Jack London's classic story from 1903 about Buck, a dog kidnapped from his home in California and taken to the Yukon where he is mistreated until a prospector discovers him and relates to ... See full summary »
Charles Edwin Powell
Documentary tells the story of Dick Proenneke who, in the late 1960s, built his own cabin in the wilderness at the base of the Aleutian Peninsula, in what is now Lake Clark National Park. ... See full summary »
Bob Swerer Jr.,
Filmed in five countries over three years, the documentary delves into the heart of the locations while the surfers travel through them with a sense of open-minded awe. With never-before ... See full summary »
After graduating from Emory University, top student and athlete Christopher McCandless abandons his possessions, gives his entire $24,000 savings account to charity and hitchhikes to Alaska to live in the wilderness. Along the way, Christopher encounters a series of characters that shape his life.
Two highway road workers spend the summer of 1988 away from their city lives. The isolated landscape becomes a place of misadventure as the men find themselves at odds with each other and the women they left behind.
A masterpiece: one of the great American documentaries of the decade.
This disarmingly fresh, utterly engrossing - and ultimately very moving
documentary takes as its starting-point the tragic tale of Chris
McCandless. McCandless was the twentysomething American adventurer whose lonely death in the Alaskan wilderness also forms the focus of Sean Penn's fictional feature Into the Wild.
But as well as addressing the specific details of McCandless's controversial life (and even more controversial demise), director Lamothe covers a surprisingly expansive amount of geographic and thematic terrain as he journeys cross-county - driving, then hitchhiking - in McCandless's footsteps.
Indeed, the film becomes not so much about McCandless or Lamothe (though it's certainly to some degree a portrait of both) but a more general rumination on the ambitions and limitations of the generation to which both belonged (the picture is part-dedicated to 'Generation X') and also a celebration of rural America's more eccentric backwaters.
At various points Lamothe's path inadvertently intersects with that of Penn and his crew - producing some hilarious (and shaming) contrasts between Hollywood's methods and Lamothe's resolutely lo-fi approach. Not that budgetary and technical limitations make this any kind of rough-and-tumble affair: Lamothe, who provides genial, clear-eyed, articulate narration throughout, certainly knows how to frame shots and assemble a compelling narrative.
He also allows himself one bit of virtuouso show-offery in a hyperkinetic 'Gen-X' montage of found footage from America's turbulent recent past, turbo-propelled by Nirvana's raucously-anthemic 'Breed'.
For all its merits - and pretty much everyone I have recommended it to has responded with great enthusiasm once they tracked it down - 'The Call of the Wild' remains a bizarrely underexposed, off-the-radar title. But make no mistake - this is emphatically one of the best American documentaries of recent years.
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