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In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
During the early years of German occupation of France in World War II, romance blooms between Lucile Angellier (Michelle Williams), a French villager and Bruno von Falk (Matthias Schoenaerts), a German soldier.
Kristin Scott Thomas,
The story of the five-day interview between Rolling Stone reporter David Lipsky and acclaimed novelist David Foster Wallace, which took place right after the 1996 publication of Wallace's groundbreaking epic novel, 'Infinite Jest.'
The film was shot in various locations in Yorkshire, Oxford and London. The railway station scenes, the train interiors, and the scene in the railway café, were shot at Keighley Station, using trains provided by the Keighley and Worth Valley Railway. The landscape shots of period trains were filmed at the heritage track of the The North Yorkshire Moors Railway. The Welbeck Estate in Nottinghamshire provided several locations, including the scenes at Uppingham school, Melrose house and the Etaples field hospital. The lake scenes were filmed in Darley Dale in Derbyshire. See more »
The appallingly long newspaper casualty lists and near total destruction of Britain's professional army, the British Expeditionary Force, during the Battle of the Frontiers and the First Battle of the Marne are shown as suddenly appearing in the evening papers of the day Roland leaves for France in the winter of 1914 demonstrated by the heavy, warm, winter-weight coats and hats worn by Vera, civilians, and soldiers on the train and in the station. In actuality August and September were record-breaking hot months. These battles and the long casualty lists associated with them took place during August and September 1914. See more »
At college, more than anywhere else, one was likely to make the friendships that supported one through life.
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The film opens with a maffick, but with one young woman being rather subdued, even dazed. Then in a clever scene, there is a Col. Blimp- style swimming scene.
We are introduced to Vera Brittain, living in provincial comfort in Buxton Derbyshire, and struggling against social convention. She and her young male friends, all on the threshold of adulthood, are looking to the future. It is the summer of 1914 and the era is caught well and authentically.
Love is in the air and as our story develops we get some nice Michael Corleone-style 'Sicilian' courting. In a small part, Joanne Scanlan plays the chaperon Aunt Belle. She delivers to the part the same depth that she did when playing Mrs Catherine Dickens in last year's 'The Invisible Woman'. Played initially for laughs, the chaperon takes a much deeper and more human role as Summer moves into Autumn. There is a station scene, much more dramatic than that in the recent 'The Imitation Game', because the trains are going in a different direction.
Vera Brittain herself wrote of critics who doubted the authenticity of her account. Who are we, to measure the authenticity and depth of feeling of young lovers? This was their love, not ours! The reality of WWI, of course, can be easily measured and recounted.
The film gets progressively darker as the war intrudes into the story. The darkest scenes of all are set in France. These scenes are grim and gritty, muddy and bloody. There are many poignant scenes of love and war. Vera Brittain's male companions are played well by a strong cast. The central character of Roland Leighton is well played by Kit Harington, Here however, his romantic side is much more subdued, than that in his role in last year's 'Pompeii', where he featured in what was arguably the most romantic kiss scene of all time. Appropriately, Colin Morgan who has previously played the role of Merlin, here adds some magic, in what is perhaps the most poignant scene in this film. Perhaps the most sinister-looking figure in the film, is the innocent-faced-looking telegram-boy, played by Xavier Atkins. A small but scary part.
Pre-war Imperial Britain changed to the post-war era of Vera Brittain. The pre-war campaign for votes for women failed. The war forced women to do jobs previously done by men, to take up new roles and new responsibilities. Thus the post-war clamour for women's equality could no longer be ignored, and instead change started. The life and literature of Vera Brittain was an inspiration for the next generation, not the least being her daughter, the politician Shirley Williams. Vera Brittain's 'Testament' is now a recognized part of British culture and history. It is a long time since I read her book, but it seems to me that this film authentically captures the story in the book.
WWI was a seminal event. It changed the lives of a generation. it was a dominant theme in thinking in the inter-war period. To understand positions taken before and during WWII, we need to understand the context in which these positions were adopted.
In four short years British history was changed forever. So too for the world. This true story authentically captures the period and the resultant changes. 9/10.
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