A clerk in a government agency finds his unenviable life takes a turn for the horrific with the arrival of a new co-worker who is both his exact physical double and his opposite - confident, charismatic and seductive with women.
Shy, sensitive April is the class virgin, torn between an illicit flirtation with her soccer coach Mr. B and an unrequited crush on sweet stoner Teddy. Emily, meanwhile, offers sexual ... See full summary »
George, a lonely and fatalistic teen who has made it all the way to his senior year without ever having done a real day of work, is befriended by Sally, a popular but complicated girl who recognizes in him a kindred spirit.
Precocious Oliver struggles with being popular in school but when a dark-haired beauty takes interest in him, he's determined to become the best boyfriend in the world. Meanwhile, his parents' already rocky relationship is threatened when his mother's ex-boyfriend moves in next door. Oliver makes some unorthodox plans to ensure that his parents stay together and that Jordana still likes him. Written by
As Oliver daydreams about people's reaction to his death, he mentions 'Mr Dunthorne' (and his quavering voice). This could be the teacher or perhaps the Headmaster. Mr (Joe) Dunthorne is also the name of the author of the book upon which the film is based. See more »
When Oliver leaves Jordana's house after Christmas dinner, the car parked in the driveway is a 1997 Vauxhall Astra. The film is set eleven years previously in 1986. See more »
I took a photo of us, mid-embrace. When I am old and alone I will remember that I once held something truly beautiful.
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Poignant, economical and distinctive British coming-of-romance
A wonderful debut feature from Richard Ayoade with two sensational principal performances out of nowhere making it happen. I loved the way this film wore itself lightly, with a surface wit and nouvelle-vague jump-cut skip to its step. At the same time deep - Submarine deep? - things are stirring, not least in the uncompromising but nicely pitched score by Andrew Hewitt.
Submarine is a film that borrows the spirit but not the meat of ideas from other films. Woody Allen's diaphanous urban romances are clearly a touchstone (Oliver has a sketch of Allen above his bed). Ayoade's sensibility extends the comedy without making the reprisal bittersweetness too heavy. Everything is similarly tempered, compassionate. I laughed at characters (Paddy Considine's new age numpty being the obvious target) but never with the scowl that attends Mike Leigh's sightline.
Craig Roberts and Yasmin Paige have a decade of acting work behind them but I've never heard of them before. There's no excuse to be had any longer. Both of them are simply outstanding. Paige manages to be that ideal, semi-opaque teenage girl twisting between knowing the secrets of the world and a contradictory fragility. Roberts - the prima inter pares, it's his story - pulls off the dead-pan without simply being dead look (and also has a wonderful, heart-rending running style). Between them they manage a wonderful updating of the parochial romance of the movies of Bill Forsyth, like Local Hero and, of course, Gregory's Girl.
It's not without its shortcomings. It's a rather tightly wound film in places, with meaning in frames where perhaps it would benefit from being allowed to breathe. However it really is a four-star debut and deserves a warm reception. 7.5/10
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