When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mission: kill three members of Britain's elite Special Air Service responsible for the death of his sons.
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Homeless and on the run from a military court martial, a damaged ex-special forces soldier navigating London's criminal underworld seizes an opportunity to assume another man's identity -- transforming into an avenging angel in the process.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
Loosely based on a true story, Killer Elite pits two of the worlds' most elite operatives - Danny, a ruthless killer-for-hire (Jason Statham) and Hunter, his longtime mentor (Robert De Niro) - against the cunning leader of a secret society of former Special Air Service operatives('Clive Owen'). Covering the globe from Australia to Paris, London and the Middle East, Danny and Hunter are plunged into a highly dangerous game of revenge and deception - where things are not always what they appear to be. Written by
The side-issue of whether the story is true or not has as many twists as the plot itself. As mentioned above, all the families and the SAS denied they had been consulted or involved in any way with the book. However, an article the Daily Mail Online was forced to include an amendment when the widow of Major Mike Kealy admitted she had read and approved of every page that related to her husband. See more »
In the escape scene early in the movie, De Niro's character Hunter takes a Glock 17 handgun from a guard. This weapon was not manufactured/sold until about 1984. Since the scene is set in 1980 it is somewhat improbable that he would have one. See more »
The world is in chaos. The economic crisis continues as an oil crises looms. War rages everywhere. It is a time of revolution, assassination and covert operations.
It is 1980.
See more »
Turkish Acid Bath (Shelter From the Storm)
Performed by Kasabian
Words & Music by Sergio Pizzorno (as Pizzorno)
Published by Sony/ATV Music Publishing
Courtesy of Sony Music Entertainment UK Ltd See more »
Decent acting from the supporting cast, an interesting story that is thankfully absent any clichés, and a lack of any "gotcha" in the story certainly help this movie stand out. But really it's the pacing that made it for me. Things happen FAST. They happen logically, and reasonably (well, reasonably given the nature of the story) but they happen quickly. The movie does not have any periods of introspection for our main characters. It suggests that they are having those moments, but doesn't linger on them or play them up at all; they are just facts, like everything else that happens in the movie (fights, deaths, kidnappings, etc.).
The story is complicated, involving at least 5 separately motivated factions, but at no time was it confusing (so there was no need for an "aha!" moment).
The fight scenes were all exceedingly well choreographed and fit the story so well that there was never a time when 2 people were facing off just so we could see them fight; I really appreciated that.
All in all, a very satisfying film: lots of action, lots of very good acting, and lots of attention to detail (it really looked like it was the early 1980s).
I was going to give this a 7/10, but as I was writing and thinking about it, I upped it to 8/10.
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