| Photos (See all 47 | slideshow) | Videos (see all 7) |
| Amr Waked | ... | Sheikh Muhammed | |
| Emily Blunt | ... | Harriet | |
| Catherine Steadman | ... | Ashley | |
| Tom Mison | ... | Capt. Robert Mayers | |
| Ewan McGregor | ... | Dr. Alfred Jones | |
| Rachael Stirling | ... | Mary Jones | |
| Kristin Scott Thomas | ... | Patricia Maxwell | |
| Tom Beard | ... | Peter Maxwell | |
| Jill Baker | ... | Betty Burnside | |
| Conleth Hill | ... | Bernard Sugden | |
| Alex Taylor-McDowall | ... | Edward Maxwell | |
| Matilda White | ... | Abby Maxwell | |
| Otto Farrant | ... | Joshua Maxwell | |
| Hamish Gray | ... | Malcolm | |
| Clive Wood | ... | Tom Price-Williams | |
| Nayef Rashed | ... | Rebel Leader | |
| Peter Wight | ... | Tory Grandee - Angus Butler | |
| Waleed Akhtar | ... | Essad | |
| Steven Blake | ... | Cabinet Member | |
| Hugh Simon | ... | Brian Fleet | |
| James Cutting | ... | Journalist | |
| Colin Kilkelly | ... | Journalist |
Directed by | |||
| Lasse Hallström | |||
Writing credits | ||
| Simon Beaufoy | (written by) | |
| Paul Torday | (novel) | |
Produced by | |||
| Zakaria Alaoui | .... | line producer: Morocco: Zak Productions | |
| Guy Avshalom | .... | executive producer | |
| Nicky Kentish Barnes | .... | co-producer | |
| Stephen Garrett | .... | executive producer | |
| Samuel Hadida | .... | co-executive producer | |
| Victor Hadida | .... | co-executive producer | |
| Paula Jalfon | .... | executive producer | |
| Zygi Kamasa | .... | executive producer | |
| Jamie Laurenson | .... | executive producer | |
| Tori Parry | .... | line producer | |
| Paul Webster | .... | producer | |
Original Music by | |||
| Dario Marianelli | |||
Cinematography by | |||
| Terry Stacey | |||
Film Editing by | |||
| Lisa Gunning | |||
Casting by | |||
| Fiona Weir | |||
Production Design by | |||
| Michael Carlin | |||
Art Direction by | |||
| Steve Carter | |||
| Nicki McCallum | (short period) (uncredited) | ||
Set Decoration by | |||
| Rebecca Alleway | |||
Costume Design by | |||
| Julian Day | |||
Makeup Department | |||
| Sonia Akouz | .... | assistant makeup artist: Morocco | |
| Khalid Alami | .... | makeup artist: Morocco (as Khalid El Alami) | |
| Zineb Bendoula | .... | hair stylist: Morocco | |
| Naomi Donne | .... | hair designer | |
| Naomi Donne | .... | makeup designer | |
| Lucy Friend | .... | makeup artist | |
| Anna Mirow | .... | makeup trainee | |
| Norma Webb | .... | hair stylist | |
| Norma Webb | .... | makeup artist | |
| Wakana Yoshihara | .... | makeup artist: Morocco | |
Production Management | |||
| Helen de Winter | .... | post-production supervisor | |
| Duncan Muggoch | .... | unit production manager: Morocco | |
| Iain Smith | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Mohamed Essaghir Aabach | .... | third assistant director: Morrocco | |
| Tarik Ait Ben Ali | .... | second second assistant director: Morocco | |
| Joe Barlow | .... | third assistant director | |
| Yann Mari Faget | .... | second assistant director: Morocco (as Yann Mari-Faget) | |
| Henry Forsyth | .... | assistant director: reshoots | |
| Louise Caruana Galizia | .... | floor assistant director | |
| Ahmed Hatimi | .... | first assistant director: Morocco (as Ahmed Eric Hatimi) | |
| Olivia Lloyd | .... | second assistant director | |
| Shaun O'Dell | .... | second unit director | |
| Matthew Penry-Davey | .... | first assistant director | |
| Mohammed Hamza Regragui | .... | second second assistant director: second unit (as Hamza Regragui) | |
| Lance Roehrig | .... | first assistant director: second unit | |
| Toby Sherborne | .... | second assistant director: Morocco | |
| George Taylor | .... | additional third assistant director | |
| Eileen Yip | .... | base third assistant director | |
Sound Department | |||
| Harry Barnes | .... | supervising sound editor | |
| Mark Broughton | .... | foley editor | |
| Gareth Bull | .... | sound re-recording mixer | |
| Martin Cantwell | .... | sound designer | |
| Ben Collinson | .... | boom operator: dailies | |
| Christian Joyce | .... | sound mixer (second unit) | |
| Peter Lindsay | .... | production sound mixer (as Peter Lindsay AMPS) | |
| Adam Mendez | .... | foley mixer | |
| Kate Morath | .... | boom operator | |
| Lee Sharp | .... | sound assistant: dailies | |
| Andy Stallabrass | .... | adr mixer | |
| Jack Stew | .... | foley artist | |
| Richard Straker | .... | sound re-recording mixer | |
| Jason Swanscott | .... | foley artist | |
| Michael Lee Taylor | .... | sound assistant | |
| Nourdine Zaoui | .... | second boom operator: Morocco | |
Visual Effects by | |||
| Pani Ahmadi-Moore | .... | visual effects editor | |
| Thomas Ayre | .... | digital restoration | |
| Adrian Banton | .... | lead compositor: Lip Sync Post | |
| Celeste Bothwick | .... | digital compositor | |
| Emma Braney | .... | visual effects artist | |
| Peter Collins | .... | digital intermediate | |
| Neil Culley | .... | digital compositor: Lip Sync Post | |
| Stefan Drury | .... | head of visual effects | |
| James Elster | .... | digital compositor: Lip Sync Post | |
| Sean Farrow | .... | visual effects supervisor | |
| David Gibbons | .... | senior digital matte painter | |
| Steven Gomez | .... | digital compositor | |
| Charlotte Gray | .... | digital restoration artist | |
| Elysia Greening | .... | digital compositor: Lip Sync Post | |
| Andre Hitsøy | .... | cg supervisor: Lip Sync Post | |
| Alice Holme | .... | visual effects artist | |
| Will Hudson | .... | digital restoration | |
| Emma Hulme | .... | digital restoration | |
| David Lloyd | .... | senior systems engineer: Lip Sync Post | |
| Ben Mars | .... | lead animator: Lip Sync Post | |
| Katie McCulloch | .... | digital restoration | |
| Abigail McKenzie | .... | digital lab operator | |
| Emelie Nilsson | .... | digital compositor | |
| Dylan Owen | .... | digital compositor: Lip Sync Post | |
| Antonio Rodríguez Díaz | .... | digital compositor | |
| Katie Roehrick | .... | visual effects coordinator | |
| Natalie Silver | .... | digital restoration | |
| David Sjodin | .... | digital compositor: Lip Sync Post | |
| Daniel Spain | .... | systems engineer: Lip Sync Post | |
| Lucy Tanner | .... | visual effects coordinator: Lip Sync Post | |
| Samantha Tracey | .... | visual effects producer | |
| Sheila Wickens | .... | digital compositor: Lip Sync Post | |
| Daniel Wood | .... | fx artist: Lip Sync Post | |
| Tom Wood | .... | on-set supervisor: Lip Sync Post | |
| Lenka Zuckova | .... | visual effects artist | |
Stunts | |||
| Alessandro Di Martini | .... | stunt double: Ewan Mcgregor | |
| Alessandro Di Martini | .... | stunts | |
| Jamie Edgell | .... | stunt coordinator | |
| Jason Hunjan | .... | stunt performer | |
| Paul Kennington | .... | stunt performer | |
| Maurice Lee | .... | stunt performer | |
| Belinda McGinley | .... | stunt performer | |
| David Newton | .... | stunt performer | |
| Chris Newton | .... | stunt performer (uncredited) | |
| Alexandre Ottoveggio | .... | stunt performer (uncredited) | |
Camera and Electrical Department | |||
| El Mokhtar Aboukal | .... | video assist (as Elmokhtar Aboukal) | |
| Elhassan Aboulhab | .... | generator operator: Morocco | |
| Brahim Ait Belkas | .... | camera trainee: Morocco | |
| Ahmed Almrani | .... | grip: Morocco (as Ahmed El Amrani) | |
| Andy Arnautov | .... | gaffer: Morrocco | |
| Ray Bateman | .... | generator operator | |
| Brahim Bouaa | .... | best boy electrician: Morocco | |
| Elhassan Bouddi | .... | location electrician: Morocco | |
| Jeremy Braben | .... | aerial director of photography | |
| Warren Buckingham | .... | aerial camera technician: wescam camera | |
| Danny Butler | .... | electrician | |
| Pete Carrier | .... | balloon technician | |
| Mhamed Chaabout | .... | generator operator: Morocco | |
| Marco De Filippis | .... | best boy electrician: Morocco | |
| Sahoul El Alami | .... | best boy electrician: Morocco (as Mohamed El Alami Sahoul) | |
| Ismail El Moulloua | .... | best boy electrician: Morocco (as Ismail El Mouloua) | |
| Mike Farr | .... | lighting balloon technician | |
| Steve Fitzpatrick | .... | standby rigger | |
| Dan Garlick | .... | grip: "b" camera | |
| Ran Geffen | .... | clapper loader: second unit | |
| Scot Gill | .... | electrical rigger | |
| Josh Gimenez | .... | video assistant | |
| Darren Harvey | .... | rigging electrician | |
| Mohammed Amine Hlal | .... | lighting technician trainee | |
| Rupert Hornstein | .... | focus puller: second unit | |
| Steve Howe | .... | stand-by rigger | |
| Mouna Khaali | .... | camera assistant: Morocco | |
| Borivoj Klecka | .... | best boy electrician: Morocco | |
| Henry Landgrebe | .... | clapper loader: "a" camera | |
| Tom Lea | .... | electrician | |
| Stephen Lee | .... | video operator | |
| David Maund | .... | key grip | |
| Tom McGinley | .... | electrician | |
| Hamid Mellak | .... | generator operator: Morocco | |
| Pat Miller | .... | rigging gaffer: Morocco | |
| David Mills | .... | camera trainee: "b" camera (as Dave Mills) | |
| Jem Morton | .... | grip: second unit | |
| Roland Moses | .... | generator operator: Morocco (as Roland 'Mo' Modes) | |
| Simon Muir | .... | dolly grip | |
| Steve O'Donoghue | .... | best boy | |
| David Pearce | .... | camera trainee dailies | |
| Derrick Peters | .... | focus puller: "b" camera | |
| Jake Polonsky | .... | director of photography: second unit | |
| Alastair Rae | .... | camera operator: "a" camera | |
| Alastair Rae | .... | steadicam operator | |
| F. Auguste Rahmberg | .... | camera trainee: "a" camera (as Auguste Rahmberg) | |
| Abdelghami Rifki | .... | best boy grip: Morocco (as Abdelghani Rifki) | |
| Keith Saayman | .... | libra head technician | |
| Paul Snell | .... | central loader: "a" camera | |
| Laurie Sparham | .... | still photographer | |
| James Summers | .... | rigging gaffer | |
| Paul Swann | .... | camera and equipment support | |
| Martin Taylor | .... | rigging electrician | |
| Simon Tindall | .... | focus puller: "a" camera | |
| John Watters | .... | focus puller: b camera | |
| Dave Wells | .... | grip: "b" camera | |
| Harry Wiggins | .... | gaffer | |
| Tom Wilkinson | .... | clapper loader: "b" camera | |
| Andy Woodcock | .... | grip trainee: "a" camera (as Andrew Woodcock) | |
| Philip Nichol | .... | camera trainee (uncredited) | |
Animation Department | |||
| Scott MacDonald | .... | animator | |
Casting Department | |||
| Zine eddine Ibnou Jabal | .... | casting coordinator: Morocco (as Zineddine Ibnoujabal) | |
| Ruth Key | .... | casting assistant | |
| Kate McLaughlin | .... | extras casting | |
| Omar Tisli | .... | casting assistant: Morocco | |
Costume and Wardrobe Department | |||
| Abdelkrim Akallach | .... | costume supervisor: Morocco | |
| Lauren Angela Coe | .... | costume third assistant | |
| Shahida Day | .... | costume supervisor (as Shaida Day) | |
| Zineb El Idrissi | .... | assistant costume: Morocco (as Zineb El Indrissi Mendili) | |
| Jane Marcantonio | .... | standby costume assistant | |
| Marnie Ormiston | .... | standby costume second assistant | |
Editorial Department | |||
| Pani Ahmadi-Moore | .... | first assistant editor | |
| Matthew Benns | .... | data operations manager | |
| Eve Doherty | .... | second assistant editor | |
| Paul Ensby | .... | colorist | |
| Jason Fabbro | .... | video colorist | |
| Dan Farrell | .... | conform editor | |
| Todd Kleparski | .... | digital intermediate producer | |
| Mathieu Reid | .... | color timer | |
| Dominic Thomson | .... | digital intermediate editor | |
| Jonathan Sykes | .... | data management (uncredited) | |
Music Department | |||
| Leo Abrahams | .... | musician: acoustic guitar | |
| James Bellamy | .... | music editor | |
| Dirk Campbell | .... | musician: highland pipes and flute | |
| Giles Lewin | .... | musician: oud | |
| Dario Marianelli | .... | orchestrator | |
| Maggie Rodford | .... | music supervisor | |
| Benjamin Wallfisch | .... | orchestrator | |
| Nick Wollage | .... | score engineer & mixer | |
Transportation Department | |||
| John Ayres | .... | minibus driver | |
| Adam Blezeard | .... | driver: prop truck | |
| Steven Brigden | .... | transportation coordinator | |
| Danny Butler | .... | driver: HGV | |
| Piotr Chrzanowski | .... | facilities maintenance: driver | |
| Ben Dillon | .... | picture car coordinator | |
| Redouane Fihi | .... | transportation captain | |
| Paul Howitt | .... | transport facilities manager | |
| Stephen Lawrence | .... | driver: Ewan McGregor | |
| Graeme Main | .... | camera car driver | |
| Brett Owens | .... | grip truck driver | |
| Francisco Pinto | .... | unit driver | |
| Pete Trotman | .... | driver: director | |
Other crew | |||
| Youssef Abagourram | .... | assistant location manager: Morocco | |
| Abdessalam Ait Abdelah | .... | accountant: Morocco (as Abdeslam Ait Abdellah) | |
| Elmahjoub Ahbid | .... | base camp manager: Morocco | |
| Hassan Ait Moudoud | .... | set production assistant: Morocco | |
| Saad Ajedigue | .... | production assistant: Morocco | |
| Mounir Akkaoui | .... | set production assistant: Morocco | |
| Cameron Arguelles | .... | quality control | |
| Mohamed Atbir | .... | production assistant: Morocco | |
| Daren Bailey | .... | marine coordinator | |
| Carrie-Ann Banner | .... | assistant production co-ordinator | |
| Elhoussaine Baouzine | .... | cashier: Morocco (as El Houssine Baouzine) | |
| Sean Barclay | .... | location scout: Scotland | |
| Noureddine Belfadla | .... | set production assistant: Morocco | |
| Jinane Ben Zaida | .... | production coordinator: Morocco (as Jinane Benzaida) | |
| Joshua Benedetti | .... | location scout: dailies | |
| Mohamed Benhmamane | .... | location manager: Morocco | |
| Nic Benns | .... | title designer | |
| Chris Betts | .... | marine safety assistant | |
| John Biondo | .... | legal advisor: Lionsgate International | |
| Alex Boden | .... | production contact: London | |
| Charles Bodycomb | .... | armorer | |
| Joseph Brodrick | .... | cashier | |
| Tom Bromwich | .... | titles producer | |
| James Buckler | .... | delivery coordinator: BBC Films | |
| James Buckler | .... | production coordinator: BBC Films | |
| Usha Chaman | .... | travel coordinator | |
| Ed Clarke | .... | development executive: Kudos Pictures | |
| Chris Collins | .... | senior development executive: UK Film Council (as Christopher Collins) | |
| Chris Collins | .... | senior production executive: UK Film Council (as Christopher Collins) | |
| Neringa Domarke | .... | assistant: Executive Producers: Lionsgate | |
| Francesca Dowd | .... | production coordinator | |
| Ellie Downham | .... | assistant accountant | |
| Brahim El Aissaoui | .... | snake handler: Morocco | |
| Will Evans | .... | head of business affairs: UK Film Council | |
| Eamon Fullen | .... | marine safety assistant | |
| Louise C. Galizia | .... | floor runner | |
| Simon Gillis | .... | business affairs manager: BBC Films | |
| Simon Gillis | .... | legal affairs manager: BBC Films | |
| James Grant | .... | location manager | |
| Faical Hajji | .... | assistant location manager: Morocco | |
| Radouane Hajji | .... | unit doctor: Morocco | |
| Hakima Hammoudi | .... | construction nurse: Morocco | |
| Chris Hankey | .... | location assistant | |
| Fiona Harper | .... | production assistant: additional photography | |
| Mitch Hill | .... | stand in for Conleth Hill | |
| Vince Holden | .... | head of production finance: UK Film Council | |
| Richard Hooper | .... | armourer | |
| Patrick Howson | .... | assistant: Paul Webster: for Kudos Pictures | |
| Jessamine Hugill | .... | assistant: Lasse Hallström | |
| Georgia Hume | .... | production office runner | |
| Redouane Inzig | .... | set production assistant: Morocco | |
| Paula Jack | .... | dialect coach | |
| Wendy Jaffe | .... | legal advisor: Lionsgate International | |
| Rachel James | .... | post production accountant | |
| Abdeljalil Jghou | .... | set production assistant: Morocco | |
| Mark Kinsella | .... | assistant: Executive Producers: Lionsgate | |
| Khadja Koulla | .... | accomodation coordinator: Morocco | |
| Khadja Koulla | .... | travel coordinator: Morocco | |
| Helen Lee-Kim | .... | president: Lionsgate International | |
| Susanna Lenton | .... | script supervisor | |
| Merixell Lombana | .... | location runner | |
| Cathy Lorimer | .... | floor runner | |
| Hugues Mace | .... | floor runner: additional photography | |
| Robert Madden | .... | floor runner (as Rob Madden) | |
| Robert Madden | .... | floor runner | |
| Nick Manzi | .... | head of acquisitions: Lionsgate UK | |
| Nick Manzi | .... | head of production: Lionsgate UK | |
| Garry Marriott | .... | medic: second unit | |
| Jamie Mayers | .... | financial controller: Kudos Pictures | |
| Michael Meyer | .... | legal advisor: Lionsgate International | |
| Deba Mithal | .... | head of finance: Kudos Pictures | |
| Fiona Morham | .... | head of production: UK Film Council | |
| Dave Morley | .... | medic: additional photography | |
| Abdellah Moudnib | .... | set production assistant: Morocco | |
| Hicham Moukhliss | .... | set production assistant: Morocco (as Hicham Mokhliss) | |
| Louise O'Malley | .... | financial controller | |
| Lance Palmer | .... | marine supervisor | |
| Sarah Parfitt | .... | delivery paperwork coordinator | |
| Kate Penlington | .... | clearances | |
| Lindsey Powell | .... | assistant location manager | |
| Yahia Qaci | .... | assistant accountant: Morocco (as Yahiya Qaci) | |
| Mohammed Hamza Regragui | .... | production assistant: Morocco | |
| Kirsty Robinson | .... | assistant: paul webster | |
| Judy Ryan | .... | legal advisor: Lionsgate UK | |
| Angelika Schierz | .... | production secretary | |
| Tanya Seghatchian | .... | head of the film fund: UK Film Council | |
| Alice Syed | .... | production coordinator: additional photography | |
| Widad Taha | .... | shipping coordinator: Morocco | |
| Michael Thorpe | .... | marine safety assistant | |
| Julia Tomlinson | .... | location assistant | |
| Tim Van Rellim | .... | production executive | |
| Nicholas Wade | .... | assistant location manager (as Nick Wade) | |
| Ed Wethered | .... | development editor: BBC Films | |
| David Wilcock | .... | first assistant accountant | |
| Michael Wood | .... | production executive: BBC Films | |
| Khalil Zghayou | .... | set production assistant: Morroco | |
| Sascha Robey | .... | armorer (uncredited) | |
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Enjoying a film like "Salmon Fishing In The Yemen" is similar to acquiring a taste for actual fishing. Like the sport that some find invigorating while others find it dreadfully dull, this film has its draggy moments. However, there are also enlightening points to the movie that come when you least expect them.
Of course, that is not to say that you have to actually LIKE fishing, or understand it, to enjoy "Salmon Fishing In The Yemen". Fishing serves as a crucial plot point, but you don't have to be a card-carrying member of Cabella's or L.L. Bean to enjoy it.
The film has elements of romantic comedy, environmentalism, foreign relations drama, and insightfulness that makes it difficult to concretely categorize. Fortunately, all these facets combine to create a story that's far from predictable. Just like a current, there are times you don't know where the story is going.
Ewan McGregor plays Fred Jones, a fisheries expert for the British government who receives an odd request from legal representative Harriet Chetwode-Talbot (Emily Blunt). Harriet represents a wealthy sheik (Amr Waked) who resides in both Great Britain and Yemen, and has an unusual fondness for salmon fishing. He wants to take a healthy population of salmon from the British lakes, and transport them to the Yemen River to live and breed.
The reason this plot does not make for good cocktail party small talk or water cooler chatter is because it takes such a long time to describe the rationale behind such an ambitious task. For instance, can salmon, who thrive in cold water, even survive in the Middle East, where it's obviously hot? Plus, why would people from Yemen even be interested in fishing? The film answers these questions and others very well, and allows the story to breathe better as each subplot reveals itself. Nothing is rushed in this movie, which, while a few parts drag here and there, is overall a welcome departure from certain high-octane multiplex drivel that passes as entertainment.
Once you actually listen to the characters and hear their reasoning, a lot of the story makes sense. This fact is especially true for Amr Waked, who is not yet a well known actor, but whose character has a profound impact on the film.
Western audiences are not used to seeing a Middle Eastern character that is not a terrorist, let alone one who credibly connects fishing and faith better than any PBS show even could. Waked, who is Egyptian in real life but whose character is Yemeni, does so incredibly well, and is truly the breakout star of this movie. It's a shame that Oscar season just ended, because the early release of this film alone hurts his chances of receiving a Best Supporting Actor nomination, although he deserves it.
The inevitable love story in the movie is also unpredictable, if only because you're not sure whether McGregor and Blunt should be together. McGregor's Fred is married, and Blunt's Harriet has a boyfriend who is sent off to fight in the Afghanistan War. There are plot twists for both characters, but even you, the audience, remains unsure whether the two characters working together so well to bring salmon to Yemen means they should be together. It creates a necessary tension few romantic comedies dare to address.
As for their performances, McGregor seems to play a more mature leading role than in other films he's made before. His character here is more practical than idealist (as in "Moulin Rouge" (2001)), more professional than playboy (as in "Down With Love" (2003)), and knows where his morals lie (unlike "Trainspotting" (1996)). While he was good in those other films, he can only play those roles for so long.
Emily Blunt also delivered a balanced, multi-layered performance, and worked very well off McGregor. I thought there would be an explanation for why her character's last name was hyphenated, as you almost never see characters with two last names in movies. Could there have been a failed marriage in her past, perhaps? It wasn't ever explained, nor was it really crucial to the plot.
Kristin Scott Thomas also provides some unexpected comic relief as a press secretary for Parliament who chats with the British Prime Minister on Instant Messenger. Her character spearheads the campaign to transport the salmon to Yemen in order to divert public attention from the Afghanistan War. Again, a crucial subplot, but one that has to be seen, not explained second hand.
"Salmon Fishing In The Yemen" is enjoyable like some find fishing to be: there's a lot of calm to it, but when the funny parts happen, they can be as surprising and as fulfilling as catching a big fish. Also, if you actually listen to Amr Waked's character the same way some expert fisherman have pearls of wisdom, the movie's enjoyment may even come as a bigger surprise.