Living in rural New South Wales, working-class single mother Rhia is struggling to evade debt collectors and raise three young daughters. The eldest, and hardened beyond her years, Lou ...
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Lou Taylor Pucci,
Living in rural New South Wales, working-class single mother Rhia is struggling to evade debt collectors and raise three young daughters. The eldest, and hardened beyond her years, Lou blames Rhia for the departure of her father, who walked out 10 months ago and hasn't been seen since. Mother-daughter relations hit bottom when Rhia takes in Doyle, her father in-law, who is in the beginning stages of Alzheimer's. Doyle turns Lou's initial hostility around with exciting tales of his South Seas adventures. But coursing deepest in his mind are fractured memories of Annie, his late wife. Before long, Doyle "sees" Annie in Lou and imagines he is courting her all over again. Written by
Palm Springs Internation Film Festival
This is an Australian film of great depth. The simplicity can be deceptive but like all great writing the trick is to say enough without saying too much. The combination of the writing and the acting synergistically magnifies the impact of what could seem to those on a steady diet of blockbusters a slow film. On an obviously tight budget sometimes so much can be delivered. By relying on good acting,writing, direction an impact can be had which exceeds that of the 100 million dollar epic. In digging deeper, director Belinda Chayko calls us as an audience to also give more. This is a giving which is rewarded. after watching the film last night, the questions were still rattling away the next day as I write this. John Hurt really is fabulous as Doyle, while Lilly Bell-Tindlay is in danger of stealing the show. If you like beautiful images, you are in for a treat as the Tweed Valley is shown to it's best advantage. While I know that this will not be the sort of movie for everyone, I do know that it left my life just a bit richer.
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