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An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.

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Top Rated Movies #236 | Won 1 Oscar. Another 78 wins & 107 nominations. See more awards »

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Cast

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Robert Phelan
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Storyline

Set in Mississippi during the 1960s, Skeeter (Stone) is a southern society girl who returns from college determined to become a writer, but turns her friends' lives -- and a Mississippi town -- upside down when she decides to interview the black women who have spent their lives taking care of prominent southern families. Aibileen (Davis), Skeeter's best friend's housekeeper, is the first to open up -- to the dismay of her friends in the tight-knit black community. Despite Skeeter's life-long friendships hanging in the balance, she and Aibileen continue their collaboration and soon more women come forward to tell their stories -- and as it turns out, they have a lot to say. Along the way, unlikely friendships are forged and a new sisterhood emerges, but not before everyone in town has a thing or two to say themselves when they become unwittingly -- and unwillingly -- caught up in the changing times. Written by Walt Disney Pictures

Plot Summary | Plot Synopsis

Taglines:

Change begins with a whisper.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for thematic material | See all certifications »

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Details

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Release Date:

10 August 2011 (USA)  »

Also Known As:

Historias cruzadas  »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$26,044,590 (USA) (12 August 2011)

Gross:

$169,705,587 (USA) (2 March 2012)
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1.85 : 1
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Did You Know?

Trivia

Award: Prix Lumière sur... Kinépolis 2011 (Tate Taylor). See more »

Goofs

The red Corvette roadster driving past the station wagon in the beginning of the film is a 1965. Later in the film Medgar Evers is shot (1963). See more »

Quotes

[first lines]
Aibileen Clark: I was born 1911, Chicksaw County, Piedmont Plantation.
Woman: And did you know as a girl growing up that one day you'd be a maid?
Aibileen Clark: Yes ma'am, I did.
Woman: And you knew that because...
Aibileen Clark: My mama was a maid. My grandmama was a house slave.
Woman: [whispering as she writes down] "house slave..." Did you ever dream of being something else?
Aibileen Clark: [nods yes]
Woman: What does it feel like to raise a white child when your own child's at home being looked after by somebody else?
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Connections

Referenced in Conan: Annie, Get Your Glock (2012) See more »

Soundtracks

The Living Proof
Written by Mary J. Blige, Thomas Newman, Harvey Mason Jr. and Damon Thomas
Performed by Mary J. Blige
Mary J. Blige appears courtesy of Geffen Records,
a division of UMG Recordings, Inc.
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User Reviews

 
Minny Don't Burn Chicken
13 August 2011 | by (Dallas, Texas) – See all my reviews

Greetings again from the darkness. The film is based on the controversial best selling novel by Kathryn Stockett. It was controversial because it is the story of Jim Crow-era maids written by a white woman. Yes, the book is actually the fictionalized story of a white woman getting black maids to discuss their lives as maids for white folks. Rather than get into some politically correct dissertation on the book, movie or story, I will only comment on the film itself ... this very entertaining movie that also manages to deliver a timeless message.

Let me first start by saying that this movie is incredibly well acted. It is quite rare to have so many developed characters in one movie. There are some characters we immediately connect with, while others draw our ire each time their face appears. The script and these fine actresses utilize humor to point out the shameful behavior of those who saw themselves as superior. The humor doesn't soften the ignorance or abuse, but it does make the film infinitely more watchable and entertaining. Please know this is not a documentary.

Ms. Stockett's novel has a very loyal following in addition to the naysayers. A two hour film must, of course, take short cuts and trim story lines. Still the key elements are present. Based in Jackson, Mississippi during Governor Ross Barnett's term we see the social shark, Hilly Holbrook (Bryce Dallas Howard), in her full glory of ignorance, entitlement and superiority. We see her minions and followers emulating her moves while trying to gain her approval.

The story takes off when Skeeter (Emma Stone) graduates from Ole Miss and returns home and takes a job at the local newspaper. Possessing observation skills and humanity that her lifelong friends can't comprehend, Skeeter desperately wants to tell a story from the perspective of the maids. As expected, the maids are hesitant, but Aibileen (Viola Davis) does relent. The stories begin to flow and soon the robust Minny (Octavia Spencer) joins in. Others soon follow their lead and Skeeter's education goes to an entirely new level.

That's really all of the story I care to discuss. The brilliance of this one is actually in the details ... individual scenes and moments of acting genius by most of the cast. In addition to those mentioned above, Jessica Chastain plays Celia, the "white trash" outcast who so desperately wants to be allowed back into the girls' club. Ms. Chastain was seen a few weeks ago in the fabulous "Tree of Life" in quite a different role ... I would venture to say no actress will have two roles of such variance this year. Also, Allison Janney plays Skeeter's cancer-stricken mother, and Sissy Spacek is Hilly's mother who gets tossed aside before she is ready to go! The great Cicely Tyson makes a brief appearance as Constantine, Skeeter's childhood maid who was done so wrong after 29 years of service. Mary Steenburgen has a couple of scenes as a big NYC book publisher.

As a said, this is pure acting heaven, but I must single out Viola Davis and Octavia Spencer. Viola is so powerful at the beginning and end of the film, and Ms. Spencer is a force of nature during the middle. This movie is really their story and these two ladies make it fascinating, painful and a joy to behold. They both deserve recognition at Oscar time.

There are so many fantastic details to the film. At times, it is like watching a classic car show ... the late 50's and early 60's models are works of art. The wardrobe, hair and make-up are perfect in setting up the class differentials. The TV and radio segments provide context and timing with the deaths of Medger Evers and JFK. Even the books on Skeeter's shelf make a statement: To Kill a Mockingbird, Huck Finn, Native Son, and Gone With the Wind.

This story takes place 50 years ago and director Tate Taylor does an admirable job of bringing Stockett's novel to the big screen. Mr. Taylor is a longtime friend of Ms. Stockett's and was quite fortunate to get the directing rights. He doesn't disappoint. Sure the story is a bit glossy at times ... it is geared towards the masses. If you are looking for more depth, there are numerous documentaries available on the Civil Rights movement. If you are seeking a very entertaining movie that uses humor to tell a story and send a message, then this one's for you.


184 of 221 people found this review helpful.  Was this review helpful to you?

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