Ruby Carter, the American Beauty queen of the night club-sporting world, shifts her operations from St. Louis to New Orleans (which kind of belies the Western genre designation), mostly to ... See full summary »
After a wild bachelor party, our hero finds himself aboard a sailing vessel where he encounters numerous adventures. In a dream sequence, he fantasizes that the ship is seized by a band of female pirates.
An upper class drawing room. A gentleman breaks the curtain pole and goes in search of a replacement, but he stops into a pub first. He buys a very long pole, and causes havoc everywhere he... See full summary »
Various film historians, film makers, and cultural commentators discuss the cultural, political, economic and religious reasons for what is known as the pre-code era of Hollywood movie ... See full summary »
William Powell plays William Foster, a slick attorney who stays within the law, but specializes in representing crooks and shady characters. He's adept at keeping them out of jail, winning ... See full summary »
I fell asleep twice. The greatest year of movies? It was more like attending a college lecture. No passion. No excitement. The director brought no sense of style or storytelling to a vast canvas known as 1939.
No info here that you couldn't get on Google or Wikipedia, in fact that might be more informative.
Barely a whisper about Hattie McDaniel's historic Oscar win. Apparently Ingrid Bergman is no big deal either. WIZARD OF OZ could have been the centerpiece but again, it just breezes by.
Classic year, boring documentary. Maybe someday someone will pay the proper respect to the greatest year in cinema...1939.
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