| Photos (See all 11 | slideshow) | Videos (see all 15) |
| Regina Advento | ... | Herself - Dancer | |
| Malou Airaudo | ... | Herself - Dancer | |
| Ruth Amarante | ... | Herself - Dancer | |
| Jorge Puerta | ... | Himself - Dancer (as Jorge Puerta Armenta) | |
| Pina Bausch | ... | Herself (archive footage) | |
| Rainer Behr | ... | Himself - Dancer | |
| Andrey Berezin | ... | Himself - Dancer | |
| Damiano Ottavio Bigi | ... | Himself - Dancer | |
| Bénédicte Billet | ... | Herself - Dancer | |
| Ales Cucek | ... | Himself - Dancer | |
| Clementine Deluy | ... | Herself - Dancer | |
| Josephine Ann Endicott | ... | Herself - Dancer | |
| Lutz Förster | ... | Himself - Dancer | |
| Pablo Aran Gimeno | ... | Himself - Dancer | |
| Mechthild Grossmann | ... | Herself - Dancer | |
| Silvia Farias Heredía | ... | Herself - Dancer | |
| Barbara Kaufmann | ... | Herself - Dancer | |
| Nayoung Kim | ... | Herself - Dancer | |
| Daphnis Kokkinos | ... | Himself - Dancer | |
| Ed Kortlandt | ... | Himself - Dancer | |
| Eddie Martinez | ... | Herself - Dancer | |
| Dominique Mercy | ... | Himself - Dancer | |
| Thusnelda Mercy | ... | Herself - Dancer | |
| Ditta Miranda Jasjfi | ... | Herself - Dancer | |
| Cristiana Morganti | ... | Herself - Dancer | |
| Morena Nascimento | ... | Herself - Dancer | |
| Nazareth Panadero | ... | Herself - Dancer | |
| Helena Pikon | ... | Herself - Dancer | |
| Fabien Prioville | ... | Himself - Dancer | |
| Jean-Laurent Sasportes | ... | Himself - Dancer | |
| Franko Schmidt | ... | Himself - Dancer | |
| Azusa Seyama | ... | Herself - Dancer | |
| Julie Shanahan | ... | Herself - Dancer | |
| Julie Anne Stanzak | ... | Herself - Dancer | |
| Michael Strecker | ... | Himself - Dancer | |
| Fernando Suels | ... | Himself - Dancer (as Fernando Suels Mendoza) | |
| Aida Vainieri | ... | Herself - Dancer | |
| Anna Wehsarg | ... | Herself - Dancer | |
| Tsai-Chin Yu | ... | Herself - Dancer | |
| A.A. Gonzales | ... | Guest Dancer for 'Le Sacre du printemps' (as Alexander Abad Gonzalez) | |
| Stephen Brinkmann | ... | Guest Dancer for 'Le Sacre du printemps' | |
| M.C. Esteban | ... | Guest Dancer for 'Le Sacre du printemps' (as Maritxell Checa Esterban) | |
| Paul Hess | ... | Guest Dancer for 'Le Sacre du printemps' | |
| Rudolf Giglberger | ... | Guest Dancer for 'Le Sacre du printemps' | |
| Mu-Yi Kuo | ... | Guest Dancer for 'Le Sacre du printemps' | |
| Chrystel Wu Guillebeaud | ... | Guest in 'Le Sacre du printemps' | |
| Szu-Wei Wu | ... | Guest Dancer for 'Le Sacre du printemps' | |
| Tomoko Yamashita | ... | Guest Dancer for 'Le Sacre du printemps' | |
| Sergey Zhukov | ... | Guest Dancer for 'Le Sacre du printemps' | |
| Andy Zondag | ... | Guest Dancer for 'Le Sacre du printemps' | |
| Sandrine Pillon | ... | Narrator |
Directed by | |||
| Wim Wenders | |||
Writing credits | ||
| Wim Wenders | (written by) | |
Produced by | |||
| Heiner Bastian | .... | associate producer | |
| Wolfgang Bergmann | .... | commissioning editor | |
| Chris Bolzli | .... | co-producer | |
| Peter Hermann | .... | line producer | |
| Gabriele Heuser | .... | commissioning editor | |
| Stephan Mallmann | .... | associate producer | |
| Helen Olive | .... | line producer | |
| Claudie Ossard | .... | co-producer | |
| Gian-Piero Ringel | .... | producer | |
| Stefan Rüll | .... | associate producer | |
| Erwin M. Schmidt | .... | producer: 3D | |
| Dieter Schneider | .... | commissioning editor | |
| Jeremy Thomas | .... | executive producer | |
| Wim Wenders | .... | producer | |
| Mohammad Zahoor | .... | associate producer (as Dr. Mohammad Zahoor) | |
Original Music by | |||
| Thom | (as Thom Hanreich) | ||
Cinematography by | |||
| Hélène Louvart | (director of photography) | ||
| Jörg Widmer | (director of photography) | ||
Film Editing by | |||
| Toni Froschhammer | |||
Art Direction by | |||
| Péter Pabst | |||
Costume Design by | |||
| Rolf Börzik | |||
| Marion Cito | |||
Makeup Department | |||
| Fritz Schulze | .... | makeup artist | |
| Susanne Tenner | .... | makeup artist | |
| Astrid Weber | .... | makeup artist | |
| Martina Ostländer | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Tina Bockeloh | .... | unit manager | |
| Dominik Bollen | .... | post-production supervisor | |
| Christoph Stec | .... | assistant to unit manager | |
Second Unit Director or Assistant Director | |||
| Heidi Frankl | .... | first assistant director: re-shoot | |
| Corinne Le Hong | .... | first assistant director | |
Art Department | |||
| Rolf Börzik | .... | set designer | |
| Arnulf Eichholz | .... | props | |
| Péter Pabst | .... | set designer | |
| Helga Rechenbach | .... | provider: artwork, Propaganda B | |
| Ulrike Robben | .... | provider: artwork, Propaganda B | |
| Dietrich Roeder | .... | stage technician | |
| Jan Szito | .... | props | |
| Martin Winterscheidt | .... | stage technician | |
Sound Department | |||
| Benjamin Bober | .... | boom operator | |
| Alexander Buck | .... | sound editor | |
| Ivan Dumas | .... | boom operator | |
| Andreas Eisenschneider | .... | stage sound | |
| Carsten Fischer | .... | stage sound | |
| Matthias Lempert | .... | sound re-recording mixer | |
| Christian Lerch | .... | dolby sound consultant | |
| René Pretschiner | .... | adr | |
| Carsten Richter | .... | foley artist | |
| André Rigaut | .... | sound recordist | |
| Hanse Warns | .... | foley mixer | |
| Eric Horstmann | .... | re-recording stage engineer (uncredited) | |
Visual Effects by | |||
| Stefan Albertz | .... | stereoscopic consultant: Pictorion Das Werk | |
| Alexander Falk | .... | system administrator: Pictorion Das Werk | |
| Kalle Max Hofmann | .... | visual effects artist: Pictorion Das Werk | |
| Christian Meckel | .... | system engineer: P{ictorion Das Werk | |
| Thomas Schernikau | .... | system administrator (uncredited) | |
Camera and Electrical Department | |||
| Rainer Ahrens | .... | additional electrician | |
| Sebastian Ahrens | .... | additional electrician | |
| Amedeo Balestrieri | .... | lighting support | |
| Hugo Barbier | .... | camera operator: "b" camera | |
| Philippe Bordelais | .... | provider: 3d camera equipment | |
| Wolfgang Buhl | .... | additional electrician | |
| Jean Chesneau | .... | key grip | |
| Alain Derobe | .... | provider: 3d camera equipment | |
| Alain Derobe | .... | stereographer | |
| Josephine Derobe | .... | stereographer | |
| Fabian Ferri | .... | additional electrician | |
| Lena Fliessbach | .... | photo trainee | |
| Francois Garnier | .... | 3D supervisor | |
| Kerstin Hardt | .... | follow spot operator | |
| Stefan Hase | .... | remote system technician | |
| Udo Heinz | .... | electrician | |
| Marian Heymann | .... | grip assistant | |
| Pierrot Hoepfner | .... | assistant photographer | |
| Fernando Jacon | .... | lighting director | |
| Jens Kaschub | .... | additional grip | |
| Katl-Peter Kegler | .... | additional electrician | |
| Michael Koch | .... | electrician | |
| Jasper Lenz | .... | additional electrician | |
| Jürgen Leyh | .... | additional electrician | |
| Imke Linde | .... | electrician | |
| Christian Meyer | .... | 3d lens control | |
| Christian Meyer | .... | provider: 3d camera equipment | |
| Francisco Ochoa-Wagner | .... | grip assistant (as Francisco Ochoa Wagner) | |
| Patrick J. Palmer | .... | 3d consultant | |
| Christoph Philippsen | .... | electrician | |
| Eric Poss | .... | additional electrician | |
| Thierry Pouffary | .... | first assistant camera | |
| Thierry Pouffary | .... | stereographer | |
| Lars Priesack | .... | follow spot operator | |
| Florian Rettich | .... | high definition supervisor | |
| Sabine Rösing | .... | second assistant camera | |
| Roman Schauerte | .... | second assistant camera | |
| Laura Schmidt | .... | photography management | |
| Andreas Schüler | .... | remote system specialist | |
| Jennifer Simon | .... | additional electrician | |
| Benjamin Taye | .... | additional electrician | |
| Joe Verlei | .... | electrician | |
| Donata Wenders | .... | still photographer | |
| Jörg Widmer | .... | steadicam operator | |
| Martin Wysmyk | .... | additional electrician | |
| Konrad Zimmermann | .... | second assistant camera | |
| Hanna Zwinge | .... | follow spot operator | |
Costume and Wardrobe Department | |||
| Harald Boll | .... | wardrobe | |
| Silvia Franco | .... | wardrobe | |
| Andreas Maier | .... | wardrobe | |
| Katrin Moos | .... | wardrobe | |
| Ulrike Schneider | .... | wardrobe | |
Editorial Department | |||
| Wolf Bosse | .... | digital intermediate supervisor | |
| Michael Brink | .... | digital intermediate producer | |
| Joerg Bruemmer | .... | digital intermediate on-line finishing and depth grading (as Jörg Brümmer) | |
| Maxine Goedicke | .... | assistant editor | |
| Francesca Hecht | .... | post-production coordinator | |
| Sven Heck | .... | digital intermediate on-line finishing and depth grading | |
| Lola Knoblach | .... | digital intermediate coordinator | |
| Christian Kröhl | .... | assistant color grading | |
| Frieda Oberlin | .... | digital intermediate supervisor | |
| Moritz Peters | .... | color grading | |
| Scherin Rajakumaran | .... | digital intermediate coordinator: Cinecolor Argentina | |
| Gerhard Spring | .... | digital intermediate recording | |
| Jonas Thorbrügge | .... | assistant color grading | |
| Christian Tröger | .... | digital intermediate on-line finishing and depth grading | |
| Philip Whitfield | .... | color grading | |
| Nico Hauter | .... | digital intermediate color assist (uncredited) | |
| Philipp Orgassa | .... | colorist (uncredited) | |
Music Department | |||
| Michael Beckmann | .... | music supervisor (as Beckmann) | |
| Barbara Berndorff | .... | music legal advisor | |
| Matthias Burkert | .... | musical director | |
| Andreas Eisenschneider | .... | musical director | |
| Milena Fessmann | .... | music supervisor | |
Transportation Department | |||
| Jochen Behle | .... | production driver | |
| Tim Großkurth | .... | production driver (as Tim Grosskurth) | |
| Manfred Harth | .... | production driver | |
| Jörg Vincent Malotki | .... | production driver | |
Other crew | |||
| Malou Airaudo | .... | rehearsal director: Café Müller | |
| Pina Bausch | .... | choreographer | |
| Bénédicte Billet | .... | rehearsal director: Kontakhof | |
| Sophie Borowsky | .... | production lawyer | |
| Xenia Brauer | .... | production trainee | |
| Boris Dillen | .... | production accountant | |
| Paula Eickmann | .... | set runner | |
| Josephine Ann Endicott | .... | rehearsal director: Kontakhof | |
| Marie-Christine Ernst | .... | production coordinator | |
| Heidi Frankl | .... | personal assistant to director | |
| Elisa Gomis | .... | production coordinator | |
| Tim Haslam | .... | worldwide sales | |
| Marie-Noelle Hauville | .... | production accountant | |
| Martina Hedwig | .... | assistant to producer | |
| Annette Hellerung | .... | subtitling: Alias | |
| Dagmar Jacobsen | .... | subtitling: Alias | |
| Barbara Kaufmann | .... | rehearsal director: Le Sacre du printemps | |
| Alainée Kent | .... | for recorded picture company | |
| Daphnis Kokkinos | .... | rehearsal director: Vollmond | |
| Anne Lensing | .... | script supervisor | |
| Manfred Marczewski | .... | technical director | |
| Gerold Marks | .... | publicist: internet | |
| Charles McDonald | .... | publicist: international | |
| Dominique Mercy | .... | rehearsal director: Le Sacre du printemps | |
| Dominique Mercy | .... | rehearsal director: Vollmond | |
| Florian Miller | .... | production trainee | |
| Barbara Mutschler | .... | assistant to producer | |
| Ina Novotny | .... | assistant accountant | |
| Volker Otte | .... | film funding lawyer | |
| Helena Pikon | .... | rehearsal director: Café Müller | |
| Jorg Ramershoven | .... | technical director | |
| Leonie Rolle | .... | production trainee | |
| Stefan Rüll | .... | production lawyer (as Dr. Stefan Rüll) | |
| René Saldjughian | .... | location manager | |
| David Scharr | .... | set runner | |
| Reinhard Schmidt | .... | production trainee | |
| Kai Siggelkow | .... | floor manager | |
| Zoe Simijonovic | .... | script supervisor (as Sonja Zoe Simijonovic) | |
| Robert Sturm | .... | rehearsal director: Vollmond | |
| Frederic Suprano | .... | certified accountant (as Frédéric Suprano) | |
| Kenji Takagi | .... | rehearsal director: Le Sacre du printemps | |
| Ben von Dobeneck | .... | assistant to producer | |
| Carolin von Roth | .... | personal assistant to director | |
| Fabien Westerhoff | .... | worldwide sales | |
| Felicitas Willems | .... | stage manager | |
| Anke Zindler | .... | publicist | |
| Paul Zischler | .... | assistant to producer | |
| Dominique Mercy | .... | art advisor (uncredited) | |
Thanks | |||
| Solomon Bausch | .... | special thanks | |
| Tom Tykwer | .... | special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Did not enjoy it | KolaDude |
| Favorite Scene? | osully67 |
| Song that starts around 45:30 | mayank020 |
| Song at 01:25:00 | suprememark |
| Where can I see this film? | Libbylou17 |
| portuguese fado | roberto-97 |
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| Poussières d'amour - Abfallprodukte der Liebe | Home | Cave of Forgotten Dreams | Film socialisme | Kool - Dancing in My Mind |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb Germany section |
Whether Wender's work is considered a film, eulogy or a documentary, I can say that I have never felt so much for a production of moving pictures before that I would feel the necessity to express my thoughts through written words.
I have a great passion for dance and used to practice it a lot more a few years ago. Hence, this film was a must-see for me whatever whoever says. The downside with dance on film is the failure of the screen to convey depth, and I didn't find the 3D effects particularly impressing here, I must admit. But then again, without it, I am sure it would be hard not to get dull watching 100 minutes of flat images, sometimes randomly and unexpectedly cut of the context.
Because there is no storyline in the film. Not very much of replicas either to explain in clear words why or if the different pieces are linked together, and definitely nothing to tell about Pina Bausch's private life. But that is also what makes this film so clean and consistent; dance says it all.
If Pina lived today, her presence in the film would certainly be more evident to us. The film would let us follow her and her dance company on performances with more straight forward dialogues. Instead, the spirit of Pina is expressed through dance here. Dance is the way she would use to communicate her messages to the world, so why would words then be necessary? Even less, why would personal details of her life matter in this film when what we will remember of her, as with other known names throughout the history, will be for their creations, inspirations and contributions to our world?
Pina's art is shown piece by piece in the film featuring choreographies and performing arts carried out by her closest dancers in different milieux. Both outdoors in the open landscape and modern cityscape, as well as indoors on a stage. It expresses diversity and unity at the same time, gives life to poetry and most remarkably, making music visible in a way that I have not seen in a film before. It describes relationships between men and women, young and old, human and nature, along with senses of loneliness, yearning, passion, pain and joy mixed with a dose of subtle humour.
And they are all performed by a group of highly skillful professionals of different ages, nationalities and languages, whom sometimes, through open monologues, give us an insight on Pina's character. Not only do they reach out to touch by movements, but also through empathy and facial expressions of compassion, making them very credible actors/actresses.
To sum up: If you can deal with lack of dialogues without getting bored, make sure then to have some understanding about dance, or a general interest in art and scenography to truly appreciate this film. It is a definition of beauty and a way to remember Pina Bausch.