British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than its advertisements, the Marigold Hotel nevertheless slowly begins to charm in unexpected ways.
Grumpy pensioner Arthur honors his recently deceased wife's passion for performing by joining the unconventional local choir to which she used to belong, a process that helps him build bridges with his estranged son, James.
Paul Andrew Williams
The Rizzos, a family who doesn't share their habits, aspirations, and careers with one another, find their delicate web of lies disturbed by the arrival of a young ex-con (Strait) brought ... See full summary »
Raymond De Felitta
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
Cecily, Reggie, and Wilfred are in a home for retired musicians. Every year, on October 10, there is a concert to celebrate Verdi's birthday and they take part. Jean, who used to be married to Reggie, arrives at the home and disrupts their equilibrium. She still acts like a diva, but she refuses to sing. Still, the show must go on... and it does. Written by
Maggie Smith also starred in another film named Quartet (1981) about 31 years earlier. However, the only similarities between the two movies are the title and Smith. See more »
At the final scene, we see the exterior of Beecham House while we hear the quartet performing the finale at the gala. However, instead of being filled with cars as it was earlier that evening, the parking lot is completely empty. See more »
[to a class of teenagers]
Opera is: when a guy's stabbed in the back, instead of bleeding, he sings. It seems to me, after much research, that rap is when a guy is stabbed in the back, and instead of bleeding, he talks. Er, rhythmically, even with feeling. But because rap's *spoken*, the feeling is sort of held in check: all on one note.
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As the final credits roll, photos of each of the supporting cast members of retired musicians is shown beside a picture of them during their performing careers. See more »
It isn't often one can say "I loved every moment", but for this film it's true! Never for an instant does Dustin Hoffman stray into overwrought drama, mawkishness or bathos: his direction is restrained and subtle, there is humour a-plenty, yet the film packs a powerful emotional punch. And with a cast like that, how could he lose? And that's not just the stars, although they create wonderfully satisfying characters: the "minor" characters are also perfectly realised. Plus, the settings!!!! I felt like rushing off to make a booking at Beecham's for my old age! With such a great ensemble cast we are well-served, though for me, Pauline Collins was a stand-out - funny and so touching. I think I'd like to see it again.
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