In this third installment of the Final Destination series, a student's premonition of a deadly rollercoaster ride saves her life and a lucky few, but not from death itself which seeks out those who escaped their fate.
Mary Elizabeth Winstead,
Jigsaw locks a few unlucky people in a booby trapped shelter and they must find a way out before they inhale too much of a lethal nerve gas and die. But they must watch out, for the traps Jigsaw has set in the shelter lead to death also.
Darren Lynn Bousman
A salvage crew that discovers a long-lost 1962 passenger ship floating lifeless in a remote region of the Bering Sea soon notices, as they prepare to tow it back to land, that "strange things" happen...
When a massive power outage plunges the city of Detroit into total darkness, a disparate group of individuals find themselves alone. The entire city's population has vanished into thin air, leaving behind heaps of empty clothing, abandoned cars and lengthening shadows. Soon the daylight begins to disappear completely, and as the survivors gather in an abandoned tavern, they realize the darkness is out to get them, and only their rapidly diminishing light sources can keep them safe. Written by
In multiple scenes the chemical lights aren't apparently lit, despite having been just recently activated. They should remain lit for several hours. However, it is made clear from quite early on in the movie that energy, whether it be in the form of electricity or combustion, isn't behaving in expected ways. It is therefore not unreasonable to assume chemical lights would be affected as well. See more »
You um, do you uh, your light...
What? Oh, uh, I'm such a moron.
How's the movie?
Ah you know, Adam Sandler gets in a mess, wife gets pissed, runs from some people... predictable, formulaic, fart jokes. You wouldn't like it.
Mmm. How would you know what I like?
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An unexplained blackout plunges the city of Detroit into total darkness, and by the time the sun rises, only a few people remain-surrounded by heaps of empty clothing, abandoned cars and lengthening shadows. A small handful of strangers that have survived the night each find their way to a rundown bar, whose gasoline-powered generator and stockpile of food and drink make it the last refuge in a deserted city. With daylight beginning to disappear completely and whispering shadows surrounding the survivors, they soon discover that the enemy is the darkness itself, and only the few remaining light sources can keep them safe. As time begins to run out for them, darkness closes in and they must face the ultimate terror. -- (C) Magnolia
I hate to use something from RUBBER, a film I loathed, but it fits so well here: VANISHING uses the plot of "no reason," a plot that raises many questions but doesn't answer them by the time the credits roll. It is this very reason why the film is disliked by many. Yet, films like THE HAPPENING, KNOWING, and THE FORGOTTEN get bashed because of the explanations of their plots. Go figure. Yes, as human beings, we often want to make sense of events that occur, especially in films, yet we need to realize things in life just happen. VANISHING may be low on explanation, but it's high on suspense due to the use of a common fear: the dark.
Let's take a moment to talk about why so many people fear the darkness: It's not the darkness itself that people are afraid of, but rather, the fear of the unknown. Just what is lurking in the darkness? VANISHING uses this fear and capitalizes on it which generates many of the films' unnerving moments. In fact, its resistance on explaining everything is what makes the film scary. And no, the film doesn't use any "pop out" scares. It's better than that. The film builds up its scares with a chilling atmosphere. That, ladies and gentlemen, is called suspense, and don't be surprised. Director Brad Anderson is in the chair. With films like TRANSIBBERIAN and THE MACHINEST already under his belt, Anderson knows how to make films that are thrilling.
The cast is good as well, but that's probably because I have a soft side for them. Haters of Hayden Christensen will find themselves unconvinced, but I thought he pulled off a good performance. Although their characters don't ask for much, John Leguizamo and the beautiful Thandie Newton do a great job providing sympathy to their roles. Jacob Latimore, the kid actor, plays quite an annoying character at first, which shouldn't be a surprise, but I got to eventually warm up to him in the middle point of the film.
Overall, VANISHING impressed me. While there may be some inconsistency in its high-concept premise, it really makes up for it on the scares. The actors are good as well and the production values are great for a small film like this. Give this film a chance.
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