil his game. Still, he gets by as well as he can, but when he starts receiving snuff tapes that appear to show his girls being brutally murdered, things get heavy.
Another film where Danny Dyer is mis-sold on the front cover, this time as the main star when more time is given to Cavanagh. Like a lot of modern films, Pimp is aiming to be clever, with it's use of the camera and style of story-telling, but the result is unsuccessful. The frequent new character introductions are disconcerting, especially as many are never heard from again, and the camera style wavers around in an uncomfortable manner. The mock documentary style gets in the way of a decent, coherent story, which fails to hook you in and get you following it in any way, only being able to vaguely make anything out. In more competent hands, this could have been pulled off wonderfully. As it is, it's quite a jumbled mess. **
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