Critic Reviews



Based on 29 critic reviews provided by
Slant Magazine
The film believes in maturity, but only as a freely continual process of acceptance.
This Must Be The Place practically dares viewers not to find it ridiculous, but few will accept the challenge.
Succeeding against the odds and adroitly blending its disparate elements, this is a fine entry into the Eurodirector-gawps-at-America subgenre.
Quirky, hilarious and moving, Sorrentino's first English-lingo production is a road trip of stunning scope yet deep intimacy, featuring an aged rock star-turned-Nazi hunter played by Sean Penn at his transformative best.
The New Yorker
This Must Be the Place is dazzling to behold, not least when our hero leaves Ireland. [29 Oct. & 5 Nov. 2012, p.128]
Boxoffice Magazine
With a sure-to-be-talked about performance by Sean Penn and the dueling themes of overcoming depression and revenge against Nazi atrocities, This Must Be The Place is anywhere BUT the place for moviegoers who aren't in the mood for something different.
Determinedly quirky and cool, arresting and ultimately too baffling to be satisfying, although Penn is priceless. Cultdom beckons.
The Holocaust material was not entirely successful, though certainly transmitted with absolute certainty and sincerity. This Must Be the Place is not my favourite of Sorrentino's films, but it certainly deserved inclusion at Cannes, and deserves to be watched for the glorious Byrne moments alone.
The film's numerous idiosyncrasies - virtues at the outset - ultimately suffocate it.
Eccentric, misguided and occasionally charming and sweet, this curiosity item with Sean Penn in one of his nuttier performances is unlikely to be embraced critically or commercially.

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