Secret Ops agent Marcus is sent to Detroit to take out an arms dealer and the head of the hedge fund that is financing him. His CIA backup has other plans and turns on him and it's a fight to survive in a hospital.
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A diplomat's bodyguard and company are injured in a botched assassination attempt. They're all taken to the same hospital, where the bodyguard teams up with a nurse to protect the diplomat from a team of ruthless assassins. The nurse soon learns that there is more to this sticky situation than expected. Written by
When Smith was being wheeled to the elevator, a blonde lady is seen walking around the group at the lobby of Redvale building. When they zoom out, you can see her again this time, just rounding the corner and when she should have been long pass the group. See more »
All you're after is the money. Redvale is about power. He's like the mafioso in Sicily. They control billions of dollars, and they live in shacks. They are about power. It's about power.
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This movie is played out thru and as a sort of "confession" to a priest. So the story is not told in REAL time; but AFTER the fact; sitting in a church with a priest.
CIA agent Marcus Jones is given the assignment of infiltrating the organization of arms dealer, Frank Smith, and thru him get to the president or head of a hedge fund operation based in Detroit; man named Redvale, who smith is working with. The CIA wants them both dead. It seems that Redvale Corp. has oil interests some place in Africa but the policies of the local government there is somehow cramping their style or interfering with the conduct of their business. This is where Frank Smith comes in: Revdale is financing Smith to arm rebels opposed to the government.
Immediately after Marcus is given his assignment, the movie cuts to --and begins-- at a point where he has already infiltrated Frank Smith's operation and is now working for him as security or a personal bodyguard. They are in a plane together at this point on their way to the Revdale Corp. to see Revdale and collect Smith's share of money from some transaction or deal in Africa. The plane lands and they transfer to a black SUV with cool musical accompaniment (Don't you wish this would happen every time YOU stepped off a plane or headed for your car?). At the same time, Marcus's CIA team is getting ready to move in; orders are given by their head of operations flying in a chopper overhead, that no action should be take until Smith picks up his loot.
The action begins when "others" I'm calling them (an important plot twist already spoiled for you by the IMDb synopsis) decide to interfere with the CIA operation so that they can get their greedy paws on all the loot that Smith is about to collect. At the same time, in the back seat of the SUV, Smith is starting to feel hot and bothered; complains about the heat; shortly thereafter he is having a major heart attack and has to be taken to a hospital. But the "others", unaware of this, are shooting at the car to get it to stop. They want Smith captured so that they can use him to get into Revdale Corp. and collect his money. A chase leads to a hospital where most of the action takes place as the "others" hunt Marcus and look to kidnap the badly ailing Smith.
I was pleasantly surprised by this movie (low expectations, I guess). Turns out this is a good action film. Snipes played his character Marcus in a sober, detached sort of way; like a man who has no other life or friend but his job and whose longest conversations take place within. So he's serious; has no "attitude" and cracks no jokes. Not even a "forced" smile for the nurse who was looking after him and who was clearly flirting (Down fellas, not the nurse of your fantasies). For example, after some comment she made about always wanting to date a bodyguard, he looked at her as if he had no idea what she was going on about; as if human chit chat or conversion was something he was unfamiliar with. So this guy is busy; unless you have something to do with his mission or the job at hand, you exist to him only peripherally.
The movie utilizes the "hunter-and-prey-in-a-confined-area" (a hospital) scenario. And though hardly original, it is a favorite of many people --if done well-- and I thought it was done well here. So it was entertaining to watch hunter and prey navigate the rooms and floors of the hospital; the former trying to kill or capture and the latter trying to survive and get away. I found the fight scenes effective; smart and satisfying; demonstrating that breaking someone's neck is not the snap you might have thought it was (sorry; couldn't resist). Finally, just to give you some perspective: This movie, while not having all the money, star-power, and fire-power of say, "The Expendables", is still hands-down the better made action film. Demonstrating once again that "less" is often "more" and "more" is often "less". Love, Boloxxxi.
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