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Directed by | |||
| Richard Ayoade | |||
Writing credits | ||
| Richard Ayoade | (written by) | |
| Joe Dunthorne | (novel) | |
| Noah Taylor | ... | Lloyd Tate | |
| Paddy Considine | ... | Graham Purvis | |
| Craig Roberts | ... | Oliver Tate | |
| Yasmin Paige | ... | Jordana Bevan | |
| Sally Hawkins | ... | Jill Tate | |
| Darren Evans | ... | Chips | |
| Osian Cai Dulais | ... | Mark Pritchard | |
| Lily McCann | ... | Zoe Preece | |
| Otis Lloyd | ... | Keiron | |
| Elinor Crawley | ... | Abby Smuts | |
| Steffan Rhodri | ... | Mr. Davey | |
| Gemma Chan | ... | Kim-Lin | |
| Melanie Walters | ... | Jude Bevan | |
| Sion Tudor Owen | ... | Brynn Bevan | |
| Adrienne O'Sullivan | ... | Jackie | |
| Jonny Wier | ... | Malcolm | |
| Lydia Fox | ... | Miss Dutton | |
| Lynne Hunter | ... | Gene | |
| Claire Cage | ... | News Reporter | |
| Edwin Ashcroft | ... | Dafydd | |
| Andrew Phillips | ... | Rhydian Bird | |
| James Alexander Hill | ... | School Boy | |
| Rikki Hall | ... | School Boy | |
| Tom Ryan | ... | School Boy | |
| James Jones | ... | School Boy | |
| Sophy Brady-Halligan | ... | The Watkins Twins | |
| Tanya Brady-Halligan | ... | The Watkins Twins | |
| Sarah Pasquali | ... | Woman Who Looks Nothing Like Jordana | |
| rest of cast listed alphabetically: | |||
| Ben Stiller | ... | Soap Opera Star (uncredited) | |
Original Music by | |||
| Andrew Hewitt | |||
Cinematography by | |||
| Erik Wilson | (director of photography) (as Erik Alexander Wilson) | ||
Film Editing by | |||
| Chris Dickens | |||
| Nick Fenton | |||
Casting by | |||
| Karen Lindsay-Stewart | (as Karen Lindsay Stewart) | ||
Production Design by | |||
| Gary Williamson | |||
Art Direction by | |||
| Sarah Pasquali | |||
Set Decoration by | |||
| Cathy Cosgrove | |||
Costume Design by | |||
| Charlotte Walter | |||
Makeup Department | |||
| Paul Edmonds | .... | hair stylist: Sally Hawkins and Yasmin Paige | |
| Jennifer Harty | .... | makeup artist | |
| Tara McDonald | .... | hair designer | |
| Tara McDonald | .... | makeup designer | |
| John Munro | .... | makeup artist | |
| Corinne Bossu | .... | makeup artist: dailies (uncredited) | |
| Mary Cooke | .... | makeup artist: dailies (uncredited) | |
| Jessica Seen | .... | makeup artist: dailies (uncredited) | |
Production Management | |||
| Gisela Evert | .... | post-production supervisor | |
| Tracey Josephs | .... | head of production: Film4 | |
| Fiona Lamptey | .... | production manager: Film4 | |
| Fiona Morham | .... | head of production: UK Film Council | |
| Barry Ryan | .... | head of production: Warp Films | |
Second Unit Director or Assistant Director | |||
| Alex Bowman | .... | trainee assistant director | |
| Paul Cathie | .... | second assistant director | |
| Dom Channing-Williams | .... | third assistant director | |
| Joe Geary | .... | first assistant director | |
| Ian Hughes | .... | third assistant director (as Ian 'Pebbles' Hughes) | |
| Sarah Thomas | .... | trainee assistant director | |
Art Department | |||
| Philip A. Brown | .... | art department assistant: draughtsman | |
| Ian Cooper | .... | prop hand | |
| Peter Hallam | .... | property master | |
| Sophie Hervieu | .... | stand-by art director | |
| Kim Miles | .... | prop hand | |
| Ren&Ink | .... | scenic artist | |
| Chris Rosser | .... | assistant art designer | |
| Andy Smith | .... | construction manager | |
| Nic Stubbings | .... | dressing prophand | |
| Stuart Headley-Read | .... | standby propman (uncredited) | |
Sound Department | |||
| Martin Beresford | .... | sound mixer | |
| Oliver Brierley | .... | adr mixer | |
| James Feltham | .... | sound effects editor | |
| James Feltham | .... | sound re-recording mixer | |
| Alex Fielding | .... | assistant sound re-recording mixer | |
| Nigel Heath | .... | sound re-recording mixer | |
| Lee Herrick | .... | adr editor | |
| Lee James | .... | sound maintenance | |
| Ben Norrington | .... | dialogue editor | |
| Keith Partridge | .... | foley editor | |
| Andy Sowerby | .... | sound trainee | |
| Adam Armitage | .... | additional sound effects editor (uncredited) | |
| Stuart Bagshaw | .... | foley editor (uncredited) | |
Visual Effects by | |||
| Magdalena Berglind | .... | visual effects coordinator: Framestore (as Magdalena Przezdziecka) | |
| Oliver Bersey | .... | visual effects artist: Framestore | |
| James Long | .... | visual effects data operator: Framestore | |
| Alix Ludlam | .... | visual effects artist: Framestore | |
| Savneet Nagi | .... | lead visual effects artist: Framestore | |
| Darran Nicholson | .... | visual effects artist: Framestore | |
| Paul O'Brien | .... | lead visual effects artist: Framestore | |
| Simon Whalley | .... | executive visual effects producer | |
| Will Yarrow | .... | visual effects artist: Framestore | |
Stunts | |||
| Ray De-Haan | .... | stunt coordinator (as Ray De Haan) | |
| Claire Hay | .... | stunt double | |
Camera and Electrical Department | |||
| Luke Chidgey | .... | video playback trainee | |
| Jon Garwes | .... | focus puller (as Jonathan Garwes) | |
| Andy Lowe | .... | gaffer | |
| Sarah Mahoney | .... | camera trainee | |
| Bashart Malik | .... | second clapper loader | |
| Lee Martin | .... | rigging gaffer | |
| Richard Philpott | .... | second camera operator | |
| Iwan Prys Reynolds | .... | focus puller | |
| Dean Rogers | .... | still photographer | |
| Shirley Schumacher | .... | second camera assistant | |
| Trevor Speed | .... | clapper loader | |
| Del Strachan | .... | grip | |
| John Davis | .... | clapper loader: dailies (uncredited) | |
| Richard Swingle | .... | clapper loader: dailies (uncredited) | |
| Matt Wilson | .... | additional electrician (uncredited) | |
Casting Department | |||
| Emma Stafford | .... | casting director: northern | |
Costume and Wardrobe Department | |||
| Carly Adey | .... | costume trainee | |
| Dan Summerville | .... | costume assistant (as Dan Sommerville) | |
| Hannah Walter | .... | costume supervisor | |
Editorial Department | |||
| Simon Bance | .... | digital intermediate recording manager | |
| Tonia Cohen | .... | negative checker: Capello | |
| Michele De Benedetti | .... | digital intermediate film scanning manager | |
| Julie Harding | .... | digital intermediate producer | |
| Myfanwy Harris | .... | digital intermediate producer | |
| Adam Inglis | .... | colorist | |
| Rob May | .... | on-line editor | |
| Mark Neale | .... | first assistant editor | |
| Jack Rhys Phillips | .... | assistant colorist | |
| Tony Ray | .... | digital intermediate executive | |
| Paul J. Wright | .... | digital intermediate supervisor | |
| Jules Zabbar | .... | post-production coordinator | |
| Katie Bullock-Webster | .... | post-production coordinator (uncredited) | |
| Sean Higgins | .... | digital intermediate assistant (uncredited) | |
| Rahat Kulshreshtha | .... | post-production assistant (uncredited) | |
Music Department | |||
| James Bellamy | .... | music editor | |
| Phil Canning | .... | music supervisor | |
| The Composers Ensemble | .... | musicians: orchestra | |
| Jake Jackson | .... | recording engineer | |
| Chris Lewis | .... | composer assistant | |
| Alex Turner | .... | songs by | |
| Mary Wiegold | .... | musician contractor | |
Transportation Department | |||
| Tony Cosh | .... | facilities manager: Andy Dixon Facilities | |
| Janine H. Jones | .... | driver (as Janine Jones) | |
| Phoebe Vale Markham | .... | driver (as Phoebe Markham) | |
| Mark Murray | .... | driver: location minibus, Heritage Mini Bus | |
| Iolo Rhisiart | .... | driver | |
| Alex Williams | .... | driver | |
Other crew | |||
| Darren Agnew | .... | title designer: Framestore | |
| Emily Anderton | .... | production executive: UK Film Council | |
| Geraldine Atlee | .... | senior business affairs executive: UK Film Council | |
| Bethan Bannister | .... | investment executive: Wales Creative IP Fund | |
| Craig Barwick | .... | production accountant | |
| Natalie Bass | .... | additional legal work: Warp Films, Lee & Thompson | |
| Rachel Beardsley | .... | fund coordinator: Wales Creative IP Fund | |
| Mary Brehony | .... | legal services: Film Agency Wales, Brehon & Co | |
| Laurence Brown | .... | legal services: Warp Films | |
| Kathleen Butler | .... | head of development: Film4 | |
| Neil Calder | .... | completion guarantor: Film Finances | |
| Chris Collins | .... | senior production executive: UK Film Council | |
| J.B. Cosh | .... | caterer: Abadia Catering (as JB Cosh) | |
| Bethan Cousins | .... | fund manager: Wales Creative IP Fund | |
| Leonard Crooks | .... | head of New Cinema Fund: UK Film Council | |
| Kate Crowther | .... | production executive: Film Agency Wales | |
| Paul Dray | .... | lab contact: Deluxe London | |
| Illtud Llyr Dunsford | .... | liaison: Wales Screen Commission | |
| Joe Dunthorne | .... | script consultant | |
| Sam Dwyer | .... | archive researcher | |
| Sam Dwyer | .... | archive researcher: Stalker.TV | |
| Zoe Flower | .... | unit publicist: EM-Foundation | |
| Berenice Fugard | .... | head of acquisitions: Optimum Releasing | |
| Neil Gillard | .... | legal advisor: Coutts & Co, Reed Smith | |
| Gwen Gorst | .... | production runner | |
| Robin Gutch | .... | managing director: Warp Films | |
| Ruth Hodgson | .... | completion guarantor: Film Finances | |
| Steve Joberns | .... | auditor: Shippleys | |
| Gareth Jones | .... | post-production accountant | |
| Janine H. Jones | .... | runner (as Janine Jones) | |
| Jason Keatley | .... | assistant location manager | |
| Sharon Lock | .... | title designer: Framestore | |
| Louise Long | .... | legal and business affairs: Film4 | |
| Phoebe Vale Markham | .... | runner (as Phoebe Markham) | |
| Lisa Marsden | .... | insurance agent: Media Insurance Brokers | |
| Alex Marshall | .... | head of business affairs: Warp Films | |
| Alex Marshall | .... | head of business and legal affairs | |
| Matt McNally | .... | electronic press kit | |
| Alison Meese | .... | acquisitions manager: Optimum Releasing | |
| Christos Michaels | .... | legal services: Wales Creative IP Fund, Lee & Thompson | |
| Stephen Murphy | .... | head of legal: Optimum Releasing | |
| Adam Partridge | .... | talent development services: Film Agency Wales | |
| Danny Perkins | .... | c.e.o.: Optimum Releasing | |
| Rebecca Pick | .... | legal services: Wales Creative IP Fund, Lee & Thompson | |
| Keith Potter | .... | head of talent: Film Agency Wales | |
| Amanda Pyne | .... | production finance: UK Film Council | |
| Iolo Rhisiart | .... | runner | |
| Iwan Roberts | .... | location manager | |
| Carole Salisbury | .... | script supervisor | |
| Niall Shamma | .... | head of finance: Warp Films | |
| Hannah Simpson | .... | production coordinator | |
| Penny Skuse | .... | liaison: Wales Screen Commission | |
| Sue Bruce Smith | .... | head of commercial development: Film4 (as Sue Bruce-Smith) | |
| Hugh Spearing | .... | head of marketing: Optimum Releasing | |
| Emma Stevens | .... | dialect coach | |
| Kristy Thomason | .... | head of servicing: Optimum Releasing | |
| Jane Trower | .... | first assistant accountant | |
| Victoria Wheel | .... | production secretary | |
| Alex Williams | .... | runner | |
| Eva Yates | .... | assistant: Tessa Ross (uncredited) | |
Thanks | |||
| Dagny Ayoade | .... | special thanks | |
| Layide Ayoade | .... | in loving memory | |
| Lydia Ayoade | .... | special thanks | |
| Michael Cera | .... | special thanks | |
| Caroline Chignell | .... | special thanks | |
| Eric D'Souza | .... | special thanks | |
| Amina Dasmal | .... | special thanks | |
| Anne Henry | .... | thanks (as Anne Smith) | |
| Jen Kenwood | .... | special thanks | |
| Avi Korine | .... | special thanks | |
| Harmony Korine | .... | special thanks | |
| Shane Meadows | .... | special thanks | |
| Stephen Merchant | .... | special thanks | |
| Christopher Morris | .... | special thanks (as Chris Morris) | |
| Claire Nightingale | .... | special thanks | |
| Chris O'Dowd | .... | special thanks | |
| Simon Prosser | .... | special thanks | |
| Faisal A. Qureshi | .... | special thanks | |
| Philip Raskind | .... | special thanks (as Phillip Raskind) | |
| Laura Tunstall | .... | special thanks | |
| Jo Unwin | .... | special thanks | |
| Company credits | Box office and business | Technical specifications |
| Main details |