A reporter in Iraq might just have the story of a lifetime when he meets Lyn Cassady, a guy who claims to be a former member of the U.S. Army's New Earth Army, a unit that employs paranormal powers in their missions.
With a job traveling around the country firing people, Ryan Bingham enjoys his life living out of a suitcase, but finds that lifestyle threatened by the presence of a new hire and a potential love interest.
Alone among assassins, Jack is a master craftsman. When a job in Sweden ends more harshly than expected for this American abroad, he vows to his contact Pavel that his next assignment will be his last. Jack reports to the Italian countryside, where he holes up in a small town and relishes being away from death for a spell. The assignment, as specified by a Belgian woman, Mathilde, is in the offing as a weapon is constructed. Surprising himself, Jack seeks out the friendship of local priest Father Benedetto and pursues romance with local woman Clara. But by stepping out of the shadows, Jack may be tempting fate. Written by
The reason why George Clooney's character chews gum a lot in the film is because the character simply doesn't have a lot of dialogue and Anton Corbijn wanted Clooney's face to not be completely static throughout. This is also another reference to spaghetti Westerns as Clint Eastwood - also a strong, silent character - would often be chewing tobacco. See more »
When Jack and Mathilde first meet outside the café, the scene has two shots: one facing Jack, the other facing Mathilde, switching between the two as they talk. When the camera is facing Jack, Mathilde has her sunglasses in her hand, but when the camera is facing Mathilde, the sunglasses are on the table. The position of the sunglasses on the table also shifts during the course of the scene. See more »
You know, I thought I maybe drive into town. You want something?
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The credits at the end are in order of appearance. However, the 3 hookers are listed in the order: Hooker #2, Hooker #3 and Hooker #1, which logically doesn't make sense. See more »
How do you get an American audience into a European "navel gazing" film? Lie to them of course! Thats the main problem with this film. It is advertised as a Bourne type action film, but it is actually a character study of an aging hit-man. If it had been advertised as such, I would have given it more stars. As it was I saw it with my wife who would have gladly left the theater anytime if I had said "let's go". Clooney did a good job of portraying the character as a lost soul grasping for some form of humanity at the end of his career. However some actions in the movie had no explanation that I could discern, leaving the plot very loose. Of course the director was concentrating on character and visuals but it wouldn't have hurt to tie up some glaring holes in the plot for integrity sake.
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