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Directed by | |||
| Sean Durkin | |||
Writing credits(in alphabetical order) | ||
| Sean Durkin | written by | |
Produced by | |||
| Antonio Campos | .... | producer | |
| Andrew Corkin | .... | co-producer (as Andrew D. Corkin) | |
| Patrick Cunningham | .... | producer | |
| Ted Hope | .... | executive producer | |
| Saemi Kim | .... | executive producer | |
| Saerom Kim | .... | executive producer | |
| Chris Maybach | .... | producer | |
| Josh Mond | .... | producer | |
| Matt Palmieri | .... | executive producer | |
| Brett Potter | .... | associate producer | |
| Melody C. Roscher | .... | line producer (as Melody Roscher) | |
| Alexander Schepsman | .... | executive producer | |
Original Music by | |||
| Danny Bensi | |||
| Saunder Jurriaans | |||
Cinematography by | |||
| Jody Lee Lipes | |||
Film Editing by | |||
| Zachary Stuart-Pontier | (as Zac Stuart-Pontier) | ||
Casting by | |||
| Randi Glass | |||
| Susan Shopmaker | |||
Production Design by | |||
| Chad Keith | |||
Art Direction by | |||
| Jonathan Guggenheim | |||
Costume Design by | |||
| David Tabbert | |||
Makeup Department | |||
| Jessica Kelleher | .... | key makeup artist | |
Production Management | |||
| Garrett P. Fennelly | .... | unit production manager (as Garrett Fennelly) | |
| Susan Lazarus | .... | post-production supervisor | |
Art Department | |||
| Shawn Annabel | .... | property master | |
| Yvette Granata | .... | set dresser | |
| Esther Kim | .... | assistant art director | |
Sound Department | |||
| Coll Anderson | .... | sound re-recording mixer | |
| Coll Anderson | .... | supervising sound editor | |
| Micah Bloomberg | .... | production sound mixer | |
| John Chiarolanzio | .... | assistant sound editor (as John Chirarolanzio) | |
| Steve F.B. Smith | .... | sound consultant: Dolby | |
| Matt Snedecor | .... | sound effects editor | |
| John Soukup | .... | sound transfer (uncredited) | |
Visual Effects by | |||
| David Tecson | .... | visual effects (uncredited) | |
Stunts | |||
| Chad Hessler | .... | stunt double: Hugh Dancy | |
| Abby Nelson | .... | stunt double: Elizabeth Olsen | |
| Kevin Rogers | .... | stunt double: Brady Corbet | |
| Anthony Vincent | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Josh M. Allen | .... | gaffer (as Josh Allen) | |
| Joe Anderson | .... | director of photography: second unit | |
| Joe Anderson | .... | first assistant camera | |
| Noah Chamis | .... | camera production assistant | |
| Destin Douglas | .... | second assistant camera | |
| Alexander Engel | .... | key grip | |
| Josh Fordham | .... | best boy grip | |
| David Gettens | .... | electric production assistant | |
| Sarah Guenther | .... | underwater camera operator | |
| Drew Innis | .... | still photographer | |
| David Kavanaugh | .... | best boy electric | |
| Burton May | .... | grip production assistant | |
| Jeff Peixoto | .... | second assistant camera | |
| Greta Zozula | .... | camera loader | |
| Gustavo Brum | .... | epk cinematographer (uncredited) | |
| Dave Han | .... | electrician (uncredited) | |
Animation Department | |||
| Tim Van Horn | .... | animator (uncredited) | |
Editorial Department | |||
| Amalia Bradstreet | .... | post-production assistant | |
| Don Ciana | .... | color timer | |
| Sam Daley | .... | colorist: dailies | |
| Sam Daley | .... | digital intermediate colorist | |
| Jessica Elvin | .... | digital intermediate editor | |
| Barbara Jean Kearney | .... | digital intermediate account executive | |
| Eric Leverenz | .... | digital imaging | |
| D.C. Marcial | .... | assistant editor (as Dean C. Marcial) | |
| Patrick McGuinn | .... | dailies project manager | |
| Phil McLennan | .... | laboratory production manager | |
| Bernadette Nieves | .... | film recording producer | |
| Patrick Rossi | .... | film recording | |
| Misako Shimizu | .... | assistant editor | |
| Alessandro Soares | .... | film recording | |
| Andrew Still | .... | digital intermediate data manager | |
| Kevin Vale | .... | digital intermediate producer | |
| Michael P. Whipple | .... | digital intermediate engineer | |
| Victoria Anderson | .... | colorist assistant (uncredited) | |
| Mark Reaser | .... | hd mastering (uncredited) | |
Other crew | |||
| Stephanie Clough | .... | chef assistant | |
| Will Corkin | .... | production assistant | |
| Amy Crowdis | .... | production coordinator | |
| Grant Curatola | .... | location manager | |
| Brendan Donohue | .... | production assistant | |
| Pete Donohue | .... | production assistant (as Peter Donohue) | |
| John William Donovan Corkin | .... | production assistant | |
| Scott Helgert | .... | stand-in | |
| Martin Jones | .... | legal services: Pryor Cashman | |
| Zorinah Juan | .... | script supervisor | |
| Katie Kramer | .... | key production assistant | |
| Julianne Maiello | .... | assistant chef | |
| Junior Mitil | .... | film runner (as Junior Mitel) | |
| Matthew Snetzko | .... | production assistant | |
| Lloyd Steele | .... | legal services: Pryor Cashman | |
| Josh Stern | .... | assistant: Ted Hope | |
| Peter Van Hyning | .... | chef assistant | |
| Lee Walker | .... | production assistant | |
| W. Wilder Knight II | .... | legal services: Pryor Cashman | |
| Amber Zeglen | .... | chef | |
| Ian M. Stratford | .... | financial counsel (uncredited) | |
| David Tecson | .... | title designer (uncredited) | |
Thanks | |||
| Joan Darling | .... | special thanks | |
| Raúl Esparza | .... | special thanks | |
| Rose Ganguzza | .... | special thanks | |
| Gyula Gazdag | .... | special thanks | |
| Lesli Linka Glatter | .... | special thanks | |
| Ed Harris | .... | special thanks | |
| Drew Kuhse | .... | thanks | |
| Doug McGrath | .... | special thanks | |
| James Rasin | .... | thanks | |
| Robert Redford | .... | special thanks | |
| Brad Silberling | .... | special thanks | |
| Joan Tewkesbury | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I did find the film intriguing and for that I give it 4, but it fell down because of the badly drafted lead character - Martha etc. I kept waiting for her to have some redeeming qualities or in fact any personality at all but she never did. In order to care about her experience we have to like her or identify with her or feel something for her. But I did not warm to her at all. In fact, one positive was that it was so well acted that I found her very annoying.
What we know: 1. Her sister is her only family since her parents are dead. 2. Her sister wished she encouraged her to go to college, therefore she must be at least 18 and more like 20. 3. She joined a commune/cult for 2 years. Thats pretty much it.
So what I was left with was a complete disbelief that someone could have such a poor moral compass and sense of self at aged 18 - and in less than 2 years - they were able to be completely brainwashed into being complicit in some pretty nasty stuff. Yet come away supposedly traumatised by it to the point where they cannot talk about it at all. And because they cannot talk about it... um, nothing much happens. End of film.