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Vanishing on 7th Street (2010) 4.9
Ratings:
4.9/10 from 16,659 users
Metascore: 50/100
Reviews: 127 user | 126 critic | 14 from Metacritic.com The population of Detroit has almost completely disappeared, but a few remain. As daylight disappears they realize that the Dark is coming for them. Director:Brad AndersonWriter:Anthony Jaswinski |
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Cast
| Complete credited cast: | |||
| Hayden Christensen | ... | ||
| John Leguizamo | ... |
Paul
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| Thandie Newton | ... | ||
| Jacob Latimore | ... |
James
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| Taylor Groothuis | ... |
Briana
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| Jordan Trovillion | ... |
Concession Girl
(as Jordon Trovillion)
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Arthur Cartwright | ... |
Security Guard
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| Neal Huff | ... |
Chicago Reporter
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Hugh Maguire | ... |
Patient
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Erin Nicole | ... |
Paige
(as Erin Nicole Brolley)
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Stephen Clark | ... |
Male TV Anchor
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Carolyn Taylor | ... |
Female TV Anchor
(as Carolyn Clifford-Taylor)
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| Larry Fessenden | ... | ||
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Nicholas Yu | ... |
Chinese Reporter
(as Nick Yu)
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Plot Summary
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Plot Synopsis
Storyline
When a massive power outage plunges the city of Detroit into total darkness, a disparate group of individuals find themselves alone. The entire city's population has vanished into thin air, leaving behind heaps of empty clothing, abandoned cars and lengthening shadows. Soon the daylight begins to disappear completely, and as the survivors gather in an abandoned tavern, they realize the darkness is out to get them, and only their rapidly diminishing light sources can keep them safe. Written by Official Site
Taglines:
Fear lives in the dark See more »Parents Guide:
View content advisory »
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See more »
See full technical specs »
Details
Country:
USALanguage:
EnglishRelease Date:
5 February 2011 (Japan) See more »Also Known As:
La oscuridad See more »Box Office
Budget:
$10,000,000 (estimated)Opening Weekend:
$3,428 (USA) (18 February 2011)Gross:
$22,197 (USA) (11 March 2011)Company Credits
Show detailed
company contact information
on
IMDbPro »
Technical Specs
Runtime:
Sound Mix:
Dolby DigitalColor:
ColorAspect Ratio:
2.35 : 1
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Concession Girl: [squinting] You um, do you uh, your light...
Paul: What? Oh, uh, I'm such a moron.
Concession Girl: How's the movie?
Paul: Ah you know, Adam Sandler gets in a mess, wife gets pissed, runs from some people... predictable, formulaic, fart jokes. You wouldn't like it.
Concession Girl: Mmm. How would you know what I like?
See more »
Written and Performed by Al Smith
Licensed by Arrangement with Prestige Music (BMI)
Courtesy of Prestige Records / Concord Music Group, Inc.
See more »
Did You Know?
Goofs
In multiple scenes the chemical lights aren't apparently lit, despite having been just recently activated. They should remain lit for several hours. However, it is made clear from quite early on in the movie that energy, whether it be in the form of electricity or combustion, isn't behaving in expected ways. It is therefore not unreasonable to assume chemical lights would be affected as well. See more »Quotes
[first lines]Concession Girl: [squinting] You um, do you uh, your light...
Paul: What? Oh, uh, I'm such a moron.
Concession Girl: How's the movie?
Paul: Ah you know, Adam Sandler gets in a mess, wife gets pissed, runs from some people... predictable, formulaic, fart jokes. You wouldn't like it.
Concession Girl: Mmm. How would you know what I like?
See more »
Soundtracks
"The Bells"Written and Performed by Al Smith
Licensed by Arrangement with Prestige Music (BMI)
Courtesy of Prestige Records / Concord Music Group, Inc.
See more »
Quite frankly when I sit down to watch a film like this I'm not expecting fireworks, but I do like to be entertained. That being said, this film lacks everything, apart from production value. Honestly, that's it. There is nothing I hate more than a movie that does not deliver on, plot, character development and sense. Yes, sense. Strangely these, things, can turn off any light they want apart from when it deviates from the ridiculous storyline (what there was of it), and the addition of momentary dogma from one character, which was quickly forgotten, is a tragic if not rife Hollywood device which never goes anywhere. It is in all it's tragic glory a sad reminder of the tripe that passes as screen-writing these days. I could go on longer, or indeed put this in paragraphs, but just like the film-makers, I just can't be arsed.