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The Next Three Days (2010)

PG-13 | | Crime, Drama, Romance | 19 November 2010 (USA)
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A married couple's life is turned upside down when the wife is accused of a murder.

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(screenplay), (screenplay "Pour elle") | 1 more credit »
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907 ( 1,158)
4 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Mick Brennan
...
...
Jenna
Toby Green ...
Three Year Old Luke
Tyler Green ...
Three Year Old Luke
...
...
...
...
Female Guard 1
...
...
Elizabeth Gesas
...
Junkie (as Alissa Haggis)
...
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Storyline

Lara Brennan is arrested for murdering her boss with whom she had an argument. It seems she was seen leaving the scene of the crime and her fingerprints were on the murder weapon. Her husband, John would spend the next few years trying to get her released, but there's no evidence that negates the evidence against her. And when the strain of being separated from her family, especially her son, gets to her, John decides to break her out. So he does a lot of research to find a way. Written by rcs0411@yahoo.com

Plot Summary | Plot Synopsis

Taglines:

What if you had 72 hours to save everything you live for? See more »


Motion Picture Rating (MPAA)

Rated PG-13 for violence, drug material, language, some sexuality and thematic elements | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

|

Language:

Release Date:

19 November 2010 (USA)  »

Also Known As:

Los próximos tres días  »

Filming Locations:

 »

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Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend USA:

$6,542,779, 21 November 2010, Wide Release

Gross USA:

$21,148,651

Cumulative Worldwide Gross:

$67,448,651
See more on IMDbPro »

Company Credits

Production Co:

, ,  »
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Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Paul Haggis selected Pittsburgh as the main location as he wanted one that was relatively close to the Canadian border, figuring that would be a logical destination for someone breaking their wife out of prison. He also wanted the location to be one less cinematically familiar than New York City or Chicago. See more »

Goofs

Throughout the movie the license plate of John's car change varying in numbers and letters. See more »

Quotes

[first lines]
David: Please, get me to a hospital. I can't breathe. I...
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Connections

Referenced in Going Clear: Scientology & the Prison of Belief (2015) See more »

Soundtracks

Division
Written by Moby (as Richard Melville Hall)
Performed by Moby
Courtesy of Little Idiot and Mute Corporation
Under license from EMI Film & Television Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
An exhilarating edge of the seat thriller.
4 December 2010 | by See all my reviews

Just saw this at a London preview screening.

I have not seen the original that this is apparently a remake of so I cannot compare. What I can say is that this movie was deftly directed with a perfect pacing that smoothly shifts through each gear from 1 to full throttle. It starts off with the necessary slow exposition, transitioning to a heartfelt family crisis drama and crime thriller with the tension slowly cranking up to a breakneck speed when I was literally holding my breath in the compelling edge of the seat finale.

What I admire most about this film is the smooth kinetic flow from scene to scene. There didn't seem to be any implausible leap in logic apart from maybe towards the end but everything just connects together so well. All of the actors were superb in their roles. As for Russel Crowe, well I can't think of many actors who expresses wordless undying love better than he can. He is simply a master of it and you just cant help root for him even if he makes or contemplates morally wrong decisions. His character is beautifully played with all the invulnerability, weaknesses and stubborn obsession he possesses.

The supporting actors were all excellent in the little screen time that they each get. And there is even a brilliant cameo by a well known Irish actor (shant spoil who it is for you) that sparked up the screen briefly in an instrumental role to the plot. The great Brian Denhhey also has a few minutes on screen time as Crowes father, hardly uttering a word but you just know exactly what is going on in his mind and it is absolutely touching.

So in summary, this is a top thriller with an exhilarating edge of the seat 3rd act, enriched by beautifully touching moments and thick underlying subtext of undying love.


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