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Submarine (2010)

 -  Comedy | Drama | Romance  -  18 March 2011 (UK)
7.3
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Ratings: 7.3/10 from 49,504 users   Metascore: 76/100
Reviews: 84 user | 240 critic | 37 from Metacritic.com

15-year-old Oliver Tate has two objectives: To lose his virginity before his next birthday, and to extinguish the flame between his mother and an ex-lover who has resurfaced in her life.

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Title: Submarine (2010)

Submarine (2010) on IMDb 7.3/10

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Nominated for 1 BAFTA Film Award. Another 6 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Osian Cai Dulais ...
Lily McCann ...
Otis Lloyd ...
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Steffan Rhodri ...
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Melanie Walters ...
Sion Tudor Owen ...
Adrienne O'Sullivan ...
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Storyline

Precocious Oliver struggles with being popular in school but when a dark-haired beauty takes interest in him, he's determined to become the best boyfriend in the world. Meanwhile, his parents' already rocky relationship is threatened when his mother's ex-boyfriend moves in next door. Oliver makes some unorthodox plans to ensure that his parents stay together and that Jordana still likes him. Written by napierslogs

Plot Summary | Plot Synopsis

Taglines:

A comedy that doesn't let principles stand in the way of progress.

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and some sexual content | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

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Language:

Release Date:

18 March 2011 (UK)  »

Also Known As:

Podmornica  »

Box Office

Opening Weekend:

$41,832 (USA) (3 June 2011)

Gross:

$466,702 (USA) (12 August 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Each of the main characters has a colour which can be seen in their clothes and possessions. Oliver is blue, Jordana is red, Jill is yellow, Lloyd is brown and Graham is black. As Oliver gets to know Jordana more and more red sneaks into his palette. See more »

Goofs

Towards the end of the film, when Jordana sits next to her new boyfriend while talking to Oliver, she puts her hair back behind her ears. In the very next shot, her hair is back in front of her ears. See more »

Quotes

Oliver Tate: Jordana hates any place that could be termed romantic. With this in mind, I took her to one of my favourite industrial estates, for some quality one-on-one time.
See more »

Crazy Credits

The Art Director Sarah Pasquali is credited also as "woman who looks nothing like Jordana". See more »

Connections

Referenced in The Big Fat Quiz of the Year (2011) See more »

Soundtracks

Lux Aeterna
Written by Nigel W. Graham, Christian Telford
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User Reviews

 
Poignant, economical and distinctive British coming-of-romance
5 March 2011 | by (London, UK) – See all my reviews

A wonderful debut feature from Richard Ayoade with two sensational principal performances out of nowhere making it happen. I loved the way this film wore itself lightly, with a surface wit and nouvelle-vague jump-cut skip to its step. At the same time deep - Submarine deep? - things are stirring, not least in the uncompromising but nicely pitched score by Andrew Hewitt.

Submarine is a film that borrows the spirit but not the meat of ideas from other films. Woody Allen's diaphanous urban romances are clearly a touchstone (Oliver has a sketch of Allen above his bed). Ayoade's sensibility extends the comedy without making the reprisal bittersweetness too heavy. Everything is similarly tempered, compassionate. I laughed at characters (Paddy Considine's new age numpty being the obvious target) but never with the scowl that attends Mike Leigh's sightline.

Craig Roberts and Yasmin Paige have a decade of acting work behind them but I've never heard of them before. There's no excuse to be had any longer. Both of them are simply outstanding. Paige manages to be that ideal, semi-opaque teenage girl twisting between knowing the secrets of the world and a contradictory fragility. Roberts - the prima inter pares, it's his story - pulls off the dead-pan without simply being dead look (and also has a wonderful, heart-rending running style). Between them they manage a wonderful updating of the parochial romance of the movies of Bill Forsyth, like Local Hero and, of course, Gregory's Girl.

It's not without its shortcomings. It's a rather tightly wound film in places, with meaning in frames where perhaps it would benefit from being allowed to breathe. However it really is a four-star debut and deserves a warm reception. 7.5/10


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