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Alicia has been a good wife to her husband, a former state's attorney. After a very humiliating sex and corruption scandal, he is behind bars. She must now provide for her family and returns to work as a litigator in a law firm.
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2016   2015   2014   2013   2012   2011   … See all »
Won 1 Golden Globe. Another 29 wins & 206 nominations. See more awards »

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Cast

Series cast summary:
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 Alicia Florrick (156 episodes, 2009-2016)
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 Cary Agos (156 episodes, 2009-2016)
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 Diane Lockhart (156 episodes, 2009-2016)
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 Kalinda Sharma (134 episodes, 2009-2015)
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 Eli Gold (121 episodes, 2010-2016)
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 Will Gardner (108 episodes, 2009-2016)
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 Grace Florrick (103 episodes, 2009-2016)
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 Peter Florrick (101 episodes, 2009-2016)
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 Zach Florrick (78 episodes, 2009-2016)
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Storyline

Alicia Florrick is the wife of a former state's attorney for Cook County. He has been imprisoned after a sex and corruption scandal. Alicia must deal with the public humiliation. She must also fend for her two children. After years of being a housewife and mother, she returns to work as a litigator at the law firm Stern, Lockhart & Gardner. She must now prove herself in the courtroom. Written by Anonymous

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Taglines:

His scandal. Her story. See more »

Genres:

Crime | Drama | Mystery

Certificate:

TV-14 | See all certifications »

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Release Date:

22 September 2009 (USA)  »

Also Known As:

Dobra žena  »

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16:9 HD
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Trivia

All episode titles in seasons one through four have the same number of words as the number of the season in which they appear. All season one episodes have one-word titles (for example, Doubt), all season two episodes have two-word titles (for example, Real Deal), all season three episodes have three-word titles (for example, After the Fall), and all season four episodes have four-word titles (for example, Anatomy of a Joke). Later seasons reverse this formula. All season five episodes have three-words titles (for example, The Bit Bucket), season six's have two-word titles (for example, Dear God) and season seven episodes have one-word titles (for example, Taxed) completing the cycle. See more »

Connections

Referenced in Countdown: Episode #73.85 (2015) See more »

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User Reviews

 
Soapy seduction
15 November 2010 | by See all my reviews

If I were limiting my rating of this show to the realm of present-day American TV, I'd rate it a 9.5. It's the only show I go out of my way to see. And why? Because it's the only one that gets me worked up over the characters, in other ways than by having them murdered or suffering from some dire disease. Dramatic involvement has fallen out of fashion on TV in the U.S.--most shows are too cool to care--and so I take an old-fashioned satisfaction in becoming variously worried, relieved, angry, or cheerful about what the characters are doing and what is done to them. My suspension of disbelief is facilitated by a sharp cast and vivid direction, which puts emotional suspense and its concomitants--focus, pace, mood, foreshadowing--ahead of all else.

...And I have just now realized that what I'm describing, or working toward describing, is a seduction. That pinpoints the type of pleasure the show furnishes, and explains the slight suspicion it engenders. Watching it, I feel as if I'm being enjoyably had by a high-priced, attractive call girl who's very good at what she does; but it is what it is, no more. And so, though I count myself a fan of the show, I can't for a second regard it as serious drama, although it's endeavoring to pass as such. Apart from a strong satirical streak--more like marbling, really, since it runs through every part--what it is is soap opera of a fairly high order, showing genuine cleverness and feeling. Of course it bears only a tenuous relation to real life: the legal cases are resolved patly, in sudden courtroom revelations; the personal turmoils resolve themselves into neatly defined crossfires; and in between, one gets little sense of life as it's lived, i.e. continuously. What does Julianna Margulies do in her office all day? What do her kids do while she's at work? The show doesn't care much. It's concerned with the big scenes, the sweeping flourishes, the successive waves of crisis that batter its heroine.

Margulies' persona, probably even more than her performance, is what holds it all together. The series sets her off like a diamond, but she's the gleaming center. Somehow the actress seems universal: elegant yet earthy, modern but timeless; one can imagine her in any form in which a beleaguered heroine might figure, from Jacobean tragedy to telenovela.

...And so I keep watching.


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