| Videos (see all 3) |
| Michele Simon | ... | Herself - Author, Appetite for Profit | |
| Hans Diehl | ... | Himself - Founder, Coronary Health Improvement Project | |
| Caldwell Esselstyn Jr. | ... | Himself - Preventive Cardiology Consultant, Cleveland Clinic | |
| Charles Venezia | ... | Himself | |
| Toni Venezia | ... | Herself | |
| John Oehrle | ... | Himself | |
| Michael Jacobson | ... | Himself - Director, Center for Science in the Public Interest | |
| Helene Glassberg | ... | Herself - Spokesperson, American Heart Association | |
| Alfred Bove | ... | Himself - Professor Emeritus, Cardiology, Temple University School of Medicine | |
| David Katz | ... | Himself - Director, Yale Prevention Research Center | |
| T. Colin Campbell | ... | Himself - Professor Emeritus, Nutritional Biochemistry, Cornell University | |
| Neal Barnard | ... | Himself - President, Physicians Committee for Responsible Medicine | |
| Luise Light | ... | Herself - USDA, 1976-1984 | |
| Garnet Hall | ... | Herself | |
| George Hall | ... | Himself | |
| Ann Esselstyn | ... | Herself | |
| Lynn Silver | ... | Herself - NYC Dept. of Health | |
| Joel Fuhrman | ... | Himself - Author, Eat to Live | |
| Willis McNamara | ... | Himself | |
| Mary McNamara | ... | Herself | |
| Mark Weinstein | ... | Himself - Narrator | |
| Mary Carpenter | ... | Luise Light | |
| Mario Fabrioni | ... | Man in Suit | |
| Gabriel Jallo | ... | Genetic Child |
Directed by | |||
| Julia Grayer | |||
| Gage Johnston | |||
Writing credits | ||
| Julia Grayer | (written by) & | |
| Gage Johnston | (written by) | |
Produced by | |||
| Julia Grayer | .... | producer | |
| Gage Johnston | .... | producer | |
Original Music by | |||
| Jim Boggia | (music by) | ||
Cinematography by | |||
| Gage Johnston | |||
Film Editing by | |||
| Mark Weinstein | |||
Art Department | |||
| Andrew Dean | .... | set construction | |
| Hugo Marmugi | .... | set construction | |
| Kent Turtz | .... | set construction | |
Sound Department | |||
| Adam Carrigan | .... | sound | |
| Mike Ford | .... | sound (as Michael Ford) | |
| Alex Gillies | .... | sound engineering | |
| Suzanne Hillner | .... | additional sound | |
| George McCartin | .... | sound | |
| Bob Schachner | .... | sound mixer: DIVE, Philadelphia | |
| Kent Turtz | .... | additional sound | |
Visual Effects by | |||
| Andrew Dean | .... | graphics | |
Camera and Electrical Department | |||
| Alex Djordjevic | .... | additional photography | |
| Mike Ford | .... | additional photography | |
| Mike Ford | .... | gaffer (as Michael Ford) | |
| Julia Grayer | .... | additional photography | |
| David Linsell | .... | gaffer | |
| George McCartin | .... | additional photography | |
| George McCartin | .... | gaffer | |
| Matthew Sanchez | .... | additional photography (as Matt Sanchez) | |
| Kent Turtz | .... | gaffer | |
| Afdel Whitfield | .... | gaffer | |
Animation Department | |||
| Hugo Marmugi | .... | animator | |
Editorial Department | |||
| Rob Giglio | .... | colorist: DIVE, Philadelphia | |
| John-Michael Trojan | .... | post-production producer: DIVE, Philadelphia | |
Music Department | |||
| Zach Djanikian | .... | additional musician: saxophone | |
| Flicker | .... | additional musician: trumpet | |
Other crew | |||
| Stavros Adamidis | .... | business & legal affairs | |
| Kathleen Aguilar | .... | business & legal affairs | |
| Jeff Barnett | .... | business & legal affairs (as Jeffrey Barnett) | |
| Cicely Blanchard | .... | researcher | |
| Cicely Blanchard | .... | transcriptions | |
| Gregory L. Bonzer | .... | business & legal affairs (as Greg Bonzer) | |
| Kimberly Bunce | .... | production assistant (as Kim Bunce) | |
| Lisa Callif | .... | business & legal affairs | |
| André Des Rochers | .... | business & legal affairs | |
| Katie Hawkins | .... | production assistant | |
| Lauren McCartin | .... | production assistant | |
| Alex Morales | .... | production assistant | |
| Jane Morley | .... | assistant to the producers | |
| Amy Todres | .... | production assistant | |
| Ronna B. Wallace | .... | representative: producers (as Ronna Wallace) | |
Thanks | |||
| Rajen Anand | .... | additional thanks | |
| Timothy Arnott | .... | additional thanks | |
| Marilyn Bilbrey | .... | with appreciation to | |
| Fritz Blank | .... | additional thanks | |
| Barbara Booze | .... | more thanks | |
| Alfred Bove | .... | very special thanks | |
| T. Colin Campbell | .... | very special thanks | |
| Carole Dean | .... | with gracious support and advice from (as Carole Lee Dean) | |
| Antonia Demas | .... | additional thanks | |
| Hans Diehl | .... | very special thanks | |
| Jane Edison | .... | with appreciation to | |
| Caldwell Esselstyn Jr. | .... | very special thanks (as Caldwell B. Esselstyn Jr.) | |
| Ann Esselstyn | .... | very special thanks | |
| Raina Fortini | .... | with appreciation to | |
| Joel Fuhrman | .... | very special thanks | |
| Helene Glassberg | .... | very special thanks | |
| Debbie Grayer | .... | with gracious support and advice from | |
| Fred Grayer | .... | with gracious support and advice from | |
| Jacquelyn Grayer | .... | with gracious support and advice from | |
| Joanna Grayer | .... | with gracious support and advice from | |
| Larry Grayer | .... | with gracious support and advice from | |
| Mark Grayer | .... | with gracious support and advice from | |
| Garnet Hall | .... | our deepest gratitude | |
| George Hall | .... | our deepest gratitude | |
| Michael Jacobson | .... | very special thanks | |
| Jack Jallo | .... | with gracious support and advice from | |
| Mike Jallo | .... | with gracious support and advice from | |
| Marshall Johnston | .... | with gracious support and advice from | |
| Pam Johnston | .... | with gracious support and advice from | |
| Ellen Karcher | .... | additional thanks | |
| David Katz | .... | very special thanks | |
| Vivienne Leheny | .... | with gracious support and advice from | |
| Luise Light | .... | very special thanks | |
| Howard Lyman | .... | additional thanks | |
| Mary McNamara | .... | our deepest gratitude (as Mary MacNamara) | |
| Willis McNamara | .... | our deepest gratitude (as Willis MacNamara) | |
| K.C. McQuillan | .... | additional thanks | |
| Don Moad | .... | with appreciation to | |
| Jeanne Moad | .... | with appreciation to | |
| Nick Mottern | .... | additional thanks | |
| Ana Negrón | .... | additional thanks | |
| Caitlin Neill | .... | with appreciation to | |
| Ken Neill | .... | with appreciation to | |
| John Oehrle | .... | our deepest gratitude | |
| Sharon Roberts | .... | more thanks | |
| Paul Rozin | .... | additional thanks | |
| Jeff Ryder | .... | with gracious support and advice from | |
| Lynn Silver | .... | very special thanks | |
| Michele Simon | .... | very special thanks | |
| Bob Varga | .... | more thanks | |
| Charles Venezia | .... | our deepest gratitude | |
| Toni Venezia | .... | our deepest gratitude | |
| Joachim von Roemer | .... | with appreciation to | |
| Donna Weidner | .... | with appreciation to | |
| Merritt Weidner | .... | with appreciation to | |
| Walter Willett | .... | additional thanks | |
| Beverly Winikoff | .... | additional thanks | |
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| Chris & Don. A Love Story | inGREEDients | Broken Hearts, Electric Shocks | Finding Lee Mullican | Spellbound |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
They bring up many good points in this documentary.
The government IS supporting agribusiness instead of recommending a diet to our citizens that is actually healthy. The movie DOES make a good point that less than 1 percent of government agricultural subsidies DO go toward fruits and vegetables. We DO emphasize surgery and pills to treat diabetes and heart and disease, when it can be treated by diet.
We put complexly constructed melanges of chemicals into our bodies on a daily basis. They are called "food." And to not examine the effect these highly complex chemical compounds have on the human body, itself a highly complex system of chemical interactions (as well as electrical and mechanical systems), is completely foolish, and the medical establishment has for way too long ignored the effects these substances have, in favor of talking about "genetics." The movie makes this point also.
So far, so good!
Where the film goes utterly, tragically, terribly wrong, is putting forth the clichéd low-fat, high carb, whole grain based diet. The same diet that has been emphasized for 50 years by the medical establishment and the government that this film has just spent 30 minutes griping about. The same diet that has been in effect as the most recommended one while obesity rates, and diabetes rates, and heart disease rates in this country have EXPLODED.
WRONG WRONG WRONG. Eat your bacon. Eat your cheesesteaks. Eat that hunk of good quality European cheese. But don't forget to emphasize your fruits and vegetables! But DUMP THOSE GRAINS! Grains are poison. Our ancestors did not eat grains. They ate animals and plants, and probably some occasional milk, cheese or yogurt. That's it. Dump the grains, the rice, the sugar, the beans, the legumes, and by and large, the milk, with occasional cheese and yogurt.
And you people paying $4.00 per pound for peppers (as seen in this movie) are clearly going to the wrong market. I find fresh vegetables much cheaper at a local market in a nearby lower middle class area.
On a final note, in support of my point of view, I would note that if you look at the classic government sponsored "Food Pyramid" shown in the film, and you cut out all grains, the pyramid STILL has a solid bottom. If you cut out meats and animal foods, then the pyramid has a giant chuck out of the side and it collapses and falls over.
For an opposing view, I would recommend the documentary "Fathead," though I did have some problems with that one as well.