A clerk in a government agency finds his unenviable life takes a turn for the horrific with the arrival of a new co-worker who is both his exact physical double and his opposite - confident, charismatic and seductive with women.
A young Jewish American man endeavors to find the woman who saved his grandfather during World War II in a Ukrainian village, that was ultimately razed by the Nazis, with the help of an eccentric local.
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
Precocious Oliver struggles with being popular in school but when a dark-haired beauty takes interest in him, he's determined to become the best boyfriend in the world. Meanwhile, his parents' already rocky relationship is threatened when his mother's ex-boyfriend moves in next door. Oliver makes some unorthodox plans to ensure that his parents stay together and that Jordana still likes him. Written by
Towards the beginning of the film's prologue, Oliver is imagining what would happen if he were to die. In the daydream, Oliver refers to the man on the PA system as "Mr. Dunthorne". This is most likely a reference to Joe Dunthorne, the author of the novel which the movie is based upon. See more »
When Oliver leaves Jordana's house after Christmas dinner, the car parked in the driveway is a 1997 Vauxhall Astra. The film is set eleven years previously in 1986. See more »
We had the pleasure of seeing and listening to Richard Ayoade in person at last night's screening at the Glasgow Film Festival.
I am normally a bit scared of coming-of-age movies, mainly because of potential cheesiness and annoying child actors but Submarine managed to an accurate, funny portrayal of the hell of teenage UK school life. There were some slightly Adrian Mole-esque moments but that's not a bad thing.
The audience at the screening seemed to think that the whole thing was a rip-roaring comedy and laughed at points which were obviously supposed to be more poignant or sad. Overall, however, the tone is one of wry comedy at the horrors of growing up and even subjects such as brain tumors & divorce are treated as lightly heartedly as possible.
Don't be put off that Ben Stiller's production company was behind funding the film - it has nothing in common with a Hollywood teen movie. One of the best British films we have seen.
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