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A tribute to the late German choreographer, Pina Bausch, as her dancers perform her most famous creations.

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Nominated for 1 Oscar. Another 10 wins & 23 nominations. See more awards »

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Cast

Cast overview, first billed only:
Regina Advento ...
Herself - Dancer
Malou Airaudo ...
Herself - Dancer
Ruth Amarante ...
Herself - Dancer
Jorge Puerta ...
Himself - Dancer (as Jorge Puerta Armenta)
...
Herself (archive footage)
Rainer Behr ...
Himself - Dancer
Andrey Berezin ...
Himself - Dancer
Damiano Ottavio Bigi ...
Himself - Dancer
Bénédicte Billet ...
Herself - Dancer
Ales Cucek ...
Himself - Dancer
Clementine Deluy ...
Herself - Dancer
Josephine Ann Endicott ...
Herself - Dancer
Lutz Förster ...
Himself - Dancer
Pablo Aran Gimeno ...
Himself - Dancer
Mechthild Großmann ...
Herself - Dancer
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Storyline

In modern dance since the 1970s, few choreographers have had more influence in the medium than the late Pina Bausch. This film explores the life and work of this artist of movement while we see her company perform her most notable creations where basic things like water, dirt and even gravity take on otherworldly qualities in their dancing. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Add Synopsis

Taglines:

Dance, dance, otherwise we are lost

Genres:

Documentary

Motion Picture Rating (MPAA)

Rated PG for some sensuality/partial nudity and smoking | See all certifications »

Parents Guide:

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Details

Country:

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Release Date:

24 February 2011 (Germany)  »

Also Known As:

Pina - ein Tanzfilm in 3D  »

Box Office

Budget:

€3,238,460 (estimated)

Opening Weekend:

£71,809 (UK) (22 April 2011)

Gross:

$3,520,458 (USA) (4 May 2012)
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Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

For twenty years, Wim Wenders had wanted to make a documentary about the choreographer and dancer Pina Bausch. See more »

Quotes

Pina Bausch: What are we longing for? Where does all this yearning come from?
See more »

Connections

Referenced in Midnight Movie Review: Film Top 10 2011 (2012) See more »

Soundtracks

Rooftop
Written and Performed by Thom and Sebastian Padotzke
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User Reviews

 
Beautifully composed piece of art to remember Pina Bausch and contemporary dance with.
13 June 2011 | by (Paris, France) – See all my reviews

Whether Wender's work is considered a film, eulogy or a documentary, I can say that I have never felt so much for a production of moving pictures before that I would feel the necessity to express my thoughts through written words.

I have a great passion for dance and used to practice it a lot more a few years ago. Hence, this film was a must-see for me whatever whoever says. The downside with dance on film is the failure of the screen to convey depth, and I didn't find the 3D effects particularly impressing here, I must admit. But then again, without it, I am sure it would be hard not to get dull watching 100 minutes of flat images, sometimes randomly and unexpectedly cut of the context.

Because there is no storyline in the film. Not very much of replicas either to explain in clear words why or if the different pieces are linked together, and definitely nothing to tell about Pina Bausch's private life. But that is also what makes this film so clean and consistent; dance says it all.

If Pina lived today, her presence in the film would certainly be more evident to us. The film would let us follow her and her dance company on performances with more straight forward dialogues. Instead, the spirit of Pina is expressed through dance here. Dance is the way she would use to communicate her messages to the world, so why would words then be necessary? Even less, why would personal details of her life matter in this film when what we will remember of her, as with other known names throughout the history, will be for their creations, inspirations and contributions to our world?

Pina's art is shown piece by piece in the film featuring choreographies and performing arts carried out by her closest dancers in different milieux. Both outdoors in the open landscape and modern cityscape, as well as indoors on a stage. It expresses diversity and unity at the same time, gives life to poetry and most remarkably, making music visible in a way that I have not seen in a film before. It describes relationships between men and women, young and old, human and nature, along with senses of loneliness, yearning, passion, pain and joy mixed with a dose of subtle humour.

And they are all performed by a group of highly skillful professionals of different ages, nationalities and languages, whom sometimes, through open monologues, give us an insight on Pina's character. Not only do they reach out to touch by movements, but also through empathy and facial expressions of compassion, making them very credible actors/actresses.

To sum up: If you can deal with lack of dialogues without getting bored, make sure then to have some understanding about dance, or a general interest in art and scenography to truly appreciate this film. It is a definition of beauty and a way to remember Pina Bausch.


18 of 23 people found this review helpful.  Was this review helpful to you?

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