When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mission: kill three members of Britain's elite Special Air Service responsible for the death of his sons.
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Homeless and on the run from a military court martial, a damaged ex-special forces soldier navigating London's criminal underworld seizes an opportunity to assume another man's identity -- transforming into an avenging angel in the process.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
Loosely based on a true story, Killer Elite pits two of the worlds' most elite operatives - Danny, a ruthless killer-for-hire (Jason Statham) and Hunter, his longtime mentor (Robert De Niro) - against the cunning leader of a secret society of former Special Air Service operatives('Clive Owen'). Covering the globe from Australia to Paris, London and the Middle East, Danny and Hunter are plunged into a highly dangerous game of revenge and deception - where things are not always what they appear to be. Written by
25 actors/actresses featured have either lived or were born in Australia: Dominic Purcell, Yvonne Strahovski, Ben Mendelsohn, Matthew Nable, Firass Dirani, Nick Tate, Bille Brown, Stewart Morritt, Grant Bowler, Michael Dorman, Daniel Roberts, Rodney Afif, Jamie McDowell, Dion Mills, Chris Anderson, Sandy Greenwood, Michael Carman, Barry Stones, Kristy Barnes-Cullen, Ray Tiernan, Blake O'Leary, Tim Hughes, Tony Porter, Lachy Hulme, and Salim Fayad. See more »
In the escape scene early in the movie, De Niro's character Hunter takes a Glock 17 handgun from a guard. This weapon was not manufactured/sold until about 1984. Since the scene is set in 1980 it is somewhat improbable that he would have one. See more »
The world is in chaos. The economic crisis continues as an oil crises looms. War rages everywhere. It is a time of revolution, assassination and covert operations.
It is 1980.
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I'm not sure what it was about Killer Elite that disappointed me, but it just didn't seem to live up to its potential. It might have been that the movie relied on Jason Statham to act, instead of just do action. He plays a retired hit man who gets pulled out of retirement to save a friend's life. But it just doesn't work, he's unconvincing. The retirement isn't convincing and neither is his reluctance to return to work. He was much better in the Mechanic which dealt with similar issues.
Overall the movie doesn't hold together very well. There is too much that they are trying to accomplish, but not enough gets developed. For instance, the romance between Danny (Statham) and Anne (Yvonne Strahovski) just seems to be cut in to the movie in a few places. The Feathermen (the group about whom the book the movie draws from is written) appear in a few scenes, yet they're role is barely explored. They are spliced in just enough to give Spike (Clive Owen) a support system.
It's not a terrible movie, but it could have been much more. I think it would make a better mini-series, so that the different parts could be explored properly. If not, eliminate the things that aren't given justice.
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