An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives forever.
Set in Mississippi during the 1960s, Skeeter (Stone) is a southern society girl who returns from college determined to become a writer, but turns her friends' lives -- and a Mississippi town -- upside down when she decides to interview the black women who have spent their lives taking care of prominent southern families. Aibileen (Davis), Skeeter's best friend's housekeeper, is the first to open up -- to the dismay of her friends in the tight-knit black community. Despite Skeeter's life-long friendships hanging in the balance, she and Aibileen continue their collaboration and soon more women come forward to tell their stories -- and as it turns out, they have a lot to say. Along the way, unlikely friendships are forged and a new sisterhood emerges, but not before everyone in town has a thing or two to say themselves when they become unwittingly -- and unwillingly -- caught up in the changing times. Written by
Walt Disney Pictures
Award: Prix Lumière sur...Kinépolis 2011 (Tate Taylor). See more »
Near the end of the scene with the commodes. The closest toilet has a modern plastic fill valve. In the 1960's all of these valves were brass or copper. The color would have been of that metal or a shade of green from corrosion. See more »
I was born 1911, Chicksaw County, Piedmont Plantation.
And did you know as a girl growing up that one day you'd be a maid?
Yes ma'am, I did.
And you knew that because...
My mama was a maid. My grandmama was a house slave.
[whispering as she writes down]
"house slave..." Did you ever dream of being something else?
What does it feel like to raise a white child when your own child's at home being looked after by somebody else?
See more »
Hallelujah I Love Her So
Written by Ray Charles
Performed by Ray Charles
Courtesy of Atlantic Recording Corp./Rhino Entertainment Company
By arrangement with Warner Music Group Film & TV Licensing See more »
Greetings again from the darkness. The film is based on the controversial best selling novel by Kathryn Stockett. It was controversial because it is the story of Jim Crow-era maids written by a white woman. Yes, the book is actually the fictionalized story of a white woman getting black maids to discuss their lives as maids for white folks. Rather than get into some politically correct dissertation on the book, movie or story, I will only comment on the film itself ... this very entertaining movie that also manages to deliver a timeless message.
Let me first start by saying that this movie is incredibly well acted. It is quite rare to have so many developed characters in one movie. There are some characters we immediately connect with, while others draw our ire each time their face appears. The script and these fine actresses utilize humor to point out the shameful behavior of those who saw themselves as superior. The humor doesn't soften the ignorance or abuse, but it does make the film infinitely more watchable and entertaining. Please know this is not a documentary.
Ms. Stockett's novel has a very loyal following in addition to the naysayers. A two hour film must, of course, take short cuts and trim story lines. Still the key elements are present. Based in Jackson, Mississippi during Governor Ross Barnett's term we see the social shark, Hilly Holbrook (Bryce Dallas Howard), in her full glory of ignorance, entitlement and superiority. We see her minions and followers emulating her moves while trying to gain her approval.
The story takes off when Skeeter (Emma Stone) graduates from Ole Miss and returns home and takes a job at the local newspaper. Possessing observation skills and humanity that her lifelong friends can't comprehend, Skeeter desperately wants to tell a story from the perspective of the maids. As expected, the maids are hesitant, but Aibileen (Viola Davis) does relent. The stories begin to flow and soon the robust Minny (Octavia Spencer) joins in. Others soon follow their lead and Skeeter's education goes to an entirely new level.
That's really all of the story I care to discuss. The brilliance of this one is actually in the details ... individual scenes and moments of acting genius by most of the cast. In addition to those mentioned above, Jessica Chastain plays Celia, the "white trash" outcast who so desperately wants to be allowed back into the girls' club. Ms. Chastain was seen a few weeks ago in the fabulous "Tree of Life" in quite a different role ... I would venture to say no actress will have two roles of such variance this year. Also, Allison Janney plays Skeeter's cancer-stricken mother, and Sissy Spacek is Hilly's mother who gets tossed aside before she is ready to go! The great Cicely Tyson makes a brief appearance as Constantine, Skeeter's childhood maid who was done so wrong after 29 years of service. Mary Steenburgen has a couple of scenes as a big NYC book publisher.
As a said, this is pure acting heaven, but I must single out Viola Davis and Octavia Spencer. Viola is so powerful at the beginning and end of the film, and Ms. Spencer is a force of nature during the middle. This movie is really their story and these two ladies make it fascinating, painful and a joy to behold. They both deserve recognition at Oscar time.
There are so many fantastic details to the film. At times, it is like watching a classic car show ... the late 50's and early 60's models are works of art. The wardrobe, hair and make-up are perfect in setting up the class differentials. The TV and radio segments provide context and timing with the deaths of Medger Evers and JFK. Even the books on Skeeter's shelf make a statement: To Kill a Mockingbird, Huck Finn, Native Son, and Gone With the Wind.
This story takes place 50 years ago and director Tate Taylor does an admirable job of bringing Stockett's novel to the big screen. Mr. Taylor is a longtime friend of Ms. Stockett's and was quite fortunate to get the directing rights. He doesn't disappoint. Sure the story is a bit glossy at times ... it is geared towards the masses. If you are looking for more depth, there are numerous documentaries available on the Civil Rights movement. If you are seeking a very entertaining movie that uses humor to tell a story and send a message, then this one's for you.
187 of 224 people found this review helpful.
Was this review helpful to you?