An earth-quake causes a nuclear crisis in a fictive Japanese prefecture. In wake of the disaster, the members of the Ono family who reside just outside the border of the mandatory ... See full summary »
A grisly murder occurs in Maruyama-cho, Shibuya, Tokyo - a love hotel district - a woman was found dead in a derelict apartment. Kazuko (Miki Mizuno) is a police officer called to ... See full summary »
A teenager called Noriko Shimabara runs away from her family in Tokoyama, to meet Kumiko, the leader of an Internet BBS, Haikyo.com. She becomes involved with Kumiko's "family circle", ... See full summary »
"BAD FILM" is a legendary production that was shot in 1995 over the course of the year, but went unfinished due to funding difficulties. This year, over 150 hours of footage captured on the... See full summary »
Keiko Suzuki is a lonely waitress in Tokyo. Her father passes away of cancer and she becomes obsessed with the passage of time. And so, three weeks before her 22nd birthday, she decides to ... See full summary »
The erotic novelist Taeko is writing a morbid story of a family destroyed by incest, murder and abuse. Her assistant, Yuji, sets on a mission to uncover the reality of this story, but the reality might be too much to bear.
Sion Sono has made some strange films. This is not one of them unless you consider it strange for him to make such a normal film. Be Sure to Share is a small, simple, and sentimental film, not typically Sono-esquire. There's no blood and there's no running around with a hand-held camera. There's plenty of emotional desperation but it's of the uplifting kind. The film is about a twenty-seven year old young man who wants to find a moment of bonding, a way of saying thank you, "I love you, man" to his dying father. The title says it all. It's not too mushy, though. The film works because of it's simplicity. There is the big scene that sort of stretches credulity but we could see it coming and Sono follows it up with one of the more hilarious uses of the line "didn't see that one coming" I've ever heard. It's off-camera and sort of eavesdropped upon and it made me laugh out loud.
The film is beautifully cast. Everyone is lovable. Idol-boy Akira does a very credible job playing a normal guy who all of a sudden must deal with mortality, in more ways than one. Ayumi Ito is adorable as his girlfriend and has one of the best crying scenes I've seen in a film. Keiko Takahash is pure mom incarnate, an immaculate performance. Eiji Okuda is good as the father when he's lovable and nice but he also has to play the predictably strict father who's tough to love, in flashbacks, so we get a sense of whatever it is that that film cliché gives us. That's the only weak part of the film but it's not enough to spoil it.
6 of 6 people found this review helpful.
Was this review helpful to you?