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Pina (2011) More at IMDbPro »

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Pina -- "Dance, dance, or we are lost." Pina Bausch's final words summarize her life and provide the inspiration for acclaimed director Wim Wenders' (WINGS OF DESIRE, BUENA VISTA SOCIAL CLUB) breathtaking tribute to the legendary choreographer. Bausch and her Tanztheater Wuppertal elevated dance into brilliantly subversive new expressive realms.
Pina -- A tribute to choreographer Pina Bausch.


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Wim Wenders (written by)
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Release Date:
24 February 2011 (Germany) See more »
Dance, dance, otherwise we are lost
A tribute to the late German choreographer, Pina Bausch, as her dancers perform her most famous creations. Full summary » | Add synopsis »
Nominated for Oscar. Another 11 wins & 20 nominations See more »
User Reviews:
Unexpected results… See more (47 total) »


  (in credits order)
Regina Advento ... Herself - Dancer
Malou Airaudo ... Herself - Dancer
Ruth Amarante ... Herself - Dancer
Jorge Puerta ... Himself - Dancer (as Jorge Puerta Armenta)
Pina Bausch ... Herself (archive footage)
Rainer Behr ... Himself - Dancer
Andrey Berezin ... Himself - Dancer
Damiano Ottavio Bigi ... Himself - Dancer
Bénédicte Billet ... Herself - Dancer
Ales Cucek ... Himself - Dancer
Clementine Deluy ... Herself - Dancer
Josephine Ann Endicott ... Herself - Dancer
Lutz Förster ... Himself - Dancer
Pablo Aran Gimeno ... Himself - Dancer
Mechthild Großmann ... Herself - Dancer
Silvia Farias Heredía ... Herself - Dancer
Barbara Kaufmann ... Herself - Dancer
Na Young Kim ... Herself - Dancer (as Nayoung Kim)
Daphnis Kokkinos ... Himself - Dancer
Ed Kortlandt ... Himself - Dancer
Eddie Martinez ... Herself - Dancer
Dominique Mercy ... Himself - Dancer
Thusnelda Mercy ... Herself - Dancer
Ditta Miranda Jasjfi ... Herself - Dancer
Cristiana Morganti ... Herself - Dancer
Morena Nascimento ... Herself - Dancer
Nazareth Panadero ... Herself - Dancer
Helena Pikon ... Herself - Dancer
Fabien Prioville ... Himself - Dancer
Jean-Laurent Sasportes ... Himself - Dancer
Franko Schmidt ... Himself - Dancer
Azusa Seyama ... Herself - Dancer
Julie Shanahan ... Herself - Dancer
Julie Anne Stanzak ... Herself - Dancer
Michael Strecker ... Himself - Dancer
Fernando Suels ... Himself - Dancer (as Fernando Suels Mendoza)
Aida Vainieri ... Herself - Dancer
Anna Wehsarg ... Herself - Dancer
Tsai-Chin Yu ... Herself - Dancer
A.A. Gonzales ... Guest Dancer for 'Le Sacre du printemps' (as Alexander Abad Gonzalez)
Stephen Brinkmann ... Guest Dancer for 'Le Sacre du printemps'
M.C. Esteban ... Guest Dancer for 'Le Sacre du printemps' (as Maritxell Checa Esterban)
Paul Hess ... Guest Dancer for 'Le Sacre du printemps'
Rudolf Giglberger ... Guest Dancer for 'Le Sacre du printemps'
Mu-Yi Kuo ... Guest Dancer for 'Le Sacre du printemps'
Chrystel Wu Guillebeaud ... Guest in 'Le Sacre du printemps'
Szu-Wei Wu ... Guest Dancer for 'Le Sacre du printemps'
Tomoko Yamashita ... Guest Dancer for 'Le Sacre du printemps'
Sergey Zhukov ... Guest Dancer for 'Le Sacre du printemps'
Sandrine Pillon ... Narrator
Andy Zondag ... Guest Dancer for 'Le Sacre du printemps'

Directed by
Wim Wenders 
Writing credits
Wim Wenders (written by)

Produced by
Heiner Bastian .... associate producer
Wolfgang Bergmann .... commissioning editor
Chris Bolzli .... co-producer
Peter Hermann .... line producer
Gabriele Heuser .... commissioning editor
Stephan Mallmann .... associate producer
Helen Olive .... line producer
Claudie Ossard .... co-producer
Gian-Piero Ringel .... producer
Stefan Rüll .... associate producer
Erwin M. Schmidt .... producer: 3D
Dieter Schneider .... commissioning editor
Jeremy Thomas .... executive producer
Wim Wenders .... producer
Mohammad Zahoor .... associate producer (as Dr. Mohammad Zahoor)
Original Music by
Thom  (as Thom Hanreich)
Cinematography by
Hélène Louvart (director of photography)
Jörg Widmer (director of photography)
Film Editing by
Toni Froschhammer 
Art Direction by
Péter Pabst 
Costume Design by
Rolf Börzik 
Marion Cito 
Makeup Department
Fritz Schulze .... makeup artist
Susanne Tenner .... makeup artist
Astrid Weber .... makeup artist
Martina Ostländer .... additional makeup artist (uncredited)
Production Management
Tina Bockeloh .... unit manager
Dominik Bollen .... post-production supervisor
Christoph Stec .... assistant to unit manager
Second Unit Director or Assistant Director
Heidi Frankl .... first assistant director: re-shoot
Corinne Le Hong .... first assistant director
Art Department
Rolf Börzik .... set designer
Arnulf Eichholz .... props
Péter Pabst .... set designer
Helga Rechenbach .... provider: artwork, Propaganda B
Ulrike Robben .... provider: artwork, Propaganda B
Dietrich Roeder .... stage technician
Jan Szito .... props
Martin Winterscheidt .... stage technician
Sound Department
Benjamin Bober .... boom operator
Alexander Buck .... sound editor
Ivan Dumas .... boom operator
Andreas Eisenschneider .... stage sound
Carsten Fischer .... stage sound
Matthias Lempert .... sound re-recording mixer
Christian Lerch .... dolby sound consultant
René Pretschiner .... adr
Carsten Richter .... foley artist
André Rigaut .... sound recordist
Hanse Warns .... foley mixer
Eric Horstmann .... re-recording stage engineer (uncredited)
Visual Effects by
Stefan Albertz .... stereoscopic consultant: Pictorion Das Werk
Alexander Falk .... system administrator: Pictorion Das Werk
Kalle Max Hofmann .... visual effects artist: Pictorion Das Werk
Christian Meckel .... system engineer: P{ictorion Das Werk
Christian Tröger .... digital intermediate conform and finishing artist (stereoscopic)
Thomas Schernikau .... system administrator (uncredited)
Camera and Electrical Department
Rainer Ahrens .... additional electrician
Sebastian Ahrens .... additional electrician
Amedeo Balestrieri .... lighting support
Hugo Barbier .... camera operator: "b" camera
Philippe Bordelais .... provider: 3d camera equipment
Wolfgang Buhl .... additional electrician
Jean Chesneau .... key grip
Alain Derobe .... provider: 3d camera equipment
Alain Derobe .... stereographer
Josephine Derobe .... stereographer
Fabian Ferri .... additional electrician
Lena Fliessbach .... photo trainee
Francois Garnier .... 3D supervisor
Kerstin Hardt .... follow spot operator
Stefan Hase .... remote system technician
Udo Heinz .... electrician
Marian Heymann .... grip assistant
Pierrot Hoepfner .... assistant photographer
Fernando Jacon .... lighting director
Jens Kaschub .... additional grip
Katl-Peter Kegler .... additional electrician
Michael Koch .... electrician
Jasper Lenz .... additional electrician
Jürgen Leyh .... additional electrician
Imke Linde .... electrician
Christian Meyer .... 3d lens control
Christian Meyer .... provider: 3d camera equipment
Francisco Ochoa-Wagner .... grip assistant (as Francisco Ochoa Wagner)
Patrick J. Palmer .... 3d consultant
Christoph Philippsen .... electrician
Eric Poss .... additional electrician
Thierry Pouffary .... first assistant camera
Thierry Pouffary .... stereographer
Lars Priesack .... follow spot operator
Florian Rettich .... high definition supervisor
Sabine Rösing .... first assistant camera: b camera
Roman Schauerte .... second assistant camera
Laura Schmidt .... photography management
Andreas Schüler .... remote system specialist
Jennifer Simon .... additional electrician
Benjamin Taye .... additional electrician
Joe Verlei .... electrician
Donata Wenders .... still photographer
Jörg Widmer .... steadicam operator
Martin Wysmyk .... additional electrician
Konrad Zimmermann .... second assistant camera
Hanna Zwinge .... follow spot operator
Costume and Wardrobe Department
Harald Boll .... wardrobe
Silvia Franco .... wardrobe
Andreas Maier .... wardrobe
Katrin Moos .... wardrobe
Ulrike Schneider .... wardrobe
Editorial Department
Wolf Bosse .... digital intermediate supervisor
Michael Brink .... digital intermediate producer
Joerg Bruemmer .... digital intermediate on-line finishing and depth grading (as Jörg Brümmer)
Maxine Goedicke .... assistant editor
Francesca Hecht .... post-production coordinator
Sven Heck .... digital intermediate on-line finishing and depth grading
Lola Knoblach .... digital intermediate coordinator
Christian Kröhl .... assistant color grading
Frieda Oberlin .... digital intermediate supervisor
Moritz Peters .... color grading
Scherin Rajakumaran .... digital intermediate coordinator: Cinecolor Argentina
Gerhard Spring .... digital intermediate recording
Jonas Thorbrügge .... assistant color grading
Christian Tröger .... digital intermediate on-line finishing and depth grading
Philip Whitfield .... color grading
Nico Hauter .... digital intermediate color assist (uncredited)
Philipp Orgassa .... colorist (uncredited)
Music Department
Michael Beckmann .... music supervisor (as Beckmann)
Barbara Berndorff .... music legal advisor
Matthias Burkert .... musical director
Andreas Eisenschneider .... musical director
Milena Fessmann .... music supervisor
Transportation Department
Jochen Behle .... production driver
Tim Großkurth .... production driver (as Tim Grosskurth)
Manfred Harth .... production driver
Jörg Vincent Malotki .... production driver
Other crew
Malou Airaudo .... rehearsal director: Café Müller
Pina Bausch .... choreographer
Bénédicte Billet .... rehearsal director: Kontakhof
Sophie Borowsky .... production lawyer
Xenia Brauer .... production trainee
Boris Dillen .... production accountant
Paula Eickmann .... set runner
Josephine Ann Endicott .... rehearsal director: Kontakhof
Marie-Christine Ernst .... production coordinator
Heidi Frankl .... personal assistant to director
Elisa Gomis .... production coordinator
Tim Haslam .... worldwide sales
Marie-Noëlle Hauville .... production accountant
Martina Hedwig .... assistant to producer
Annette Hellerung .... subtitling: Alias
Dagmar Jacobsen .... subtitling: Alias
Barbara Kaufmann .... rehearsal director: Le Sacre du printemps
Alainée Kent .... for recorded picture company
Daphnis Kokkinos .... rehearsal director: Vollmond
Anne Lensing .... script supervisor
Manfred Marczewski .... technical director
Gerold Marks .... publicist: internet
Charles McDonald .... publicist: international
Dominique Mercy .... rehearsal director: Le Sacre du printemps
Dominique Mercy .... rehearsal director: Vollmond
Florian Miller .... production trainee
Barbara Mutschler .... assistant to producer
Ina Novotny .... assistant accountant
Volker Otte .... film funding lawyer
Helena Pikon .... rehearsal director: Café Müller
Jorg Ramershoven .... technical director
Leonie Rolle .... production trainee
Stefan Rüll .... production lawyer (as Dr. Stefan Rüll)
René Saldjughian .... location manager
David Scharr .... set runner
Reinhard Schmidt .... production trainee
Kai Siggelkow .... set manager
Zoe Simijonovic .... script supervisor (as Sonja Zoe Simijonovic)
Robert Sturm .... rehearsal director: Vollmond
Frederic Suprano .... certified accountant (as Frédéric Suprano)
Kenji Takagi .... rehearsal director: Le Sacre du printemps
Ben von Dobeneck .... assistant to producer
Carolin von Roth .... personal assistant to director
Felicitas Willems .... stage manager
Anke Zindler .... publicist
Paul Zischler .... assistant to producer
Dominique Mercy .... art advisor (uncredited)
Solomon Bausch .... special thanks
Tom Tykwer .... special thanks

Production CompaniesDistributorsSpecial EffectsOther Companies

Additional Details

Also Known As:
Rated PG for some sensuality/partial nudity and smoking
USA:103 min
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:

Did You Know?

Germany's official submission to the Best Foreign Language Film category of the 84th Academy Awards 2012.See more »
Pina Bausch:What are we longing for? Where does all this yearning come from?See more »
Movie Connections:
Featured in The 84th Annual Academy Awards (2012) (TV)See more »
Fat Ass JointSee more »


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51 out of 63 people found the following review useful.
Unexpected results…, 6 April 2011
Author: Dyscolius from France

I had a lot of preconceived ideas about this documentary before seeing it. They all came flat whenever I entered a Parisian movie house on the Champs-Élysées. That is to say, a few hours ago — the 6 of April being the French release date of Pina.

I was initially skeptical about the 3-D. The wave of Hollywood-like and -made items following Avatar has not convinced me. The new technique has remained a mere gimmick, funny and compelling at first sight, but eventually tedious. In this rather commercial context, Wim Wenders seems to be first « classical filmmaker » to use it for artistic purposes, that is as an adequate medium to render the complexity of Pina Bausch's choreography. Also, the critical reception during the Berlinale turned out rather positively. Nevertheless several reviews insisted upon the unrealistic effects of 3-D : the dancers' body would seem strangely « clean », almost virtual. I tended to agree with these considerations. I quickly understood my mistake. Wenders never uses 3-D for the sake of 3-D. Most of the time the viewer forgets its existence. It only appears from time to time : a sudden big shot, leaves floating in the air, drops of water falling on human skin, curtains dividing the space… Theses are all magical moments. They reveal a new way of seeing reality and contain the premise of a might-able aesthetic revolution. Till the 1950's people used to dream in black-white. Perhaps, soon, I will be dreaming in 3-D.

On the other hand, I expected much of the Wender-Bausch dialog. Of course, with Pina dying on the eve of filming, the dialog could only have been posthumous. Well, the result is not so good. The film composes a beautiful, moving elegy to a great artist, but nothing more. After a first, innovating and convincing half-hour, Wenders' narration becomes repetitive and monotonous. It's mostly a serial of individual focus on dancers who all equally says how fine Pina was and sorry they are about her death. The film does not go beyond an extensive, overlong tribute. Preceding Wender's documentaries really showed the in and out of things : Tokyo-Ga revealed the paradoxical legacy of Ozu, and the Buena Vista Social Club the spontaneous life of the homonymous music band. Here, there is no paradox and not much spontaneity. Strangely enough a 3-D film only reveals a one-dimensional image of Pina Bausch : an unaccessible goddess, far away from the livings, and far away from the living person she was.

My final statement : an overlong documentary, but, probably, the cinematic experiment of the year. It's not a must-like, but a definite must-see. Eight out of ten.

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Recent Posts (updated daily)User
Did not enjoy it KolaDude
The amazing chillaxing song at 24th minute ? dr-tiger-445-663395
Le Sacre du Printemps - complete? jollyjim3939
More of Pina dancing please! tim-siu
Song that starts around 45:30 mayank020
Song at 01:25:00 suprememark
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