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We Have a Pope (2011)
"Habemus Papam" (original title)

 -  Comedy | Drama  -  15 April 2011 (Italy)
6.7
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Ratings: 6.7/10 from 9,181 users   Metascore: 64/100
Reviews: 31 user | 162 critic | 25 from Metacritic.com

A story centered on the relationship between the newly elected Pope and his therapist.

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Cast

Cast overview, first billed only:
...
Jerzy Stuhr ...
Renato Scarpa ...
Franco Graziosi ...
Camillo Milli ...
Roberto Nobile ...
Ulrich von Dobschütz ...
Gianluca Gobbi ...
...
...
Camilla Ridolfi ...
...
Dario Cantarelli ...
Manuela Mandracchia ...
Rossana Mortara ...
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Storyline

At the Vatican, following the demise of the Pope, the conclave to elect his successor settles on Cardinal Melville. But the faithful gathered in St Peter's Square wait in vain for the new Pope to step out on the balcony. What is going on? Behind the thick walls of the Vatican panic has set in. After uttering a terrible howl of fear, the Cardinal refuses the office. The officials do everything to try to reason with Melville, including a psychoanalyst, appointed by the Vatican... Do we really have a Pope? Written by Guy Bellinger

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

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Language:

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Release Date:

15 April 2011 (Italy)  »

Also Known As:

Ehoume Papa!  »

Box Office

Opening Weekend:

$31,368 (USA) (6 April 2012)

Gross:

$480,926 (USA) (8 June 2012)
 »

Company Credits

Production Co:

, ,  »
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Technical Specs

Runtime:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Connections

Featured in At the Movies: Cannes Film Festival 2011 (2011) See more »

Soundtracks

Todo Cambia
Written by Julio Numhauser
Performed by Mercedes Sosa
Courtesy of Universal Music Italia
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User Reviews

 
Moretti, the Woody Allen of Italian cinema
28 January 2014 | by (Trivandrum, Kerala, India) – See all my reviews

Nanni Moretti is the Woody Allen of Italian cinema.

Just as Woody Allen would have dealt with Jewish subjects, Moretti is concerned with what makes the world of papacy tick in the Vatican and looks at the subject from a psychoanalyst's point of view and as a citizen of the neighboring city of Rome.

It is not surprising that Moretti himself plays the cheeky role of the best psychoanalyst in Italy, who has separated from his wife (who in her turn thinks she is a better psychoanalyst than her husband and is having an affair outside her marriage with yet another psychoanalyst). Even her two kids seem to be psychoanalysts in the making. Even one of the Cardinals is surviving with the help of an incredibly potent anti- depressant, an indirect swipe at the mental condition of some of the Cardinals!

The Pope-elect suffers from an inferiority complex that his sister was chosen as an actress in a play when he so desperately wanted to act in the play himself (a mirror image of the squabbling kids of the lady psychoanalyst in her car). Decades later he identifies himself as an actor going through a mental crisis.

Moretti means well. Moretti is interesting even when he attempts to point out quite correctly the myriad psychoanalytical situations that populate the Bible. There is visual psychoanalytic comedy, too, when Jerzy Stuhr's character receives a call from the Pope-elect and involuntarily stands up in respect as though his boss, the Pope, were standing in front of him.

While Moretti succeeds in getting amazing and credible performances from Michel Piccoli and Jerzy Stuhr (who are anyway great performers), Moretti is out of his depth in portraying a bunch Cardinals as pathetic, low-IQ human beings who sulk in front of a psychoanalyst. While there may be a few among the Cardinals who fit that bill, the majority of them are well-read, intelligent, above-average individuals who might be dogged in their views but all the same are quite capable of resisting the wiles of a psychoanalyst.

The best aside in the film for me was Moretti's comment that "gas" for your kitchen and heating is cheaper in the Vatican than in Rome and that you can get many goods including medicines there that you cannot get in Rome.

Moretti is good at being able to bring out his views without offending anyone but he, despite his best intentions, unfortunately never can be considered as one of the best directors in Italy. But he can take comfort that he made Mr Piccoli give a superb performance in his own film.


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