"Le monde en face" The Savior for Sale (TV Episode 2021) Poster

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9/10
essential viewing about the global high-end art trade
myriamlenys20 May 2021
This documentary is a fine piece of investigative reporting. It describes the adventures of the "Salvator Mundi" (Savior of the World) painting which, after many years of relative obscurity, was attributed to Leonardo himself - perhaps rightly, perhaps wrongly. Thanks to this new attribution its value rose to stellar heights, causing it to become "the most expensive painting in the world".

In "Salvator" the enquiry into the painting's fate moves all over the world, just like the painting itself. (Monaco, you will be pleased to learn, fully lives up to its reputation as a haven for foreign oligarchs accompanied by bodyguards in black sunglasses.) It's a frankly unsettling tale about hype, secrecy, backbiting, conspicious consumption, inequality and ill-gotten gains.

And of course "Salvator" also questions the generalized obsession with Great Names. Why should a painting by Leonardo himself command a price in the telephone numbers range ? And why should a painting by one of his collaborators or pupils fetch a far lower price ?

Viewers with a cynical streak can organize a drinking game on the theme : if the world were righteous and just, who, among the people introduced in the documentary, would have disappeared into prison somewhere after the age of twenty-five ? I recognized several deserving candidates.
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10/10
If you like art, mystery and seeing Russian oligarchs get screwed this is the documentary for you!
karencookstoo17 April 2022
Warning: Spoilers
Well done documentary on the Salvator Mundi, the lost Leonardo da Vince masterpiece of Christ that was discovered by an New York art dealer when looking through a minor auction house catalog out of New Orleans, Louisiana. He thought the painting was interesting and bought it for $1175. The documentary takes the viewer through the paintings journey - finding it, restoring it, authenticating it, marketing it and selling it. Twice. The last time for $450 million. Greatest sentiment in the piece was about how the art world is full of people who want to make huge amounts of money out of rich people. Is it an authentic da Vince? You decide. Totally worth the watch.
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9/10
The banality of the world art market
carlosanmartin21 August 2021
This is a great portray of how the big art market work. Here we have a bunch of crooks, merchants, billionaires, Russian oligarchs, petrodollars, "void", big museum directors... doing their best to be ridiculous around this piece of art they are desperate for it to be original so they become rich as fast as they can. Art and culture are the least important of it all. Money makes the world go round... All about money and greed in this cruel society.
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5/10
Relative to 'The Lost Leonardo', this skims
jeffdstockton15 June 2022
This documentary is good - 'OK' - but not nearly as in depth as the far better "The List Leonardo". The makers felt the need, apparently, to add a stupid crap snare drum effect and other melodramatic music. It's amateurish by comparison, and suggests that they didn't dig deeply; they were satisfied with a somewhat shallow narrative. See the other one for NUMEROUS jaw-dropping moments in a very professional & straightforward documentary, instead of this wannabe entertainment piece.
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4/10
Somewhat Mundane Telling
helenahandbasket-9373420 April 2022
The Saudis OF COURSE will swear it's an actual Vinci- but there's little to no evidence to suggest there's more than a passing stroke or two by the artist.

Of course the oligarch is twisted that what he bought and what he thought he was buying differed greatly.

Having Jerry Salz comment (NYT art 'expert') is laughable- his 'eye' for what he views as great works and what are actual great works vary vastly and I'd be very wary of someone of his ilk and believed hegemonic influence, much less offering his voice as a valid one.

I sincerely hope the Saudis choke on the painting- that we continue seeing them as an ally is gross, and should give all pause to consider the values placed on a populace that puts such intrinsic value on murderous, disgusting swine.
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