| Photos (See all 13 | slideshow) | Videos (see all 6) |
| Robert Pattinson | ... | Georges Duroy | |
| Uma Thurman | ... | Madeleine Forestier | |
| Kristin Scott Thomas | ... | Virginie Rousset | |
| Christina Ricci | ... | Clotilde de Marelle | |
| Colm Meaney | ... | Monsieur Rousset | |
| Philip Glenister | ... | Charles Forestier | |
| Holliday Grainger | ... | Suzanne Rousset | |
| Natalia Tena | ... | Rachel the Prostitute | |
| James Lance | ... | François Laroche | |
| Anthony Higgins | ... | Comte de Vaudrec | |
| Timothy Walker | ... | Solicitor | |
| Pip Torrens | ... | Paul the Butler | |
| Christopher Fulford | ... | Police Commisioner | |
| Amy Marston | ... | Nanny | |
| Frank Dunne | ... | Bishop | |
| George Potts | ... | Chief Cashier | |
| Eloise Webb | ... | Laurine de Marelle | |
| Balázs Czukor | ... | Priest | |
| Rebecca Barrett | ... | Dancer | |
| Tom Muggeridge | ... | Dancer | |
| Matthew Cheney | ... | Dancer | |
| rest of cast listed alphabetically: | |||
| Todd Peterson | ... | Journalist | |
| Audrey Albert | ... | Duchesse (uncredited) | |
| Lasco Atkins | ... | French Waiter (uncredited) | |
| Sophie Barnes | ... | (uncredited) | |
| Ryan Ellsworth | ... | Journalist (uncredited) | |
| Szabolcs Eszes | ... | Young man at restaurant (uncredited) | |
| James Fiddy | ... | Parisian Gentleman (uncredited) | |
| Arthur Gourounlian | ... | Dancer (uncredited) | |
| Jason Gregg | ... | Gavante Man (uncredited) | |
| Jake Harders | ... | Journalist (uncredited) | |
| Ceri Jerome | ... | Dancer (uncredited) | |
| Dorian Lough | ... | Narrator (voice) (uncredited) | |
| Adam Newsome | ... | Journalist (uncredited) | |
| Chris Piper | ... | Dancer (uncredited) | |
| Senem Temiz | ... | Ball Guest (uncredited) | |
Directed by | |||
| Declan Donnellan | |||
| Nick Ormerod | |||
Writing credits | ||
| Guy de Maupassant | (novel) | |
| Rachel Bennette | (screenplay) | |
Produced by | |||
| Laurie Borg | .... | co-producer | |
| Simon Fuller | .... | executive producer | |
| Ceri Hughes | .... | associate producer | |
| Ildiko Kemeny | .... | associate producer: Hungary (as Ildikó Kemény) | |
| Uberto Pasolini | .... | producer | |
Original Music by | |||
| Lakshman Joseph De Saram | |||
| Rachel Portman | |||
Cinematography by | |||
| Stefano Falivene | |||
Film Editing by | |||
| Gavin Buckley | |||
| Masahiro Hirakubo | |||
Casting by | |||
| Susie Figgis | |||
Production Design by | |||
| Attila Kovács | (as Attila F. Kovacs) | ||
Art Direction by | |||
| Zsuzsanna Borvendég | |||
Set Decoration by | |||
| Marc Beros | |||
| Anna Lynch-Robinson | |||
Costume Design by | |||
| Odile Dicks-Mireaux | |||
Makeup Department | |||
| Vicky Fields | .... | hair trainee (as Victoria Fields) | |
| Vicky Fields | .... | makeup trainee (as Victoria Fields) | |
| Jon Henry Gordon | .... | hair stylist | |
| Jon Henry Gordon | .... | makeup artist | |
| Joe Hopker | .... | hair stylist | |
| Annamária Lafferton | .... | assistant crowd makeup supervisor: Budapest | |
| Lizzie Lawson | .... | hair stylist (as Lizzi Lawson Zeiss) | |
| Lizzie Lawson | .... | makeup artist (as Lizzi Lawson Zeiss) | |
| Louise Luxton | .... | crowd hair stylist | |
| Balázs Novák | .... | crowd makeup supervisor: Budapest | |
| Gabriella Németh | .... | crowd hair supervisor: Budapest | |
| Jenny Shircore | .... | hair designer | |
| Jenny Shircore | .... | makeup designer | |
| Julia Vernon | .... | crowd hair supervisor | |
| Julia Vernon | .... | crowd makeup supervisor | |
Production Management | |||
| Kálmán Antal | .... | production manager: Hungary | |
| Gisela Evert | .... | post-production supervisor | |
| Jennifer Wynne | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Tom Brewster | .... | third assistant director | |
| Gergely Fülöp | .... | third assistant director: Hungary | |
| Sandrine Loisy | .... | base third assistant director | |
| Candy Marlowe | .... | crowd second assistant director | |
| Bogi Móricz | .... | second assistant director: Hungary | |
| Josh Robertson | .... | first assistant director | |
| Nick Shuttleworth | .... | second assistant director | |
| Andy Young | .... | crowd third assistant director | |
| Emma Grace | .... | crowd third assistant director (uncredited) | |
Art Department | |||
| Graham Caulfield | .... | drapesmaster | |
| Alexandra Collins | .... | assistant art director | |
| Billy Edwards | .... | props | |
| Carrie Garner | .... | assistant set decorator | |
| James Hendy | .... | prop buyer | |
| Simon Hutchings | .... | standby painter | |
| Josh Jones | .... | stand-by carpenter | |
| Attila Kiss | .... | standby props | |
| József Kiss | .... | construction manager | |
| Amy Meakin | .... | graphics assistant | |
| Les Mills | .... | supervising rigger | |
| Ian Murray | .... | rigger | |
| Sophie Neil | .... | assistant to production designer | |
| Tamas Ordodi | .... | sculptor | |
| Beatrix Petõ | .... | assistant art director | |
| Mark Raggett | .... | supervising art director | |
| Tyrone Reed | .... | stagehand | |
| Sarah Stuart | .... | stand-by art director | |
| István Tímár | .... | props | |
| Howard Weaver | .... | scenic artist | |
| Terry Woods | .... | property master | |
Sound Department | |||
| Robert Farr | .... | sound re-recording mixer | |
| Arthur Fenn | .... | boom operator | |
| James Gibb | .... | sound assistant | |
| Paul Hanks | .... | foley artist | |
| Simon Hayes | .... | production sound mixer | |
| Robin Johnson | .... | boom operator | |
| Kevin Phelan | .... | head of post production: Lip Sync Post | |
| Simon Trundle | .... | foley editor | |
| Simon Trundle | .... | foley mixer | |
| Ian Waggott | .... | foley artist | |
| Ian Wilson | .... | supervising sound editor | |
| Yanti Windrich | .... | assistant sound re-recording mixer | |
| Robert Karlsson | .... | sound consultant: Dolby (uncredited) | |
Special Effects by | |||
| Stuart Brisdon | .... | special effects supervisor | |
| Nigel Wilkinson | .... | senior special effects technician | |
Visual Effects by | |||
| Stefan Drury | .... | head of visual effects | |
| Sean Farrow | .... | executive visual effects supervisor | |
| Matt Foster | .... | compositor: LipSync Post | |
| Charlotte Gray | .... | digital restoration artist | |
| Will Hudson | .... | digital restoration | |
| Emma Hulme | .... | digital restoration | |
| Katie McCulloch | .... | digital restoration | |
| David Sjodin | .... | compositor | |
| Lucy Tanner | .... | visual effects coordinator | |
Stunts | |||
| Mark Archer | .... | stunts | |
| Tony Lucken | .... | stunts | |
| Lee Sheward | .... | stunt coordinator | |
Casting Department | |||
| Vanessa Baker | .... | voice casting | |
| Tamás Kertész | .... | extras casting | |
| Kirsty Kinnear | .... | casting associate | |
Costume and Wardrobe Department | |||
| Brigitta Barkó | .... | wardrobe assistant: Hungary | |
| Karen Beale | .... | wardrobe mistress | |
| Joanna Campbell | .... | wardrobe mistress | |
| Martin Chitty | .... | set costumer | |
| Ellen Crawshaw | .... | costume assistant: daily | |
| Anne T. Delaney | .... | costumes | |
| Lucy Donowho | .... | set costumer | |
| Andrew Fletcher | .... | key costumer | |
| Jules Goldsmith | .... | costume assistant | |
| Natalie Humphries | .... | assistant costume designer | |
| Harriet Kendall | .... | costume assistant | |
| Éva Kuzma | .... | wardrobe assistant | |
| Joseph La Corte | .... | Costumer to Uma Thurman | |
| Bryony Myers | .... | costume daily | |
| Péter Palotás | .... | dresser | |
| Jane Petrie | .... | costume supervisor | |
| Anna Reynolds | .... | costume assistant | |
| Orsolya Sallai | .... | costumer | |
| Zsuzsa Stenger | .... | costume supervisor | |
| Katalin Ujvari | .... | wardrobe assistant | |
| Wyn Vaughan-Humphreys | .... | costume assistant | |
Editorial Department | |||
| Paul Ensby | .... | digital colourist | |
| Kim Honeyman | .... | digital intermediate producer | |
| Neil Williams | .... | first assistant editor | |
| Simona Harrison | .... | colorist: dailies (uncredited) | |
| Todd Kleparski | .... | digital intermediate producer (uncredited) | |
Music Department | |||
| Jeff Atmajian | .... | orchestrator | |
| Chris Cozens | .... | auricle control systems | |
| Yann McCullough | .... | music co-ordinator | |
| Yann McCullough | .... | music editor | |
| Jeremy Murphy | .... | protools engineer | |
| Ben Parker | .... | music tutor | |
| Jehan Stefan | .... | assistant to orchestrator | |
| Karen Westropp | .... | assistant to composer | |
| Youki Yamamoto | .... | music arranger | |
Transportation Department | |||
| Paul Allen | .... | unit driver | |
| Soma Benke | .... | transportation captain | |
| Mark Crowley | .... | driver: Rob Pattinson | |
| Lee Edwards | .... | unit driver | |
| István Ivanov | .... | driver | |
| Zsolt Somogyi | .... | transportation coordinator: Hungary | |
| Zoltan Szepesi | .... | motorhome operator | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
****this review may contain spoilers****
'Come and meet my wife'
With these words Charles Forestier opens a new world for his former friend and ex-soldier Georges Duroy. A world where a poor, working man can only dream of. A world where the high society has its own rules, where sex is power, where power leads to connections, where connections lead to the top and where the top is dominated by corruption and intrigues.
It's the world of Belle Epoque Paris at the end of the 19th century, with its carriages and boudoirs,its beautiful salons and ladies in stunning dresses.
Georges Duroy, a poor, handsome man with no special talents but with the strong ambition to become rich and important, takes the invitation of his wealthy friend and puts his first steps on the social ladder. Uncertain and awkward in the beginning, looking how to behave in this elitist company he learns fast, conquers the hearts of the wives of influential men (by sleeping with them) to break them shamelessly when a better opportunity shows up.
Bel ami, film adaptation of the famous classic novel by Guy de Maupassant, is an adult tale of the rise of Georges Duroy to the top but also of the dubious and corrupt relationships between politicians and journalists. These themes are still actual and recognizable, which makes the movie very accessible. The film makers did a big effort in creating a wonderful setting as authentic as possible. Also the costumes are a joy to watch.
The performances were very well done IMO.
Though Robert Pattinson was only 23 when he took this role he held his own against experienced actresses as Uma Thurman, Christina Ricci and Kristin Scott Thomas who brought respectively the intelligent Madeleine, the frivolous Clotilde and the devote Virginie convincingly to life. Because of his strong screen presence and the way he showed Georges' evolution from a beginning casanova to the cad he became, Rob nailed the character and showed that he can have a bright future as an actor.
Bel ami, though it has dark themes, is entertaining and has more than once funny moments apart from several steamy sex scenes. It depends of each one's perception of the movie but I can't help but being amused by Georges'conquests or is it Robert Pattinson who has succeeded to make an unlikeable character likable?
If you love period movies, it's a must see. If you don't love them, you may do after Bel ami.