Nanni Moretti directs himself playing himself in this wry look at life. Presented in three chapters, Moretti uses the experiences of traveling on his motor-scooter, cruising with his friend... See full summary »
Nanni Moretti takes a comic look at the ebbs and flows of his life as he becomes a father for the first time. He struggles with distractions while trying to make a documentary of the Italian national elections.
Because of an accident, Michele (a leader of P.C.I. and a water-polo player) loses his memory. During one water-polo match, strange guys torment him; they want him to remember his past. As ... See full summary »
Michele is a mathematics professor who just started a new job in a school with some peculiar teaching methods. After a woman in his neighborhood is murdered, Michele meets beautiful ... See full summary »
Don Giulio, giovane prete romano, ritorna a casa dopo essere stato parroco in un'isola del Mar Tirreno ed è destinato ad una chiesa di periferia. A Roma egli ritrova i genitori, la sorella ... See full summary »
Ferruccio De Ceresa,
At the Vatican, following the demise of the Pope, the conclave to elect his successor settles on Cardinal Melville. But the faithful gathered in St Peter's Square wait in vain for the new Pope to step out on the balcony. What is going on? Behind the thick walls of the Vatican panic has set in. After uttering a terrible howl of fear, the Cardinal refuses the office. The officials do everything to try to reason with Melville, including a psychoanalyst, appointed by the Vatican... Do we really have a Pope? Written by
I would rate this film a four. But I would give a zero to the people who caused it to be labeled a comedy. Yes, the premise could have been comedic. A pope in need of therapy? One thinks of movies like Analyze This with Robert De Niro and Billy Crystal. But there is little comic about the way the pope's need for therapy is handled here. A pope trying to flee his responsibilities by pretending to be someone else? Perhaps you might expect an Italian farce, a la Roberto Benigni. Again, you will be disappointed.
This movie is definitely not "A story centered on the relationship between the newly elected Pope and his therapist." The Pope spends very little time with his therapist and there is no "relationship."
This is a bittersweet meditation about what happens when a confused, inarticulate man, suffering from (perhaps justified) feelings of inadequacy, is given a huge responsibility. There are no laughs, and there are only a few potentially comic situations that could have been much funnier than they were. At most, you could call a three or four sentences of the dialogue "wry." The plot isn't much to speak of either. The church is treated with too much reverence, as though any sort of satire is too risky. Even devout Catholics will wonder about the missed opportunities. (A random episode of Father Brown takes more good-natured satiric risks than this whole film, and it's a detective series.)
If you go in expecting a melodrama, a character study, a premise for a story without much of a story, you may enjoy the fine acting, the scenery, and the elegiac mood. If you are expecting humor, fun, satire, and the satisfaction of a story well told, you are going to be puzzled.
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