| Episode Crew |
Directed by | |||
| Paul Harrison | |||
Writing credits | ||
| R.D. Wingfield | (characters created by) | |
| Michael Russell | (screenplay) | |
Original Music by | |||
| Ray Russell | |||
Cinematography by | |||
| Robin Vidgeon | (director of photography) | ||
Film Editing by | |||
| David Aspinall | |||
Casting by | |||
| Marilyn Johnson | |||
Production Design by | |||
| George Kyriakides | |||
Art Direction by | |||
| Jordan McHale | (as Jordan Mchale) | ||
| Liz Simpson | |||
Costume Design by | |||
| Tudor George | |||
Makeup Department | |||
| Judy Jarvis | .... | makeup designer | |
| Alison Philpott | .... | makeup supervisor | |
Production Management | |||
| Tony Edmondson | .... | post-production supervisor | |
| Nardia Hall | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Kiri Cundall Mitchell | .... | third assistant director (as Kiri-Ann Cundall-Mitchell) | |
| Anton Darby | .... | second assistant director | |
| John Heaton | .... | first assistant director | |
| Ben Sweet | .... | second assistant director | |
| Susan Turnell | .... | third assistant director (as Sue Turnell) | |
Art Department | |||
| Duncan Griffiths | .... | prop master | |
| Judy Lysaght | .... | graphics | |
| Dennis Murphy | .... | production buyer | |
| Mary Wainwright | .... | art department assistant (uncredited) | |
Sound Department | |||
| Alun Banks | .... | sound maintenance | |
| Helen Dickson | .... | dubbing editor (as Helen Dickinson) | |
| Lynne Hegarty | .... | dubbing editor | |
| Les Honess | .... | sound recordist | |
| Adam Severs | .... | dubbing mixer | |
| Nick Foley | .... | adr mixer (uncredited) | |
| Bonnie Wild | .... | foley mixer (uncredited) | |
Visual Effects by | |||
| Judy Lysaght | .... | cgi | |
Stunts | |||
| David Anders | .... | stunt performer | |
| Marc Cass | .... | stunt performer | |
| Matt Da Silva | .... | stunt performer | |
| Sarah Franzl | .... | stunt performer | |
| Sian Milne | .... | stunt performer | |
| Paul Weston | .... | stunt coordinator | |
| Ray De-Haan | .... | stunt performer (uncredited) | |
Camera and Electrical Department | |||
| Richard Bevan | .... | focus puller | |
| Richard Brindle | .... | gaffer | |
| Kirsten de Maid | .... | clapper loader (as Kirsten Budd) | |
| John Maskall | .... | camera operator | |
| Mick Quinn | .... | grip | |
| Chris Sowden | .... | best boy | |
| Darren Miller | .... | second camera operator (uncredited) | |
| Darren Miller | .... | second unit: camera operator (uncredited) | |
| Phil Newton | .... | assistant grip (uncredited) | |
Casting Department | |||
| Marilyn Johnson | .... | casting | |
| Cara Beckinsale | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Alison James | .... | costume supervisor | |
Editorial Department | |||
| Elisa Cherene Holliday | .... | assistant editor | |
| Glenn Kyte | .... | colourist | |
| Mandy Miller | .... | post-production paperwork (uncredited) | |
Other crew | |||
| Elaine Collins | .... | script editor | |
| Sue Dewhirst | .... | production accountant | |
| Melanie Gaskell | .... | production coordinator | |
| Ben Hepworth | .... | location manager | |
| Lesley McGreavy-Dowd | .... | p.a. to David Reynolds (as Lesley Mcgreavy-Dowd) | |
| Angie Pontefract | .... | script supervisor | |
| Sharon Whitehouse | .... | production secretary | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Crime section |
| IMDb UK section |
*** This review may contain spoilers ***
I'm quite certain many people were trying to guess the fate of D.I. Frost; does he meet his maker or simply retire peacefully and live happily ever after? There were three different endings filmed to mark the end of show, and even the cast members themselves had no clue as to which 'ending' was going to be broadcast.
I was personally satisfied with the conclusion; I wonder what other people thought of it? An alternate ending was shown on the internet immediately after the show was broadcast, and the DVD release also includes this.
The end of A Touch of Frost certainly brings to a close to one of the most popular drama series on British TV, which in no doubt kept us viewers hooked with its superb story lines - which sometimes dealt with difficult subjects such as paedophilia and racism - strong and believable acting, and its mixture of humour and versatility. The show will be greatly missed, but I hope to see Sir David Jason in other worthwhile roles in the future. 8/10