British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than its advertisements, the Marigold Hotel nevertheless slowly begins to charm in unexpected ways.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
Grumpy pensioner Arthur honors his recently deceased wife's passion for performing by joining the unconventional local choir to which she used to belong, a process that helps him build bridges with his estranged son, James.
Paul Andrew Williams
A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.
Cecily, Reggie, and Wilfred are in a home for retired musicians. Every year, on October 10, there is a concert to celebrate Verdi's birthday and they take part. Jean, who used to be married to Reggie, arrives at the home and disrupts their equilibrium. She still acts like a diva, but she refuses to sing. Still, the show must go on... and it does. Written by
At the final scene, we see the exterior of Beecham House while we hear the quartet performing the finale at the gala. However, instead of being filled with cars as it was earlier that evening, the parking lot is completely empty. See more »
[to a class of teenagers]
Opera is: when a guy's stabbed in the back, instead of bleeding, he sings. It seems to me, after much research, that rap is when a guy is stabbed in the back, and instead of bleeding, he talks. Er, rhythmically, even with feeling. But because rap's *spoken*, the feeling is sort of held in check: all on one note.
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As the final credits roll, photos of each of the supporting cast members of retired musicians is shown beside a picture of them during their performing careers. See more »
As a 16 year old, it's safe to say that this obviously is not a film which is aimed at me at all, being based in a retirement home for old musicians where cracking jokes about opera is, you know, hilarious. In fact, the screening I was in was filled with those with white hair. It's not often that I feel out of place at a cinema, but I on this occasion I did.
Quartet, as you probably know, features a stellar cast of older actors; Maggie Smith and Tom Courtenay playing the reunited divorcées with a history; Billy Connolly as a pottering and senile old tenor, cracking double-entendres at every opportunity; and Pauline Collins, who in my opinion steals the show, as the ditzy ex-opera singer. What follows is an unashamedly predictable, but nevertheless solidly crafted and amusing drama that wouldn't look out of place on a Sunday afternoon TV slot. Minus the f-words, of course. Yes ,you can see its development from a mile off, and it rarely addresses the more serious and harrowing aspects of old-age as Haneke's 'Amour' did, but it's good natured, well scripted and amusing fun.
It's all through the typical rose-tinted, Downton-esque portrayal of Britain that we're all accustomed to, but with a cast like that and a gentle, sweet story, it's hard not to be eventually won over by its charm. I had a good time.
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